...Mark DeBellis 1999 © Yale University, New Haven, Connecticut 06520 1999 Ackerman, Felicia. 1992 . “Paradoxes of Analysis.” In A Companion to Epistemology, ed. J. Dancy and E. Sosa, 326 -29. Oxford: Blackwell. Carnap, Rudolf. 1956 . Meaning and Necessity . 2d ed. Chicago...

...Roger Kamien The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general...

...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...

... to address Schenker’s Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. REVIEWER David Neumeyer...

...Philip Rupprecht philipr@duke.edu Daniel Harrison . Pieces of Tradition: An Analysis of Contemporary Tonal Music . New York : Oxford University Press , 2016 : 208 pp. ( $42.95 cloth) Copyright © 2022 by Yale University 2022 THE TITLE OF Daniel Harrison's remarkable...

...Trevor Bača trevor.baca@yale.edu Daphne Leong . Performing Knowledge: Twentieth-Century Music in Analysis and Performance . Oxford University Press , 2019 : 432 pp. ( $69.00 cloth). Copyright © 2022 by Yale University 2022 WHAT HAPPENS WHEN music analysis centers...

...Nora Engebretsen Nora Engebretsen is associate professor of music theory and assistant dean in the College of Musical Arts at Bowling Green State University. Damschroder David Thinking about Harmony: Historical Perspectives on Analysis. Cambridge University Press , 2008...

... Kurth considers existing theories of form (those of Hugo Riemann and Alfred Lorenz in particular) inadequate for conveying the process of Erformung . Finally, it examines Kurth's 1925 analysis of the opening of Bruckner's Sixth Symphony Finale in light of Musikpsychologie . The discussion emphasizes...

...C. Catherine Losada REVIEW Dora A. Hanninen A Theory of Music Analysis: On Segmentation and Associative Organization University of Rochester Press, 2012: xii+530 pp. ($85.00 cloth) C. Catherine Losada As much as the field...

...Kofi Agawu REVIEWS Carl Schachter. Edited by Joseph N. Straus The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory Oxford University Press, 2016: v + 295 pp. ($45.00 cloth) Kofi Agawu In a career spanning some six...

...Edward Klorman Jeffrey Swinkin Performative Analysis: Reimagining Music Theory for Performance University of Rochester Press, 2016: vii + 260 pp. ($95.00 cloth) Edward Klorman “Players should understand what they play.” This modest assertion, with which Donald Francis Tovey opens...

... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...

... ficta Revisited: Josquin's Ave Maria in Context.” Music Theory Online , 2 /6, September: mto.96.2.6.bent.tlk ———. 1998 . “ The Grammar of Early Music: Preconditions for Analysis .” In Judd 1998: 15 -59. Blackburn, Bonnie J. 1999 . Review of Brothers 1997, Journal of the American...

...Kevin Holm-Hudson Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp. 2000 © Yale University, New Haven, Connecticut 06520 2000 Understanding Rock: Essays in Musical Analysis Edited by John...

...Dora A. Hanninen ORIENTATIONS, CRITERIA, SEGMENTS: A GENERAL THEORY OF SEGMENTATION FOR MUSIC ANALYSIS Dora A. Hanninen the non-trivial aspect of defining ‘what music is’resides in the explication of what it means...

...Matthew Brown; Panayotis Mavromatis REVIEWS Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. REVIEWERS Matthew...

..., and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal Sensibility in Gabriel Fauré’s Musical Language,” Theory and Practice 16 (1991): 127–142; Edward Phillips, “Smoke, Mirrors and Prisms: Tonal Con- tradictions in Faur Music Analysis 12, no. 1...

...: Four Essays . Princeton: Princeton University Press. Genette, Gérard. 1972 . Narrative Discourse: An Essay in Method . Ithaca: Cornell University Press. Grabócz, Márta. 1993 . “Narrativity and Electroacoustic Music.” In Musical Signification: Essays in the Semiotic Theory and Analysis...

...Dora A. Hanninen ASSOCIATIVE SETS, CATEGORIES, AND MUSIC ANALYSIS Dora A. Hanninen As ways of going about music analysis, association and categorization seem transparent. The observation “a sounds something like b” often inspires a conjecture...

..., Trichords, and Axial Isography.” Music Theory Spectrum 24 : 231 –45. ASPECTS OF DEPTH IN K-NET ANALYSIS WITH SPECIAL REFERENCE TO WEBERN’S OPUS 16/4 Henry Klumpenhouwer...