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Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 1–28.
Published: 01 April 2017
... analysis analogy listening embodiment Works Cited Adler Guido . 1885 . “Umfang, Methode und Ziel der Musikwissenschaft.” Vierteljahrsschrift für Musikwissenschaft 1 : 5 – 20 . Asaf'ev Boris V. [1947] 1977 . Intonation. Vol. 2 of Musical Form as Process . Translated by...
Journal Article
Journal of Music Theory (1 April 2015) 59 (1): 99–119.
Published: 01 April 2015
... (1636–37), emphasizes delivery ( pronuntiatio or actio ) rather than style ( elocutio ) as the basis for comparing the two disciplines. As such, it offers a notable contrast to the more familiar analogies put forth by the German theorists who have tended to dominate our perspective. At the heart of...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 141.
Published: 01 April 2017
... schema roles, placed in playful analogy with actions (ruff and finesse) in old-fashioned card games. The gestures are clear and so recognizable, and so immediately applicable, that we imagine the article will be frequently cited. Sherrill and Boyle’s fine analysis of scenes from...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 111–140.
Published: 01 April 2017
... 5 begins with Köhler’s (1873, 375) depiction of A minor, which, even though he brackets off a seg- ment analogous to a Hauptmann row, is “horizontally” expanded, retaining D and F . Köhler includes these pitches because he wants to show how “the aug- ♯ mented sixth in an augmented sixth...
Journal Article
Journal of Music Theory (1 October 2010) 54 (2): 311–324.
Published: 01 October 2010
... that recognized in the human mind a discoverable (albeit not directly observable) logic and structure. Benefiting from analogies to the digital computer, cognitive science imagined the “black box” of the mind as actively occupied with describable processes of representation and...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 91–105.
Published: 01 April 2010
... 1986; Davies 1988; Burkholder 1994; Thom 2007; Beaudoin and Moore 2010). Making analogies between philosophy (in prose) and music (in notation) is admittedly an imperfect science, but since our inquiry relates specifically to the proportion and use...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 265–270.
Published: 01 October 2011
... conviction that only a radical shift in listening habits could support a musical culture worthy of the name. Halm saw the obligations and options inherent in fugue as analogous to the needs and desires of individuals, whereas those inherent in the sonata 1  “Es ist jene sichere Sparsamkeit, die...
Journal Article
Journal of Music Theory (1 October 2014) 58 (2): 257–263.
Published: 01 October 2014
... be used to suggest, inform, or guide our experi- ence of potentially unfamiliar but analogous phenomena. Such is a central goal of the generalization of interval in GMIT: to show how our intuitions about intervals in pitch space can inform intuitions about intervals in har- monic spaces, in...
Journal Article
Journal of Music Theory (1 April 2009) 53 (1): 1–56.
Published: 01 April 2009
... metric drama in the Scherzo from Beethoven’s Ninth Symphony (1992a) and facilitate analogies between metric relationships and trajectories with those in other domains in certain works of Brahms (2001). Justin London (2004, 89–99) enlists the relation...
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 241–275.
Published: 01 October 2005
... the second occurs in mm. 5–6. Measures 7–8 present the same melodies at different times and with different timings. Example 5 shows these relationships by connecting analogous pitches with lines between the staves. 247...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 227–254.
Published: 01 October 2009
... these two problems are related: The musical term interval is in some ways analogous to the mathematical term vector, which is fundamentally a local object existing at a particular point in space. I would therefore recommend that we model musical intervals as particular motions 14  A subtlety...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 83–99.
Published: 01 April 1999
... Ackerman 1992). Having noted the analogy to the paradox of conceptual analysis, we will not dwell on it for the risk of being drawn too far afield, but shall come back to it later. Instead, let us concentrate on the musical case. Hav- ing looked at unsatisfactory attempts to deal with the musical...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 127–151.
Published: 01 October 2002
... attractive idea to many twentieth-century com- posers. Messiaen (1956, 13) catalogued symmetrical pitch patterns in his “modes of limited transposition” and found analogous symmetries in his non-retrogradeable rhythms. Similarly, Boulez draws the distinction be- tween “smooth” versus “striated” varieties...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 89–146.
Published: 01 April 2011
Journal Article
Journal of Music Theory (1 April 2003) 47 (1): 103–123.
Published: 01 April 2003
...- chord classes, with prime forms {0, 1, 4, 6} and {0, 1, 3, 7}, that have the interval vector [111111]. An analogous situation exists for pcset pro- gressions: two or more pcset pairs belonging to different families may share the same progression vector; these we shall call Z-related groups of pcset...
Journal Article
Journal of Music Theory (1 October 2014) 58 (2): 179–233.
Published: 01 October 2014
... perfect ♯ ♯ fifths from D0. Related notations appeared in analogous diagrams of such nineteenth-century writers as Carl Ernst Naumann, Arthur von Oettingen, and Hugo Riemann.12 The set of all points of the plane modeling...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 325–362.
Published: 01 October 2003
...-Century Polyphonic Repertories .” Ph.D. diss., Columbia University. Desmond, Karen. 1998 . “Sicut in Grammatica: Analogical Discourse in Chapter 15 of Guido's Micrologus.” The Journal of Musicology 16 : 467 -93. Dömling, Wolfgang. 1972 . “Aspekte der Sprachvertonung in den Balladen Guillaume...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 167–220.
Published: 01 October 2011
...] 1990, 62) 7  Edward Bradford Titchener (1909–10, 417) seems to 8  Translated passages are from Kant ([1793] 1987). Refer- have been the first to translate Einfühlung as “empathy.” ences to the German will be to Kant ([1793] 1990), which He says the word is “formed on the analogy of sympathy...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 381–450.
Published: 01 October 2000
... evince a critical, post-Kantian worldview. In other words, Mozart’s most historically at- tuned passages are those that evoke, by analogy, a moment in bourgeois thought suspended between a dogmatic definition of reason as a faculty that merely traces, however imperfectly, a pre-established order, and...
Journal Article
Journal of Music Theory (1 October 2008) 52 (2): 251–272.
Published: 01 October 2008
... Straus 2007, which echoes Robinson’s point.) However, neither Robinson nor Straus found an analogous interpre- tation of the other Fourier components. In an interesting article in this issue (see pages 219–49), Justin Hoffman extends this work, interpreting...
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