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Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... chromatic transposition operators, and may be mapped in a generic Tonnetz analogous to the Tonnetz diagrams of neo-Riemannian theory. A complete classification of generic sequences with two-chord transposition blocks is derived from the paths described by the sequences in the Tonnetz . While it is tempting...
Journal Article
Journal of Music Theory (2012) 56 (1): 1–52.
Published: 01 April 2012
...-leading structure—including a three-note octahedral Tonnetz and tetrahedral models of four-note diatonic and chromatic chords. Dmitri Tymoczko is a composer and music theorist who teaches at Princeton University. His book A Geometry of Music was published in 2011, and his album Beat Therapy...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
... by David Lewin and Ian Quinn but uses primarily the phases of Fourier components, unlike Lewin and Quinn, who focus more on the magnitudes. The space defined by phases of the third and fifth components closely resembles the Tonnetz and has a similar common-tone basis to its topology but is continuous...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 127–151.
Published: 01 October 2002
.... 1997 . “Neo-Riemannian Operators, Parsimonious Trichords, and Their Tonnetz Representations.” Journal of Music Theory 41 ( 1 ): 1 -66. ____. 1998 . “Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective.” Journal of Music Theory , 42 ( 2 ): 167 -80. Deutsch, Diana...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... . '' Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions. '' Music Analysis 15/1 : 9 – 40 . ———. 1997 . '' Neo-Riemannian Operations, Parsimonious Trichords, and Their `Tonnetz' Representations. '' Journal of Music Theory 41/1 : 1 – 66 . ———. 1998...
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Journal Article
Journal of Music Theory (2014) 58 (1): 79–101.
Published: 01 April 2014
... . ———. 1996 . “ Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions .” Music Analysis 15 : 9 – 40 . ———. 1997 . “ Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations .” Journal of Music Theory 41 : 1 – 66...
Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
... . 2006 . “Some Further Notes on the History of the Tonnetz.” Theoria 13 : 99 – 111 . ———. 2007 . “Multi-aggregate Cycles and Multi-aggregate Serial Techniques in the Music of Béla Bartók.” Music Theory Spectrum 29 / 2 : 143 – 76 . ———. 2008 . “On Bartók's Comparative Musicology...
Journal Article
Journal of Music Theory (2014) 58 (2): 235–256.
Published: 01 October 2014
..., such as one might
238 JOURNAL of MUSIC THEORY
encounter in a Chopin prelude. If such phrases, composed in profusion by all
the major composers after 1840, had to rely on the Tonnetz and associated
transformations for acts of musical cognition, they would...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... . ———. 1997 . “ Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations .” Journal of Music Theory 41/1 : 1 – 66 . ———. 1998 . “ Square Dances with Cubes .” Journal of Music Theory 42/2 : 283 – 96 . ———. 2012 . Audacious Euphony: Chromatic Harmony and the Triad’s...
Journal Article
Journal of Music Theory (2022) 66 (1): 135–145.
Published: 01 April 2022
... preferred method to handle LPR-composite labeling is to use the Tonnetz , particularly Cohn's ( 2012 ) three-axis version. The student learns L , P , and R as edge flips—and perhaps also N , S , and F as vertex flips—around the minor-third, perfect-fifth, and major-third axes, respectively. 5...
FIGURES
Journal Article
Journal of Music Theory (2007) 51 (2): 187–210.
Published: 01 October 2007
.... Cohn, Richard. 1996 . “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions.” Music Analysis 15 : 9 -40. ____. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and Their `Tonnetz' Representations.” Journal of Music Theory 41 : 1 -66...
Journal Article
Journal of Music Theory (2005) 49 (2): 301–332.
Published: 01 October 2005
...Steven Strunk © 2008 by Yale University 2008 Cohn, Richard. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations.” Journal of Music Theory 41 : 1 –66. ———. 2004 . “Uncanny Resemblances: Tonal Signification in the Freudian Age.” Journal...
Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
... Trichords, and their `Tonnetz' representations. Journal of Music Theory 41 : 1 -66. Douthett, Jack and Peter Steinbach. 1998 . “Parsimonious Graphs: a Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition.” Journal of Music Theory 42 : 241 -263. Edstrom, Brent...
Journal Article
Journal of Music Theory (2015) 59 (2): 191–234.
Published: 01 October 2015
... of perfect fourths at
three chromatically adjacent transposition levels and thus conveys the opera-
tion [012] * 5. Following Brown 2003 and 2009, the melody’s two hexachords
can each be visualized as 2 × 3 regions of an ic1/ic5 Tonnetz; if we assign ic1
and ic5 to its horizontal and vertical...
Journal Article
Journal of Music Theory (2019) 63 (2): 167–207.
Published: 01 October 2019
... Sets in Steve Reich’s Phase-Shifting Music ” Perspectives of New Music 30 , no. 2 : 146 – 77 . Cohn Richard . 1997 . “ Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations ” Journal of Music Theory 41 , no. 1 : 1 – 66 . Cohn Richard . 2003...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... : 9 – 40 . Cohn Richard . 1997 . “ Neo-Riemannian Operations, Parsimonious Trichords, and Their ‘Tonnetz’ Representations .” Journal of Music Theory 41 / 1 : 1 – 66 . Cohn Richard . 2012 . Audacious Euphony: Chromatic Harmony and the Triad’s Second Nature . New York...
Journal Article
Journal of Music Theory (2000) 44 (2): 323–379.
Published: 01 October 2000
.... ______. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations.” Journal of Music Theory 41 / 1 : 1 –66. Cone, Edward. 1974 . The Composer's Voice . Berkeley: University of California Press. Cook, Nicholas. 2001 . “Theorizing Musical Meaning.” Music Theory...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
...-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations ”. Journal of Music Theory 41 / 1 : 1 – 66 . Cohn Richard . 1998 . “ Square Dances with Cubes .” Journal of Music Theory 42 / 2 : 283 – 96 . Cohn Richard . 1999 . “ As Wonderful as Star Clusters...
Journal Article
Journal of Music Theory (2009) 53 (2): 163–190.
Published: 01 October 2009
... Oettingen und sein Orthotonophonium im Kontext.” Tartu ülikooli muusikadirektor 200: 12. http://hdl.handle.net/10062/5574 . Gollin, Edward. 2006 . “Some Further Notes on the History of the Tonnetz.” Theoria 13 : 99 –111. Hall, Rachel. 2006. “Playing Musical Tiles.” In Proceedings of the 2006...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
... Space in Twentieth-Century Music .” Ph.D. diss., Yale University. Carpenter, Patricia. 1983 . “Grundgestalt as Tonal Function.” Music Theory Spectrum 5 : 15 -38. Cohn, Richard. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and their Tonnetz Representations.” Journal of Music...
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