...Susan Tepping Analysis of Tonal Music: A Schenkerian Approach Allen Cadwallader and David Gagné New York: Oxford Univ. Press, 1998 viii + 422 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 13. Schenker Studies 2: 68. 14. Free Composition: 104, and Fig.124/5b. 15...

...Kofi Agawu Schachter Carl . Edited by Straus Joseph N. , The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory , Oxford University Press , 2016 : v + 295 pp. ( $45.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Agawu Kofi . 2009...

...Matthew Brown; Panayotis Mavromatis Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 REVIEWS Unfoldings: Essays in...

...Diego Cubero The concept of prolongation in Schenkerian analysis broadly describes the elaboration of a vertical sonority. Among the most basic ways to prolong a chord is by arpeggiating it, such that it governs the time span of its arpeggiation. In Heinrich Schenker's writings, however, there are...

... distinctions for the sonorities involved (as defined by Schenkerian analysis), and the interconnection of these sonorities in processes of motivic development. Through this motivic interconnection, the sonorities achieve an ontological status partially independent of their individual linear-contrapuntal...

... improvisations through an interpretative lens whose principal ideological function has, by and large, been to valorize European canonic masterworks of centuries past? Larson, to his credit, is completely forthright. Schenkerian analysis is, he contends, a means of qualitative assessment: it may...

... European Music Analysis Conference, Bristol, England, 6 April 2002 Articles on Schenker and Schenkerian theory in The New Grove Dictionary of Music and Musicians, 2nd edition edited by Stanley Sadie executive editor John Tyrrell New York: Grove’s Dictionaries, 2001 also available online (by...

... Mendelssohn Antonin Dvořák Schenkerian analysis Works Cited Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston : Schirmer, Cengage Learning . Beach David . 1993 . “ Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying...

... in the concert repertoire. Still, one searches in vain for analysis of the Concerto that takes advantage of the advances of Schenkerian theory and recent theories of musical form. Such an analysis acquires urgency in light of the renewed interest in Schumann's late style, the relative neglect in...

... period of repertoire discussed, and major composers or theorists they were devoted to. Among the major findings, one can trace in a precise manner the centripetal process toward focus on Schenkerian and set theories (and the more recent opposite process), the almost total separation of discussions of...

...” (“Subdominant: Statement—Response”) . Muzykovedenie 2 : 2 – 7 . Schachter Carl . 1999 . Unfoldings: Essays in Schenkerian Theory and Analysis . Edited by Straus Joseph N. . New York : Oxford University Press . Schenker Heinrich . [1935] 1979 . Free Composition . Translated by...

... harmony in rock music received the Barry S. Brook Dissertation Award. © 2016 by Yale University 2016 rock music popular music harmonic function form Schenkerian analysis Works Cited Agawu Kofi . 1991 . Playing with Signs: A Semiotic Interpretation of Classic Music...

... performance” (168). The author, an accomplished pianist as well as a theorist with expertise in Schenkerian analysis and philosophy of music, brings each of these competencies to bear throughout this ambitious study.9 The volume opens with a brief “analytical teaser,” examining the min- uet from...

... Emperor’s Second Set of New Clothes Music Analysis, 18/2 (1999): 263–73. 4. Dunsby, “Recent Schenker,” 263. 5. Dunsby, “Recent Schenker,” 263. The work by Meeus is Heinrich Schenker: une introduction (Liège: Margada, 1993). 6. The works cited by Dunsby are Kofi Agawu, “Schenkerian Notation in...

.... Walter Everett brings a Schenkerian-derived approach to another overlooked repertoire: the intensely chromatic songs of Paul Simon’s 1970s solo career, before 1986’s Graceland revived his fortunes. Much of Everett’s analysis proceeds from comments made by Simon in inter- views about his compositional...

... 38, CRN (association through roman numerals) is listed as a contextual sub- type (uninterpreted, or without reference to a tonal syntax), whereas earlier (at 22n9) Hanninen clarifies that in Schenkerian analysis, roman numerals are generally interpretive (and...

..., Rock, and Jazz Since 1945, edited by Elizabeth West Marvin and Richard Hermann. Rochester, New York: University of Rochester Press. Cogan, Robert. 1984 . New Images of Musical Sound. Cambridge, Mass.: Harvard University Press. Cohn, Richard. 1992 . “The Autonomy of Motives in Schenkerian...

... to the musical sur- face. However, differences between Schenkerian analysis and that based on fourteenth-century counterpoint teaching are greater than similarities, not least in the broadly historicist orientation of the latter.7 Also, as the relationship between dyadic harmony and fourteenth...

... she was reading is actually an abridgment of the original, with most of the really vitupera- tive barbs aimed at Schenker’s contemporaries excised without notice— an aspect of the history of Schenkerian reception in this country that I said I hoped we might find the time to learn a bit more about...

...: “a and b are analytically significant,” or “the asso- ciation between a and b is analytically significant.” Association and cat- egories pervade music analysis from hidden repetition in Schenkerian voice-leading graphs to studies of motive and form, to set-class organi- zation and...