Search Results for adorno

...Stephen Decatur Smith This article offers a comparative reading of Theodor Adorno's and Stanley Cavell's philosophies of music. It does not attempt a survey or summary of their respective approaches but rather focuses on one moment in a text by Cavell—namely, his reading and critique, in an essay...

... use of instrumental “residue” creates an “articulate unity” in a passage from Lohengrin , Theodor Adorno describes how Alban Berg’s orchestration of the Frühen Lieder combines particular instrumental colors and generalized orchestral sonorities into articulate Mischfarben that distinguish whole-tone...

... Adorno’s writings about Stravinsky and “The New Music,” revisiting and reevaluating his notori- ous Schoenberg/Stravinsky polemics. In all, this is an ambitious under- taking. Cross is not unaware that “Tracing influences can be dangerous,”1 but sympathetic readers will find the book highly stimulating...

... comprehension not only of its technical aspects but also of its central role in the shaping of musical form. Copyright © 2019 by Yale University 2019 liquidation dissolution Auflösung obligations Arnold Schoenberg Anton Webern Works Cited Adorno Theodor W. 1971 . Berg: Der...

..., and self-effacing alterations. © 2019 by Yale University 2019 Formenlehre recapitulations sonata theory Schubert Works Cited Adorno Theodor W. 1976 . Introduction to the Sociology of Music , translated by Ashton E. B. New York : Seabury . Adorno Theodor W...

... and the Absolute is forthcoming from Ashgate. Yale University 2010 Works Cited Adorno Theodor W. 1930 . `` Reaktion und Fortschritt .'' Anbruch 12 : 18 – 21 . ———. [ 1955 ] 2002 . `` The Aging of the New Music .'' Translated by Hullot-Kentor Robert Will Frederic...

... cloth © 2012 by Yale University 2012 Works Cited Adorno Theodor W. 1966 . “ Über Form in der Neuen Musik .” Darmstädter Beiträge zur Neuen Musik 10 : 9 – 21 . repr. in Adorno, Gesammelte Schriften. Vol. 16, 607–27. Frankfurt am Main: Suhrkamp, 2003 . Barthes Roland...

... convention and particular expression and—following Jacques Derrida’s notion of exappropriation—between proper and improper, and propriety and impropriety. Copyright © 2018 by Yale University 2018 Haydn deconstruction liquidation cadence exappropriation Works Cited Adorno Theodor W...

... Cited Adorno Theodor W. 1963 . Quasi una Fantasia: Musikalische Schriften II . Frankfurt am Main: Suhrkamp . Barker Alan . 2002 ( July ). `` An Interview with Elliot Carter .'' American Public Media . http://musicmavericks.publicradio.org/features/interview_carter.html...

... is completing a Ph.D. in historical musicology. His dissertation examines dialectical relationships between speculative immanence and musical technique in the work of four philosophers: Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, and Gilles Deleuze. Yale University 2010 Works Cited...

...- tative tradition epitomized by the writings of Theodor Adorno and Carl Dahlhaus. It is fitting that the first two chapters of this volume constitute a revised and expanded version of this groundbreaking essay, which has stimu- lated considerable scholarly interest in and discussion of the notion...

.... Cavell is not concerned, as Theodor Adorno was, with the fraudulence produced by what Adorno called the cul- ture industry, but with the possibility of fraudulence as an inescapable conse- quence of resisting the culture industry. When that resistance...

... comments on earlier versions of this article. Sections of it were presented at the 2017 meetings of Music Theory Midwest (Iowa City, IA) and Society for Music Theory (Arlington, VA). Works Cited Adorno Theodor W. 2005 . “ Schubert (1928) ,” translated by Dunsby Jonathan...

... Decatur Smith take comparative approaches to Cavell’s work, building up contrasts and points of intersections with the work of Gilles Deleuze and Theodor Adorno, respectively. In the second pair, 4 Journal of Music Theory the topics of subjectivity...

...Kathryn Whitney 2003 © Yale University, New Haven, Connecticut 06520 2003 Adams, Courtney S. “Techniques of Rhythmic Coherence in Schoenberg's Atonal Instrumental Works.” Journal of Musicology 11/3 ( 1993 ): 330 -56. Adorno, T. W. Philosophy of Modern Music . Trans. A. G...

... . 1960 . Collected Papers of Charles Sanders Peirce , edited by Hartshorne Charles Weiss Paul . Cambridge, MA : Belknap Press of Harvard University Press . Subotnik Rose . 1996 . “ Toward a Deconstruction of Structural Listening: A Critique of Schoenberg, Adorno, and Stravinsky...

... also like to thank Jairo Moreno and the students in his spring 2012 seminar on listening at the University of Pennsylvania, whose comments on the research presented in this article were immensely helpful in preparing it for publication. © 2013 by Yale University 2013 Works Cited Adorno...

... . Eisler Hanns Adorno Theodor W. . [1947] 1971 . Composing for the Films . Freeport, NY : Books for Libraries Press . Fischer Kurt von . 1986–87 . “Ernst Kurth (1886–1946): Persönlichkeit, Lehrer und Musikdenker.” Schweizer Jahrbuch für Musikwissenschaft 6–7 : 11 – 19...

...; orig. 1967) by excavating “his- torical starting points,” Scruton weaves the requisite historical engage- ment (with Kant, Hanslick, Langer, Adorno, Kivy, Goodman, Budd, and Raffman, among others) into his text in piece-meal fashion, privileging the synchronic logic of thought over its diachronic...

... in Perspective: Essays on Musical Form from Haydn to Adorno , edited by Moortele Steven Vande Pedneault-Deslauriers Julie Martin Nathan John , 85 – 116 . Woodbridge : Boydell and Brewer . Burstein L. Poundie . 2015b . “The Half Cadence and Related Analytic Fictions ”. In What...