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Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
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in Music in the Body: The Eighteenth-Century Contredanse and Hypermetrical Hearing
> Journal of Music Theory
Published: 01 April 2021
Example 2. Haydn, op. 76/4, iv, mm. 1–8.
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in Music in the Body: The Eighteenth-Century Contredanse and Hypermetrical Hearing
> Journal of Music Theory
Published: 01 April 2021
Example 3. Haydn, op. 76/4, iv, mm. 1–8, 25–34.
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Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
...James M. Baker 2003 © Yale University, New Haven, Connecticut 06520 2003 CHROMATICISM, FORM, AND
EXPRESSION IN HAYDN’S STRING
QUARTET OP. 76, NO. 6
James M. Baker
Hin ist alle meine Kraft, alt und schwach bin ich...
Journal Article
Journal of Music Theory (2018) 62 (1): 119–144.
Published: 01 April 2018
...Naomi Waltham-Smith Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
... subordinating the second (contrasting) tonal area” (2007, 125–26).
But has Schumann subordinated the second tonal area? Or, more to
the point, has he subordinated it in a manner that is at odds with classical
practice, as Roesner suggests? Although Roesner is undoubtedly correct in
identifying Haydn...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... of Krzysztof Penderecki (1997) and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009). Berger, Karol. 1992 . “Toward a History of Hearing: The Classic Concerto, a Sample Case.” In Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... , 27 – 54 . Lincoln : University of Nebraska Press . ———. 1998 . Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Beethoven and Mozart . Oxford : Oxford University Press . Caplin William E. Hepokoski James Webster James . 2009 . Musical Form...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... to
studies of eighteenth-century schemata and current theo- Haydn’s practice, see Sisman 1982.
ries of sonata form.
5 Designations have differed, including LaRue’s pseudo-
2 This article is part of a larger corpus-based project exam- evolutionary “timeline,” Eugene...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... will serve numerous pedagogical
purposes in graduate-level analysis classes and composer and era surveys,
in addition to Schenker seminars. L. Poundie Burstein’s “Comedy and
Structure in Haydn’s Symphonies,” may find its way to syllabi of each,
thanks to its conversational tone, clear prose...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... these claims, repertoires of Viennese string quar-
tet minuets and piano pieces by Chopin are analyzed.
Keywords form, parametric independence, ternary plot, Haydn, Chopin
example 1 shows the opening phrase of the Rondeau finale of the Piano
Sonata in F major op. 1/1 (1780) by Leopold Koželuch...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
...Example 2. Haydn, op. 76/4, iv, mm. 1–8. ...
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Journal Article
Journal of Music Theory (2022) 66 (2): 273–279.
Published: 01 October 2022
... “right at the beginning of the period” the Grundabsatz in the main key is followed by a Cadenz (Baker 1983 : 227). This scenario is implemented in example 3.5 from the second movement of Haydn's Divertimento for String Trio in C major, Hob. V:16, and in example 3.6 from the finale of his Symphony...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... A. 1991 . “Engaging Strategies in Haydn's Opus 33 String Quartets.” Eighteenth-Century Studies 25 : 1 -30. ____. 1992 . Haydn's Ingenious Jesting with Art: Contexts of Musical Wit and Humor . New York: Schirmer. Zeiss, Laurel Elizabeth. 2001 . “Permeable Boundaries in Mozart's Don Giovanni...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... techniques. Abraham, Gerald. 1973 . Chopin's Musical Style . New York: Oxford University Press. Anson-Cartwright, Mark. 1998 . “The Development Section in Haydn's Late Instrumental Works.” Ph.D. diss., City University of New York. Cadwallader, Allen. 1992 . “More on Scale Degree Three...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
..., Delivery, Delivery!': Crowning the Rhetorical Process of Haydn's Keyboard Sonatas.” In Haydn and the Performance of Rhetoric , ed. Tom Beghin and Sander M. Goldberg, 131 -71. Chicago: University of Chicago Press. Caplin, William. 1987 . “The `Expanded Cadential Progression': A Category...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
...), Schubert
Reviews Agawu on Schachter 147
(lesson 4), Handel (lesson 5), Mozart (lesson 7), Beethoven (lessons 8, 9, and
12), and Haydn (lesson 11). The exceptions are lessons 1 and 10, which deal
respectively with “Linear Progressions and Neighbor...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... in Perspective: Essays on Musical Form from Haydn to Adorno , edited by Moortele Steven Vande Pedneault-Deslauriers Julie Martin Nathan John , 85 – 116 . Woodbridge : Boydell and Brewer . Burstein L. Poundie . 2015b . “The Half Cadence and Related Analytic Fictions ”. In What...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
... approach sets itself apart from
those mentioned above in two important ways. First, whereas most study of
late-eighteenth-century music—particularly in music theory—has focused on
just two composers, Mozart and Haydn, Gjerdingen’s focus is much broader...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... , edited by Kok Roe-Min Tunbridge Laura , 265 – 99 . New York : Oxford University Press . Burstein L. Poundie . 2011 . “ True or False? Re-assessing the Voice-Leading Role of Haydn’s So-Called ‘False Recapitulations .’” Journal of Schenkerian Studies 5 : 1 – 37 . Caplin...
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