..., and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal Sensibility in Gabriel Fauré’s Musical Language,” Theory and Practice 16 (1991): 127–142; Edward Phillips, “Smoke, Mirrors and Prisms: Tonal Con- tradictions in Faur Music Analysis 12, no. 1...

...Kofi Agawu REVIEWS Carl Schachter. Edited by Joseph N. Straus The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory Oxford University Press, 2016: v + 295 pp. ($45.00 cloth) Kofi Agawu In a career spanning some six...

...Matthew Brown; Panayotis Mavromatis REVIEWS Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. REVIEWERS Matthew...

...Diego Cubero The concept of prolongation in Schenkerian analysis broadly describes the elaboration of a vertical sonority. Among the most basic ways to prolong a chord is by arpeggiating it, such that it governs the time span of its arpeggiation. In Heinrich Schenker's writings, however...

... for the sonorities involved (as defined by Schenkerian analysis), and the interconnection of these sonorities in processes of motivic development. Through this motivic interconnection, the sonorities achieve an ontological status partially independent of their individual linear-contrapuntal environments. Each...

... as a theorist with expertise in Schenkerian analysis and philosophy of music, brings each of these competencies to bear throughout this ambitious study.9 The volume opens with a brief “analytical teaser,” examining the min- uet from Beethoven’s Sonata in E major, op. 14/1, which offers a preview...

...). Every published Schenkerian analysis of an improvisation by Bill Evans includes such confirmations. They occur in a live recording of “ ’Round Midnight” (Larson 1987). They also occur in his improvisa­...

... would be some kind of represen- tation of this hierarchical arrangement of key sections. Analyses of this kind are almost never seen in current music-theoretical literature. (One might think of Schenkerian analysis, but this is very different from key analysis. Key sections frequently do...

... Antonin Dvořák Schenkerian analysis Works Cited Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston : Schirmer, Cengage Learning . Beach David . 1993 . “ Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying...

...). But what does it mean to say “he swings”? This paper suggests that Schenkerian analysis, informed by a theory of expressive meaning in music, can show the role of motive and structure in the experience of swing. It don’t mean a thing if it ain’t got that swing At least two apparently...

... in Chopin’s Nocturne Op. 9, No. 2.” Combin- ing contextually sensitive structural analysis with attention to musical effects, dramatic processes, performance aspects, and stylistic matters, Rink’s chapter is a marvel of clarity and argumentation, perhaps even a model of what the classic Schenkerian essay...

..., is completely forthright. Schenkerian analysis is, he contends, a means of qualitative assessment: it may either “show the shortcomings” or “illuminate the exceptional quality” of any given jazz performance. For allaying misgivings among those remaining conservative- minded art-music scholars...

... notes of the middleground descent). At the most fundamental level analyzed, then, the correspondence is no longer there; it has become mere foreground “illusion.” Such symmetrical forms pose a dilemma for Schenkerian analysis, which normally cannot accommodate their symmetrical pitch...

... is available—perhaps more than for any other period of music history. Roman numeral analysis is, of course, appropriate—if it is ever appropriate—and is often a starting point. For Schenkerian analysis, the “classical” period (the scare quotes will be explained below) has a prominent, perhaps even...

... the word broadly, to include theory) of specific popular music repertoires should have been Schenkerian!—by which I mean that the two household names of Schenkerian exegesis, Forte and the late Steven Gilbert, authors of the Introduction to Schenkerian Analysis of 1982,2 should both have followed up...

... 2002 © Yale University, New Haven, Connecticut 06520 2002 CONTRIBUTORS Norman Carey, pianist, is Associate Professor of Music Theory at the Eastman School of Music. His interests include Schenkerian analysis and scale theory. Julian Hook is Assistant Professor...

... . “ The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694–1744) .” Paper presented at the Ninth European Music Analysis Conference , Strasbourg , June 30 . Beach David . 2012 . Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form . New York...

... European Music Analysis Conference, Bristol, England, 6 April 2002 Articles on Schenker and Schenkerian theory in The New Grove Dictionary of Music and Musicians, 2nd edition edited by Stanley Sadie executive editor John Tyrrell New York: Grove’s Dictionaries, 2001 also available online...

...—Response”) . Muzykovedenie 2 : 2 – 7 . Schachter Carl . 1999 . Unfoldings: Essays in Schenkerian Theory and Analysis . Edited by Straus Joseph N. . New York : Oxford University Press . Schenker Heinrich . [1935] 1979 . Free Composition . Translated by Oster Ernst...

... of Charles Ives.” Music Theory Spectrum 12 : 43 –83. Larson, Steve. 1987 . “Schenkerian Analysis of Modern Jazz.” Ph.D. diss., University of Michigan. ———. 1998 . “Schenkerian Analysis of Modern Jazz: Questions about Method.” Music Theory Spectrum 20 : 209 –41. McNamee, Ann. 1985...