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Thomas Ad��s

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Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
.... Review    Leong on Clayton, Dueck, and Leante 327 Example 3.  Thomas’s version of “Abide with Me” (Dueck figure 7.8, annotations added by Leong) (Experience and Meaning in Music Performance edited by Clayton, Dueck, and Leante (2013), by permission of Oxford University Press, USA...
Journal Article
Journal of Music Theory (2020) 64 (2): 147–201.
Published: 01 October 2020
... to the Skill of Musick provided two melodies, one in major and one in minor, which he transposed into sixteen keys (he added E major and F minor to the fourteen keys that Salmon had identified) 184 J O U R N A L o f M U S I C T H E O R Y (Playford 1697: 23 30). More than twenty-five years later the theorist...
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
... + ad sup-pli - ci - um a per-se - cu - to - ri - bus re - qui - si-tos 4 Š Ł ŁŁ Ł Ł Ł Ł Ł Ł Ł ŁŁ D + Ł sub li - ni fa - sci - cu - lis Š Ł ŁŁ Ł Ł −Ł Ł 5 Ł...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
.... Riepel, Joseph. 1757. Gründliche Erklärung der Tonordnung. Frankfurt. 1996. Sechstes Capitel. Vom Contrapunkt. In Joseph Riepel: Sämtliche Schriften zur Musiktheo­ rie. Ed. Thomas Emmerig. Vienna: Böhlau. Rousseau, Jean-Jacques. 1768. S. v...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... them, modeling in greater detail musical events that prolong the triads. The s 3 transformation shows that three flats (or negative sharps) are added to the scale in the usual way.3 The second and third phrase openings are considered identical (s0) because the theory encodes no information about...
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... S. , 687 – 97 . Manchester : Royal Northern College of Music . Rice John A. 2014a . “ Adding to the Galant Schematicon: The Lully .” In Mozart Jahrbuch 2014 , 205 – 25 . Kassel : Bärenreiter . Rice John A. 2014b . “ The Heartz: A Galant Schema from Corelli to Mozart...
Journal Article
Journal of Music Theory (2020) 64 (2): 293–296.
Published: 01 October 2020
... and matter of substances. Following Thomas Aquinas and the Liégeois philosopher Godfrey of Fontaines, Jacobus maintained that all substances were formally unified and therefore possessed only one substan- tial form. Since substantial form determined the being of an object, any alter- ations to an object s...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... of Motet 7's opening describes the relationship between the underlying contrapunctus and various sonority types, consonant and dissonant, and advances a broader definition for the directed progression. An anomalous progression in Motet 18 suggests that the careful study of sonority may contribute to our...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
... (on descending ≤ in minor): all these chords were considered consonant.3 The second6 stage consists in adding dissonances to the basic realization. By dissonanze, partimento theory means only one kind of dissonance: the sus- pension. Suspensions can be added...
Journal Article
Journal of Music Theory (2005) 49 (1): 141–180.
Published: 01 April 2005
..., provides the fine distinc- tions major and minor semitones even when they are not sounded. For this reason, Rameau supplied the same melody in two enharmonic variants, which would sound identical if played on a keyboard instrument, and added the appropriate fundamental bass...
Journal Article
Journal of Music Theory (2003) 47 (2): 325–362.
Published: 01 October 2003
... of Machaut’s perfect-sonority cadences to D and the notated evidence of C≥s demonstrates how tonal context can play a role in such determinations. The notated pitch C≥ appears to be used in different ways in songs that end on C sonorities and D sonorities, which suggests that the appearance or absence...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
...–56 . ———. 1867 . Traité complet de la théorie et de la pratique de l’harmonie , 9th ed. Paris : G. Brandus and S. Dufour . Frege Gottlob . 1892 . “ Über Sinn und Bedeutung .” Zeitschrift für Philosophie und philosophische Kritik 100 : 25 – 50 . Gianotti Pietro . 1759...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
..., or by the cyphers which are found added to the bass. The Italians hold the cyphers in contempt, the partition itself is of little service to them; the quick- ness and nicety of the ear supplies their place, and they accompany extremely well without all this preparation...
Journal Article
Journal of Music Theory (2020) 64 (2): 297–308.
Published: 01 October 2020
... Plan for Including Timbre in the Undergraduate Post-tonal Theory Class- room. Swerving even more in this direction was Hearing the Waves: Teach- ing Sound Synthesis through Aural Skills, by Paul Thomas (Texas Woman s University). A composer rather than a theorist by training, Thomas made some very...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... 2007; Shaffer 2011), writings (Lewin 1987; Hyer 1989; Cohn 1996, 1998, 2012). Bryars (Roeder and Cook 2006; Cook 2009), Pärt (Roeder Precedents for the S relation can be found in German and 2011; Brauneiss 2012), and Adès (Roeder 2006; Stoecker Russian function theory. In German theory, Hugo Rie...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... classes whatsoever” but rather “with respect to a ‘contextual’ feature of the configuration(s) upon which it oper- ates.” Contextual inversion thus “varies based on the particular member of 1 the set class on which it is acting” (Kochavi 1998...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2005) 49 (1): 189–206.
Published: 01 April 2005
... of “people(s such as “women,” “Jews,” or “enemy combatants.” In this essay, I assume a fluid expansion of this binary; the term will no longer be in quotation marks, and the word other is meant to include both categories of alterity—Other and other. These discourses were based upon classic...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000
... of this time- honored compositional resource takes place within the context of various aesthetic paradigms and the conceptual models that these theorists ad- vance in order to codify and transmit the sound-world ideals of these par- adigms.7 Koch’s Satzlehre, a theory of phrase concatenation and group...
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... : Norton . Powers Harold . 1981 . “Tonal Types and Modal Categories in Renaissance Polyphony.” Journal of the American Musicological Society 34 / 3 s: 428 – 70 . ———. 1992 . “Is Mode Real?” Basler Jahrbuch für historiche Musikpraxis 16 : 9 – 52 . ———. 1998 . “From Psalmody...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
... it is a matter of simple exaggeration, as when he states that Schenker “estab- lished the cognitive prototypes of musical perception” (emphasis added). Elsewhere the problem seems to lie in Snarrenberg’s obvious attraction to the psychologism of Schenker’s early writings. Thus his interpretation...