1-20 of 131 Search Results for

add

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 201–242.
Published: 01 October 2017
..., beyond elucidating aspects of structural organization that have been overlooked in his music, the article suggests ways of formally defining aspects of his style. What this study adds to our understanding of Boulez’s music from this period is a theoretical framework that explains the functional role of...
Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 349–358.
Published: 01 October 1999
... internally, except for the symmetrical reversal of F≥ and C≥:A≤-F-C, D-B-F≥,C≥-G- A, B≤-E≤-E, trichords [037] [037] [026], [016] (21). We can add that the exchanged positions of F≥ and C≥ create opening “F and B minor” tri- chords in the theme of the fifth movement, in another undoubted refer- ence to...
Journal Article
Journal of Music Theory (1 April 2015) 59 (1): 183–190.
Published: 01 April 2015
..., although the book does not primarily aim to add to the analytical tool kit, it provides new concepts, terms, and modes of repre- sentation, such as associative sets, core common sets, association graphs, association maps, and associative landscapes, that expand the scope of the analytical pro- cess...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 103–110.
Published: 01 April 2006
... the fact that both P1 and P2 begin with a strong assertion of D minor. The fact that D minor controls both the beginning of the piece and its presumptive end adds greatly to its stature in the hierarchical key scheme of the piece. The problem with this view, of course, is that P5 and P6 turn out...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 285–291.
Published: 01 October 2012
... paragraph, because I am one of those named along with van den Toorn as having under- 1  For the phrase “consistency, identity and distinction,” see van den Toorn 1983, xv; he adds “insulation” at 339 when discussing the Symphonies of Wind Instruments. Journal of Music Theory  56:2, Fall 2012...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 65–76.
Published: 01 April 2006
... 4 applied dominant is inserted, B3. Thus, the cadential gesture adds authentic aspects to the essential phrygian cadence as it drives to resolution. In BWV 614, Bach extends this principle into a genuine authentic cadence, shown in Example 4(e). The two final melodic A’s of the...
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 277–299.
Published: 01 October 2005
... four to a rag, built duply from two-bar units •  Occasional interludes (usually 4 bars), often introducing new strains •  Modulation (often to the subdominant) at the “trio” What stride adds to ragtime •  Faster tempo and harmonic rhythm •  “Tricks” (flashy techniques) •  Non-doubled...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 263–343.
Published: 01 October 2001
... add ‘to it the number of ic is found in a _c fragment the size of the remainder of p. The number of ic is in any i-cycle fragment equals its cardinality minus 1 (since it is not a closed cycle, the “wraparound” interval must be subtracted). The minimal values of...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 305–323.
Published: 01 October 2003
...” (Mersenne 1636–37, 2:122)1— i.e., they add the necessary ornament and variety to harmony. Composers indeed employed dissonances to enhance the grace and charm of conso- nances much as “the painter adds shade to highlight his primary colors, and the chef uses seasoning to accent the inherent flavor of...
Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 257–281.
Published: 01 October 1999
... potentialities in the original song as an expression of his own compositional style. Such developments add value to jazz performances in general as a means of personal artistic expression. Although six choruses of “Summer Night” lie between the introspec- tive opening piano improvisation and “Night and...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 373–381.
Published: 01 October 2013
... ever encountered in our seminar readings. A quick leafing through these volumes might add to our suspicions, filled as they are with 1200 pages of dense Latin text accompa- nied by a fearsome arsenal of codicological tools—commentary, critical notes, manuscript sigla, tables of concordances and...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 457–469.
Published: 01 October 2001
... and contrasts—in short, tonal rhythm (p. 45). Schachter even adds that these larger durational patterns can be motivic in nature (p. 45). Should meter be considered a part of durational rhythm? Although Schachter includes stress in his definition of durational rhythm, the...
Journal Article
Journal of Music Theory (1 October 2008) 52 (2): 251–272.
Published: 01 October 2008
... (21, 0) 5 → (cos(2π(5 3 3)/12), sin(2π(5 3 3)/12)) 5 (0, 1) Step 2: add these vectors: (1, 0) 1 (21, 0) 1 (0, 1) 5 (0, 1) Step 3: determine the length of this sum: (0, 1)  02  12  1 b) Determining the distance to the nearest doubled subset of {0, 4, 8...
Includes: Supplementary data
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 241–275.
Published: 01 October 2005
... adds new material, based on the G≤–F–E≤–D diminished tetrachord. And, with that new material, he creates the sophisticated motivic and transpositional relationships shown in Example 3.2 He first recorded the part given on the bottom line of my transcription (labeled “Right which supplies...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 213–262.
Published: 01 October 2016
... circle) and add the vectors corresponding to each pitch class (i.e., the vector from the origin to the location of the pitch class), as illustrated in Figure 2. The direction of the resulting vector is the position of the pcset in the phase space, or simply its...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 236–249.
Published: 01 April 2000
..., including subsequent synonyms, add meaning and score “1.”A state- ment of difference constitutes contrast by suspense, therefore adds mean- ing and scores “1”—though strictly speaking only in retrospect when we have seen how it is tied back in to familiar material (which can be proved if, say, a whole...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 470–483.
Published: 01 October 2001
... add, “It gives an accurate, if necessarily partial view of the field at the present time.”3 Their qualifica- tion is well taken, for capturing a field as diverse as Schenkerian theory is today may be well-nigh impossible within a single volume. Neverthe- less, this portrait is as vibrant as the...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 119–129.
Published: 01 April 2013
... outline of teaching methods (the Neapolitans were among the first to institute a system of teaching assistants), and a description of the many church services or fes- tivals for which the boys were required to add their talents as musicians. The...
Journal Article
Journal of Music Theory (1 April 2005) 49 (1): 181–188.
Published: 01 April 2005
... Partita, BWV 1004, for example, he describes it (exceptionally) as “extraordinary” (46.2) and then adds later: “the most unified [of the suites] are those, like the D-minor Violin Partita, that are highly integrated at multiple levels.” This appears in a summarizing para- graph ending chapter 4...
Journal Article
Journal of Music Theory (1 April 2007) 51 (1): 51–83.
Published: 01 April 2007
...: Forni, 1999 . ____. Principi del sig. re Cavaliere Alesandro Scarlatti . London, British Library (GB-Lbl) Ms. Add. 14244. Valente, Saverio. Partimenti principii di cembalo del sig. D. Saverio Valente accademico filarmonico . Milan, Conservatorio di Musica Giuseppe Verdi, Biblioteca (I-Mc...