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Moritz Hauptmann

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Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
... ideas of key. Starting with Edward Gollin's recent generalization of Moritz Hauptmann's key representations as “multiaggregate cycles”—which he also uncovers on the surface of and in the relations between harmonies in Bartók's music—the article briefly reconsiders Hauptmann's theories and depictions...
Journal Article
Journal of Music Theory (2022) 66 (1): 63–91.
Published: 01 April 2022
... der Harmonik und der Metrik, by Moritz Hauptmann (1792–1868), and Lehrbuch der Harmonie , by Ernst Friedrich Richter (1808–79). 21 The authors had been colleagues at the conservatory since it opened, but their works are vastly different. Using the distinction introduced by Hugo Riemann ([ 1882...
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Journal Article
Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
.... Author’s note (NZfM/PS): “These expressions are chosen in connection with Moritz Hauptmann.” 12. This sentence appears in bold typeface in PS. Hauptmann considered a simpler, Ursatz-like prototype: “The harmonic succession of the triads C . . . G . . . C, or the three first notes of the melodic...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
... the writings of ninety-five theorists of vari- ous national backgrounds, ranging from works by well-known authors such as Jean-Philippe Rameau, Johann Kirnberger, Simon Sechter, Georg Joseph Vogler, Gottfried Weber, and Moritz Hauptmann, to works of forty authors...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
... Paul, a young musicologist who had joined the faculty in 1866 and who had studied earlier with Hauptmann; 82 the other was Moritz Drobisch, an established philosopher-scientist who was an expert on acoustical theory and had published an important book on tuning and intonation (Drobisch 1852...
Journal Article
Journal of Music Theory (2005) 49 (1): 109–140.
Published: 01 April 2005
... find implicit alge- braic groups in the theories of Moritz Hauptmann and Arthur von Oet- tingen, both of whom sought to model diatonic tonal concepts, and the latter of whom worked explicitly from an acoustic perspective (Engebret­ sen 2002, 101–17, 168–81). By contrast, Engebretsen shows...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
... rhythmic theories of Moritz Hauptmann to set a dramatic text by Arrigo Boito). Serious students of lyric drama in the nineteenth century will be well rewarded if they work their way through the three chapters on “Lessons in Dramatic Composition...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... International Conference, MCM 2007 , ed. Klouche Timour Noll Thomas , 406 – 11 . Berlin : Springer . Harrison Daniel . 2002 . “ Nonconformist Notions of Nineteenth-Century Enharmonicism .” Music Analysis 21/2 : 115 – 60 . Hauptmann Moritz . 1853 . Die Natur der Harmonik...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... . 2003 . “ Toward a History of Attention in Culture and Science .” MLN 118 / 3 : 670 – 87 . Hauptmann Moritz . 1853 . Die Natur der Harmonik und Metrik . Leipzig . Holden John . 1766 . A Collection of Church-Music Consisting of New Setts of the Common Psalm-Tunes...
Journal Article
Journal of Music Theory (2010) 54 (2): 283–310.
Published: 01 October 2010
... thought, Carl Dahlhaus once mused that the “sole historicist among nineteenth-century music theorists” was, ironically, neither a Goethean humanist like Moritz Hauptmann nor an erudite Musikwissenschaftler like Hugo Riemann, but rather the “distinguished physicist and physiologist...
Journal Article
Journal of Music Theory (2000) 44 (2): 261–322.
Published: 01 October 2000
...), and Moritz Hauptmann (1792–1868)—continued to seek “symmetrical structure in all sorts of musical phenomena” (Bernstein 1993, 379). Weber declared that “[music’s] essential nature, accordingly, consists in a perfect sym- metry, as it respects the duration and the accent of the tones. This sym- metry...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 57–126.
Published: 01 October 2002
... ii Figure 9. A seventh-chord transformation: Childs’s S3(2), Gollin’s Iiii, or the UTT 1,11〉 = W1 inspired by the triadic theories of Moritz Hauptmann (1853), labels the elements of a seventh chord i, ii, iii, and iv, upward from the root of a major-minor seventh...
Journal Article
Journal of Music Theory (2009) 53 (1): 1–56.
Published: 01 April 2009
.../groupings are Moritz Hauptmann ([1853] 1888, 189–92) understands triple perhaps not opposites in the same manner as the opposites meter to be in opposition to duple meter, forming a thesis– that Lewin’s binary-code...
Journal Article
Journal of Music Theory (1999) 43 (1): 21–82.
Published: 01 April 1999
....” Perspectives of New Music 30 ( 1 ): 82 -131. Hauptmann, Moritz. 1853 . Die Natur der Harmonik und Metrik. Leipzig: Breitkopf und Härtel. English trans. by W. E. Heathcote, The Nature of Harmony and Metre (London: Swan Sonnenschein, 1888). Hyer, Brian. 1995 . “Reimag(in)ing Riemann.” Journal...