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aesthetic

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Journal Article
Journal of Music Theory (2000) 44 (2): 487–494.
Published: 01 October 2000
...Kofi Agawu 2000 © Yale University, New Haven, Connecticut 06520 2000 The Aesthetics of Music Roger Scruton New York: Oxford University Press, 530 pp., 1999 xx, 530 pp REVIEWS The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx...
Journal Article
Journal of Music Theory (2010) 54 (2): 283–310.
Published: 01 October 2010
... change in musical structures. Yet this historical dimension, in many ways typical of its era, is complicated by a tenuous balance between the determinism demanded by rigorous scientific explanation and Helmholtz's evident desire to preserve a complex role for the “choice” of fundamental aesthetic...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... importance to modernist art. It functions as a metaphor in se , representing Cavell's hypothetical example of a solution to a compositional problem that “has become identical with the aesthetic result itself.” Lachenmann's Kontrakadenz (1970–71) concerns itself with the strained relation of artwork...
Journal Article
Journal of Music Theory (2011) 55 (2): 167–220.
Published: 01 October 2011
... . 1997 . “ Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century .” Journal of the American Musicological Society 50/2–3 : 387 – 420 . Bowman Wayne . 1998 . Philosophical Perspectives on Music . Oxford : Oxford University Press . Brower Candace...
Journal Article
Journal of Music Theory (2013) 57 (2): 433–449.
Published: 01 October 2013
... remains as powerful as ever. Of course, several scholars have continued to transmit (and translate) the dynamic changes in scholarship on Boulez in recent years to new read- ers. However, for the broad contingent of American scholars, knowledge of Boulez’s aesthetics and compositions remains...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000
... of Syntax and Structure.” In Musical Humanism and its Legacy: Essays in Honor of Claude V. Palisca , eds. Nancy Kovaleff Baker and Barbara Russano Hanning, 419 -49. Stuyvesant, NY: Pendragon Press. Baker, Nancy and Thomas Christensen, eds. 1995 . Aesthetics and the Art of Musical Composition...
Journal Article
Journal of Music Theory (2010) 54 (1): 25–36.
Published: 01 April 2010
..., decades and worldviews later, the most arresting part of the essay. “Music Discomposed” is concerned primarily to show that the problem of “fraudulence”—the old Philistine question “But is it artis endemic to the experience of aesthetic modernism...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
...”) as essential qualities of Stravinsky’s music which set it apart from that of the Austro- Germanic tradition. Taruskin tends to view Stravinsky’s “otherness” as essentially geographic and cultural, while for Cross, it is a matter of his break with a bygone aesthetic. Insofar as modernism represents...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
... of Musical Formalism.” Nordic Journal of Aesthetics 22 / 40–41 : 75 – 88 . Aristotle . 2001 . The Basic Works of Aristotle . Edited by McKeon Richard . New York : Modern Library . Arndt Matthew . 2008 . “Schenker and Schoenberg on the Tone and Genius.” Ph.D. diss...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
...: Questions of the Gift .'' In The Question of the Gift , ed. Osteen Mark , 1 – 41 . London : Routledge . Reish Gregory Nathan . 2001 . `` The Transformation of Giacinto Scelsi's Musical Style and Aesthetic, 1929–1959 .'' Ph.D. diss., University of Georgia . Roberts Simon...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... that Les espaces acoustiques affords but also suggests how music analysis might better address the heterogeneous contexts and multiple listener competences that this and other musics engage. Works Cited Adorno Theodor . 1997 . Aesthetic Theory . Edited by Adorno Gretel Tiedemann Rolf...
Journal Article
Journal of Music Theory (2013) 57 (1): 151–158.
Published: 01 April 2013
... of pro- cessual form since its publication. Schmalfeldt begins by citing Dahlhaus’s reading of the “Tempest” Sonata’s ambiguous opening as an epitome of form-as-process: is it an intro- duction or is it the main theme proper? For Dahlhaus, “the ambiguity should be understood as an aesthetic...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
..., and composition at Wright State University. He is founding coeditor of Search—Journal for New Music and Culture , as well as of the book series Music and Aesthetics in the 21st Century and American Innovators . He is active internationally as both composer and cellist. Yale University 2010 Works...
Journal Article
Journal of Music Theory (2011) 55 (1): 161–166.
Published: 01 April 2011
... is that a change of tempo can be interesting in its own right, irrespective of the material that actualizes that change. The second is that it is the unusual that is aesthetically better (“what’s really inter- esting with no theorization of the grounds for this aesthetic position. This failure...
Journal Article
Journal of Music Theory (2006) 50 (2): 291–301.
Published: 01 October 2006
... as the written trace of an unconscious vibration uniting all of humanity (Welsh 2003). In this con- text, though, Jackson is less interested in aesthetics per se than in Chladni’s ability, as an individual researcher and businessman, to function at a “nodal point” between multiple fields of interest...
Journal Article
Journal of Music Theory (2020) 64 (2): 293–296.
Published: 01 October 2020
... repertoire, philo- sophical writings, and visual culture. For Desmond, the ars nova is more than a compositional style. It is a cultural aesthetic embedded in an innovative notational practice emblematic of prevailing scholastic and philosophical mindsets. In chapter 1 Desmond distances her work from earlier...
Journal Article
Journal of Music Theory (2003) 47 (2): 273–304.
Published: 01 October 2003
...-Century Thoroughbass Pedagogy.” In Carl Philipp Emanuel Bach: Musik Für Europa. Bericht über das Internationale Symposium vom 8 März bis 12 März 1994 in Frankfurt (Oder), ed. H.-G. Ottenberg. Frankfurt (Oder). Christensen, Thomas and Nancy Kovaleff Baker. 1995 . Aesthetics and the Art...
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
... and in the succession of chapters, move from relative regularity to irregularity, from simplicity to complexity. Another narrative is that of the historical evolution of the aesthetics of the Lied: to what extent do conventional accounts of this evolution square with what we...
Journal Article
Journal of Music Theory (2011) 55 (2): 265–270.
Published: 01 October 2011
.... Frankfurt am Main: Suhrkamp. Engl. trans. of pp. 49–208, “Philosophie der Musik,” by Peter Palmer in Bloch, Essays on the Philosophy of Music , ed. Drew David , 1 – 139 . Cambridge : Cambridge University Press , 1985 . Covach John . 1996 . “ The Sources of Schoenberg’s ‘Aesthetic...
Journal Article
Journal of Music Theory (2010) 54 (1): 107–120.
Published: 01 April 2010
... Bernstein J. M. 2003 . `` Aesthetics, Modernism, Literature: Cavell's Transformations of Philosophy .'' In Stanley Cavell , ed. Eldridge Richard , 107 – 42 . Cambridge : Cambridge University Press . Buchanan Ian Swiboda Marcel . 2004 . Deleuze and Music . Edinburgh...