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Maria Schneider

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Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
...Ben Geyer This study assesses twenty-five works by contemporary jazz composer Maria Schneider, tracking her compositional tendencies, identifying areas of continuity with the big-band arranging tradition, and capturing developments and idiosyncrasies apparent in her music. Schneider most often...
Journal Article
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
... Hancock’s compositions offered consistent, innovative, and influential approaches to harmonic structure and progression. Later jazz composers, such as Richard Beirach, Jim McNeeley, Maria Schneider, and others, adopted many of the compositional approaches...
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
.... Avellino, Francesco Maria. 1818 . Elogio di Fedele Fenaroli letto nell'Accademia delle Belle Arti della Società Reale Borbonica . Naples: Trani. Azzopardi, Francesco. 1786 . Le musicien pratique ou Leçons qui conduisent les élèves dans l'art du contrepoint en leur enseignant la manière de...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... : 47 -65. Cafiero, Rosa. 1993 . “La didattica del partimento a Napoli fra Settecento e Ottocento: Note sulla fortuna delle Regole di Carlo Cotumacci.” In Gli affetti convenienti all'idee: Studi sulla musica vocale italiana , ed. Rosa Cafiero and Maria Caraci Vela, 549 -80. Naples: Edizioni...
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
... Offizien des Mittelalters: Dichtung und Musik , ed. Walter Berschin and David Hiley, 129 -42. Regensburger Studien zur Musikgeschichte 1. Tutzing: Schneider. ____. 2002 . “Introduction.” In Historia sancti Wolfgangi episcopi ratisbonensis , xix -xxvii. Ottawa: Institute of Mediaeval Music...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... . “Machaut's Motet 15 and the Roman de la rose: The literary Context of Amours qui a le pouoir / Faux Samblant m'a deceü / Vidi Dominum.” Early Music History 10 : 1 -14. Busse Berger, anna Maria. 2009 . “The Problem of Diminished Counterpoint.” In Uno gentile et subtile ingenio: Studies...