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Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
...Ben Duane This article examines the phenomenon in which musical lines establish what Edward T. Cone calls virtual agents , making the argument that listeners are more likely to ascribe such agency to lines that have high information content (in the formal, information-theoretic sense). I use...
Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
...Seth Monahan For centuries, metaphors of agency have pervaded music-analytical writing. Today, as in generations past, critics routinely vivify their analytical narrations by ascribing sentience, emotion, and volition to musical works, their internal elements (pitch classes, contrapuntal voices...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
...Jonathan De Souza Hatten Robert S. . A Theory of Virtual Agency for Western Art Music . Indiana University Press , 2018 : x + 326 pp. ( $85.00 cloth, $32.00 paper, $31.99 ebook) Copyright © 2020 by Yale University 2020 Works Cited Allanbrook Wye Jamison...
Journal Article
Journal of Music Theory (2021) 65 (2): 185–237.
Published: 01 October 2021
..., and intercorporeality of our bodily involvement with the world. It is the feel of living as an animate, environmentally embedded being engaged in some task. It is a means for the body to . . . enact its agency in response to both physical and cultural constraints. It is inscribed in our body schemata...
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Journal Article
Journal of Music Theory (2003) 47 (2): 363–369.
Published: 01 October 2003
... through the agency of the listener can the sonic signifier be turned into a meaningful cognitive rep- resentation. More than that, it is thanks to the intervention of the imagi- nation—forging the link between the inaudible seventh and the realiza- tion that this implied dissonance should be followed...
Journal Article
Journal of Music Theory (2006) 50 (2): 291–301.
Published: 01 October 2006
... and the Craft of Precision Optics . Cambridge, MA: MIT Press. Lindsay, R. Bruce. 1973 . Acoustics: Historical and Philosophical Development . Stroudsburg, PA: Dowden, Hutchinson, and Ross. Pickering, Andrew. 1995 . The Mangle of Practice: Time, Agency, and Science . Chicago: University of Chicago...
Journal Article
Journal of Music Theory (2018) 62 (2): 347–358.
Published: 01 October 2018
... . 2002 . Feminist Aesthetics in Music . Westport, CT : Greenwood . Monahan Seth . 2013 . “ Action and Agency Revisited .” Journal of Music Theory 57 / 2 : 321 – 71 . Roig-Francoli Miguel . 2008 . Understanding Post-tonal Music . New York : McGraw-Hill . Samuel Rhian...
Journal Article
Journal of Music Theory (2020) 64 (1): 123–136.
Published: 01 April 2020
..., in considering the idea of musical agency from the perspective of mimetic participation, Cox claims that we transfer what we would normally do from a first-person perspective to some imagined agent who is vicariously doing that same thing in the music. We do this to main- tain our identity as something...
Journal Article
Journal of Music Theory (2024) 68 (1): 133–140.
Published: 01 April 2024
... and functions, as well as the generation of expectancy, tension, and resolution on the part of the listener. Importantly, an approach toward studying these pitch-related characteristics of music should accomplish the above goals without taking away the agency of the listener or the performer. Vuust et al...
Journal Article
Journal of Music Theory (2024) 68 (1): 89–97.
Published: 01 April 2024
... consistently face that are at times harder to bear. As I prepped for my response to the 2022 American Musicology Society–Society for Music Theory session We've Always Been Here: Black Disabled Musicians and the Academy, which featured a keynote by Leroy Moore, I thought of white agency and the simple fact...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... for Harmonic Identity .” Journal of Music Theory 6 / 1 : 109 – 22 . Roeder John . 2009 . “ Constructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, op. 14, no. 2, measures 1–32 .” Music Theory Online 15 / 1 . www.mtosmt.org/issues/mto.09.15.1/mto.09.15.1...
Journal Article
Journal of Music Theory (2023) 67 (1): 187–198.
Published: 01 April 2023
... or performer. An enactive turn could be transformative for music theory, bringing the field closer to musical experience and centering individuals' agency and subjectivity without turning analysis into solipsistic soup. In some respects, these two books could not be more different: the authors do not cite each...
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Journal Article
Journal of Music Theory (2023) 67 (1): 99–139.
Published: 01 April 2023
..., but the performer is as well. 5 Furthermore, if a performance space models the choices of a performing agent, what agency is expressed if the performer has no idea that the space exists? To avoid excessive analytical abstraction, my approach to answering these questions concerns itself first and foremost...
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Journal Article
Journal of Music Theory (2010) 54 (2): 283–310.
Published: 01 October 2010
... and Winterfeld appears in the latter’s ten- dency to ascribe some agency behind affinity to the tones themselves. Thus, rather than musing on past musicians’ hypothetical sensitivity (of lack thereof) to the qualities of tones in relation to other tones, Winterfeld observes how “affine” (verwandte...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
... of theories seeking to justify recent music could not forestall questions of agency, responsibility, or sincerity from arising, given that music was, in the end, a product of human effort. At best, the increasing reliance on theory could temporarily conceal...
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
... to imbue melodies with an agency as we track their patterns of movement. Finally, among many more examples, Vincent Meelberg’s recent work on nar- rativity in contemporary music (2006) views narrative as a listening strategy that helps us to come to terms with the temporal unfolding of music’s ele...
Journal Article
Journal of Music Theory (2016) 60 (2): 263–279.
Published: 01 October 2016
... and Rhetoric.” In The Cambridge History of Western Music Theory , ed. Christensen Thomas , 847 – 79 . Cambridge : Cambridge University Press . Monahan Seth . 2013 . “Action and Agency Revisited.” Journal of Music Theory 57 / 2 : 321 – 71 . Peles Stephen . 2004 . “‘Ist...
Journal Article
Journal of Music Theory (2024) 68 (1): 117–124.
Published: 01 April 2024
... in the Music Theory Classroom .” Journal of Music Theory Pedagogy 32 : 79 – 110 . Peebles Crystal . 2019 . “ Inclusion and Agency in the Undergraduate Theory Core .” Engaging Students 7 . https://engagingstudentsmusic.org/article/view/7361/5715 . Peres Asaf . 2016 . “ The Sonic...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... Inquiries . Ed. Steven Paul Sher. New York: Cambridge University Press. ____. 1994 . “The Polonaise-Fantasy and Issues of Musical Narrative.” In Chopin Studies 2 . Ed. John Rink. Cambridge: Cambridge University Press. ____. 1998 . “Agencies/Actors in Instrumental Music: The Example of Mahler's...
Journal Article
Journal of Music Theory (2013) 57 (2): 373–381.
Published: 01 October 2013
... a gradual unfolding over time. It can be terribly difficult to reconstruct this kind of reception history, particularly for older sources of music theory. (But is it necessarily any easier in our digital age, where identities of the text and agency...