Search Results for Paris Conservatory

...Bjørnar Utne-Reitan Abstract What characterized conservatory music theory pedagogy in nineteenth-century Europe? This article discusses the traditions of music theory pedagogy associated with the conservatories in Paris, Vienna, and Leipzig, specifically focusing on the middle of the nineteenth...

... and solfège , they were able to imagine the other voices within a schematic paradigm, rather than the open choice . Moreover, they were evaluated for recognizing which patterns could be well supported by those lines and for the “artistic” quality of their realizations. The Paris Conservatory, for its...

... begins with a delightful historical vignette that sheds some light on the curious twentieth-century amnesia concerning par- timenti. It was 1903 and the director of the Paris Conservatory assigned the most recent winner of the Prix de Rome with the mission of bringing to Naples a list of desired...

... Raimondo Boucheron—who never studied in Naples—used the partimento as a tool for introducing to Italy the new methods of the Paris Conservatory. Two Late Neapolitan Masters: Pietro Raimondi and Pietro Platania Pietro Raimondi Pietro...

... as the prevailing music theory at the Paris Conservatory was likewise minted in Italy.5 In Europe, the Ramellian and neo-Ramellian tradition was an essential music-theoretical current, but until the mid-nineteenth century it was by no means the one with the greatest...

... Durantes Compositionen sind ziemlich selten. Das des wohlerfahrenen 84järigen Archivars, D. Giuseppe pariser Conservatorium ist im Besitz einer schönen Sigismondo, eines Zeitgenossen und Freundes Pic­ Sammlung derselben, welche es der Gefälligkeit des cini’s, Jomelli’s...

... to surmount. A theme-and-variations movement by Rosa Cafiero looks at different scenes in the transition of par- timenti from Naples to Paris, from oral tradition to textbook. Finally, a Wag- nerian march by Gaetano Stella takes the partimento well into the world of Romantic harmony. By the way...

... of a Plan for a Public Music-School.'” Musical Quarterly 58 : 210 -34, 1972. Bach, Johann Christian. 1773 -74. Op. 12/6. Paris. Bach, Johann Sebastian. 1730 -31. Double Concerto for Two Violins , BWV 1043. ____. 1736 . “O Jesulein süss, o Jesulein mild,” figured-bass harmonization, BWV 493...

...Giorgio Sanguinetti A partimento is a linear guide for the improvisation of a keyboard piece. Partimenti were developed for the training of composers in the conservatories of Naples during the eighteenth century. They contain all the information needed for the realization of complete pieces...

... Steiner . Blum Stephen . 2023 . Music Theory in Ethnomusicology . New York : Oxford University Press . Choron Alexandre-Etienne , and Marie Fayolle Francois Joseph . 1810 . Dictionnaire historique des musiciens, artistes et amateurs, morts ou vivants . Vol. 1 . Paris...

... Raphael Georg Kiesewetter, Charles-Edmond-Henri de Coussemaker, Julien Tiersot, and Joseph d'Ortigue—and in a brief excursus, up to the twentieth-century studies of Edward Lowinsky and Carl Dahlhaus. 2 He draws on archival sources from the Fétis archives at the Royal Conservatory of Music in Belgium...

... généraux chinois . Paris : Didot l'aîné . Amiot Jean-Joseph-Marie . 1779 . Mémoire sur la musique des chinois . Paris : Nyon . Amiot Jean-Joseph-Marie . 1789 . Dictionnaire tartare-mantchou-français . 3 vols. Paris : Didot l'aîné . Anonymous . 1773 . De la langue...

...://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/ . de Gobineau Arthur . 1853–55 . Essai sur l'inégalité des races humaines ( Essay on the Inequality of Human Races ), 4 vols. Paris . Ewell Philip . 2019a . “ Music Theory à la Leningrad: An Interview with Tatiana...

... amateurs morts ou vivans . 2 vols. Paris : Valade . Diergarten Felix . 2011 . “ ‘The True Fundamentals of Composition’: Haydn's Partimento Counterpoint .” Eighteenth-Century Music 8 , no. 1 : 53 – 75 . Fétis François-Joseph . 1830 . Curiosités historiques de la Musique...

... of . . . composers born in the 1940s whose best-known members are [Gérard] Grisey, Tristan Murail, Michäel Levinas and Hugues Dufourt” (Hasegawa 2009, 349). All participated in l’Itinéraire, an “ensemble formed in 1973 by students in Olivier Messiaen’s class at the Paris Conservatory” (Wilson 1989, 55...

... University Press . Feagin Joe . 2013 . The White Racial Frame: Centuries of Racial Framing and Counter-framing , 2nd ed. New York : Routledge . Fétis François-Joseph . 1840 . Esquisse de l'histoire de l'harmonie . Paris : Bourgogne et Martinet . Fétis François-Joseph...

... Balanchine Critical Editions . Unpublished. Menuhin Yehudi , Enescu George , Monteux Pierre , and Paris Symphony Orchestra . 2007 . Bach violin concertos etc. EMI 91962. CD. New York City Ballet in Montreal, Vol. 2: Concerto Barocco, Nutcracker Grand pas de deux, Pas de Dix, Agon...

...; points of contact between them provide insight into precise agents of musical change around the turn of the seventeenth century. Megan Kaes Long is assistant professor of music theory at the Oberlin College Conservatory of Music. © 2015 by Yale University 2015 Thomas Morley Giovanni...

... at the Oberlin College Conservatory of Music. He is currently the treasurer-secretary-archivist of the International Machaut Society. Apel, Willi. 1959 . “Remarks about the Isorhythmic Motet.” In Les Colloques de Wégimont II, 1955, L'Ars Nova: Recueil d'études sur la musique du XIVe siècle , 139 -48...

... . Geneva : Contrechamps . Boulez Pierre . 2005 . “ La notion de thème et son évolution ” ( 1983 ). In Points de repère III: Leçons de musique , edited by Nattiez Jean-Jacques , 205 – 38 . Paris : Bourgois . Campbell Edward . 2010 . Boulez Music and Philosophy . Cambridge...