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Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... . 2009 . “ Action and Agency .” In Antithetical Arts: On the Ancient Quarrel between Literature and Music , 119 – 56 . New York : Oxford University Press . Klein Michael . 2004 . “ Chopin’s Fourth Ballade as Musical Narrative .” Music Theory Spectrum 26 : 23 – 56 . Kramer...
Journal Article
Journal of Music Theory (2010) 54 (2): 143–177.
Published: 01 October 2010
...Robert Peck In Generalized Musical Intervals and Transformations (1987), David Lewin describes the structure of commuting groups for transformation groups that have simply transitive actions. We extend Lewin's notion to transformation groups that have any type of action, including merely transitive...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... that we today understand as grouping, chunking, and subjective rhythmicization. In the absence of anything resembling a modern theory of cognition, Holden’s account of how we can perceive music chiefly relies on the actions of posited mental faculties, including attention, memory, imagination...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... actually happens in terms of what they expected to happen. Although expectation is frequently invoked when considering very local phenomena (e.g., step-by-step progressions) or very global ones (e.g., the action spaces of a sonata), it has not played a systematic role in the analysis of basic theme types...
Journal Article
Journal of Music Theory (2020) 64 (1): 123–136.
Published: 01 April 2020
... environment: What s it like to do that? and What s it like to be that? We understand the world by mimicking or imitating (Cox uses the two terms interchangeably) the entities that we perceive. This imitation occurs on two levels. One is overt imitation, or what Cox calls mimetic motor action (MMA), which...
Journal Article
Journal of Music Theory (2021) 65 (1): 17–38.
Published: 01 April 2021
.... , Grèzes J. , Passingham R. E. , and Haggard P . 2004 . “ Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers .” Cerebral Cortex 15 , no. 8 : 1243 – 49 . Calvo-Merino Beatriz , Grèzes Julie , Glaser Daniel E. , Passingham Richard E...
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Journal Article
Journal of Music Theory (1999) 43 (1): 1–19.
Published: 01 April 1999
... of human action, sometimes, as Cusick dem-
onstrates with her example from Bach, in very subtle ways. How this im-
pinges upon us as listeners, however, is what I shall begin to examine in
the body of what follows. As for the chronic state of non-recognition I
mentioned at the outset...
Journal Article
Journal of Music Theory (2004) 48 (1): 99–141.
Published: 01 April 2004
... in the right way the result is a “sim-
ply transitive group action on a set,” a mathematical construct brought
99
into GIS theory to represent a transformational perspective. Parts two and
three introduce three types of mappings including...
Journal Article
Journal of Music Theory (2021) 65 (2): 185–237.
Published: 01 October 2021
... , Glaser Daniel E. , Grèzes Julie , Passingham Richard E. , and Haggard Patrick . 2005 . “ Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers .” Cerebral Cortex 15 , no. 8 : 1243 – 49 . Capuzzo Guy . 2018 . “ Rhythmic Deviance in the Music...
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Journal Article
Journal of Music Theory (2023) 67 (2): 348–355.
Published: 01 October 2023
... “embodied theory of musical timbre” (32). Wallmark's linkage of Lakoff and Johnson's ( 1980 ) “conceptual metaphors” with “mirror neurons”—which are believed to react immediately in imitation of perceived action—is a productive application of Arnie Cox's mimetic hypothesis (2016) to timbral aspects, which...
Journal Article
Journal of Music Theory (2024) 68 (1): 165–171.
Published: 01 April 2024
... action at a distance, seems in Zuckerkandl to be refigured as an imaginative and creative act of listening. In the last chapter of the book, Kim turns to the mechanisms through which musical force was construed to act on listeners. Kim asserts that in the laws of the physical world as understood...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 57–126.
Published: 01 October 2002
... the action of a transformation on a given
triad need not bear any particular relation to its action on any other triad.
We shall therefore restrict our attention to transformations exhibiting a
certain kind of musical coherence that we call uniformity. A triadic trans-
formation is uniform...
Journal Article
Journal of Music Theory (2023) 67 (1): 187–198.
Published: 01 April 2023
... of self at the same time as we actively experience and understand the world around us. In contrast with the objective clock time model, in which time is a medium inside of which action and perception occur, Merleau-Ponty defines lived time as a subjective flow that emerges from action and perception. From...
FIGURES
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
..., inviting
us to step away from the music and observe it as a completed action, a nar-
rative. Second, the ironic recitative uncovers the conventional, highlighting
the nocturnal expression as a musical code that always faces the possibility of
emptiness...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... .
Merleau-Ponty
Maurice
. 1964 . “ The Child’s Relation with Others .” In The Primacy of Perception , edited by
Edie
James M.
, translated by
Cobb
William
, 96 – 155 . Evanston, IL : Northwestern University Press .
Monahan
Seth
. 2013 . “ Action and Agency...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... that are apparently critical to literary narrative
but that are lacking or deficient in music, particularly its lack of seman-
tic specificity and the uncertain application of literary concepts like char-
acter, plot, narrator, and action. This model leads to a preoccupation with
programmatic music and requires...
Journal Article
Journal of Music Theory (2005) 49 (1): 1–43.
Published: 01 April 2005
...-net class, including itself. Under [f], we can map the given K-net onto
only twelve members of the class, including itself.
Perhaps the most respectable course of action at this point might be to
modularize [f], so that our context would have the property of simple
transitivity in the sense...
Journal Article
Journal of Music Theory (2000) 44 (2): 323–379.
Published: 01 October 2000
... actions. This
learning is captured in the form of patterns that Johnson calls image
schemas. According to Johnson, we use image schemas to make sense of
our experiences in more abstract domains—domains as diverse as visual
art, emotion, social interaction, and mathematics. For example, the
balance...
Journal Article
Journal of Music Theory (2018) 62 (2): 347–358.
Published: 01 October 2018
... . 2002 . Feminist Aesthetics in Music . Westport, CT : Greenwood . Monahan Seth . 2013 . “ Action and Agency Revisited .” Journal of Music Theory 57 / 2 : 321 – 71 . Roig-Francoli Miguel . 2008 . Understanding Post-tonal Music . New York : McGraw-Hill . Samuel Rhian...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
... in small bundles of action that are separated by rests. For
� Hohl��instance,� sind ih� - re� in Example �� Au - gen� �� ih1 �each - re� of Bli � -the cke � brackets sp - hen� corresponds bang � nach � des Ko �not - just zy -to tus� a schema�� Brü - cke...
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