... inclusive. This not only systematically eliminates the distortions and inconsistencies that crop up with respect to mixed cardinality csegs but also provides a considerably more nuanced metric for intervallic distances in contour space. Using analytical case studies juxtaposing the two notational systems...

..., just as, in performance, real-time process is a (rehearsed) response to the notational product that is the written-down score and parts. Hasty’s task is not to decry the processes of analytical reflection, but rather to argue that such reflection needs completing—preceding?—by principled rather...

...Kara Yoo Leaman Abstract The choreography of George Balanchine has long been described as “musical.” By applying music-analytic tools to patterns in dance, this essay analyzes relationships between dance and music in Balanchine's Concerto Barocco , set to J. S. Bach's Concerto for Two Violins (BWV...

...- ularly-paced structures. 5. The voice-leading analyses of Peterson’s performances given in this article follow guidelines for “strict use” of analytic notation listed in Larson (1996): all notes of the surface are represented (except repeated notes and the most obvious ornamen- tal neighbor...

..., Schenker’s historical place and the integrity of his method, the status of the analytic notation in relation to a composition, the problem of reduc- tion in Schenker’s late work, and the analytic notation as writing (here, Kofi Agawu and Nicholas Cook join the conversation).7 Another advantage to being...

... in such cases. It could be argued that this further level of analyt- ical reduction (beyond that of merely excising dissonances) does not require semitones to be placed in the cantus where they are not specifi- cally notated.41 I would argue, however, that if semitones are placed wher- ever such a two...

... by Rothstein 1989, and the cognitive one, exemplified by Ler- dahl and Jackendoff 1983. The analytical approach to hypermeter privileges notated measures, whereas the cognitive approach declines to mark any one level with a comparable kind of special attention.1 I...

... of justifying such seemingly curious occurrences from a harmonic perspective. I contend that the problem rests in the fact that these linear chords are misleadingly categorized through inappropriate analytical notation, stemming from misap- propriations...

... graphs that reflect the orientation intrinsic to tonal hear- Journal of Music Theory  58:2, Fall 2014 DOI 10.1215/00222909-2781789  © 2014 by Yale University 257 258 JOURNAL of MUSIC THEORY ing. The book’s analytical chapters (chaps. 4–7), as well...

... to another member of the tonic triad on the fourth beat. And all tracks do this in a way that results in complete triads on both third and fourth beats. The result is shown in Example 6, with the tran- scription along the bottom, analytical notation in Example 6b, and dura- tional notation in Example...

..., and the Pacific. Michael Tenzer and John Roeder, editors Analytical and Cross-Cultural Studies in World Music . Oxford University Press , 2011 : x+462 pp. ( $99.00 hardback ; $35.00 paperback ) © 2013 by Yale University 2013 Works Cited Arom Simha . 1984 . “ The Constituting...

... is on the meaning of the analytical notation and not on the composition itself, I do not make extensive arguments for the analytical choices the notation communicates. A typical diatonic reduction, like the one in Example 3, has four com- ponents. The top...

... ! ! Matthew Bribitzer-Stull    The Cadenza as Parenthesis 237 theme of the principle tonal area and the second theme of the second tonal area.49 As an illustration of the analytic concepts and notation presented thus far, let us turn to the third movement of Mozart’s Piano Sonata in B≤ major...

... of Analytic Notation.” Journal of Music Theory Pedagogy 10: 42–77. 1998. “Schenkerian Analysis of Modern Jazz: Questions about Method.” Music Theory Spectrum 20: 209–41. Levine, Mark. 1995. The Jazz Theory Book. Petaluma, CA: Sher Music. Liebman, David. 1991. A Chromatic Approach to Jazz...

... precise, and analytically useful, link between the two systems, in that dance counts (which are often marked in dance scores alongside bar lines and musical time signatures) often span multiple notated measures (e.g., four dance counts might cover a four-bar span). Another term that is potentially...

... analysis of one of Webern’s canon. Accord- ingly, it seems appropriate to begin by recreating the analytical context. We should not even provisionally regard the analytical remarks and observations presented here as forming a complete interpretive account, an entire analysis. I present...

...Peter H. Smith OUTER-VOICE CONFLICTS: THEIR ANALYTICAL CHALLENGES AND ARTISTIC CONSEQUENCES Peter H. Smith As anyone familiar with Schenkerian analysis can attest, it is not at all unusual for basic analytical decisions to pose significant...

... that the technical vocabulary and reliance on music notation that typify much music-analytical writing would inhibit cross-disciplinary exchange with nonmusicologists. Undoubtedly, many jazz scholars writing from multiple disciplinary perspectives felt that a number of previously neglected...

.... 483 The text presents a fairly gentle introduction of Schenkerian notation and terminology (in both English and German). Notational symbols first appear in examples before any explanation of them, but in such a way that they are really self-explanatory. By the time the symbols are actually...

... for the study of rock music. Designed for “people with a serious interest in rock music” (xi) who are literate in staff notation and conversant with basic harmony, it could serve as a textbook or supplementary reading for a course at the advanced undergraduate or graduate levels in the theory and analysis...