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Journal Article
Journal of Music Theory (2020) 64 (1): 37–61.
Published: 01 April 2020
...Guy Capuzzo This article examines Elliott Carter’s most extensive forays into the theory and practice of musical silence: the 2005 composition Intermittences and the 1957 lecture “Sound and Silence in Time: A Contemporary Approach to the Elements of Music.” Taken together, the piece and the lecture...
View articletitled, <span class="search-highlight">Elliott</span> <span class="search-highlight">Carter</span> and Musical Silence: Intermittences and “Sound and Silence in Time”
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for article titled, <span class="search-highlight">Elliott</span> <span class="search-highlight">Carter</span> and Musical Silence: Intermittences and “Sound and Silence in Time”
Journal Article
Journal of Music Theory (2004) 48 (1): 1–24.
Published: 01 April 2004
...Guy Capuzzo 2004 © Yale University, New Haven, Connecticut 06520 2004 Bernard, Jonathan. 1983 . “Spatial Sets in Recent Music of Elliott Carter.” Music Analysis 2.1 : 5 -34. _____. 1993 . “Problems of Pitch Structure in Elliott Carter's First and Second String Quartets.” Journal...
View articletitled, The Complement Union Property in the Music of <span class="search-highlight">Elliott</span> <span class="search-highlight">Carter</span>
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for article titled, The Complement Union Property in the Music of <span class="search-highlight">Elliott</span> <span class="search-highlight">Carter</span>
Journal Article
Journal of Music Theory (2022) 66 (1): 129–134.
Published: 01 April 2022
... in performance. When the first moment of Klangfarbenmelodie arrives in Elliott Carter's Changes , it is clear that the pitch varied in the passage has been prepared in a surprising way. Due only in part to the music's change of character, the uncanniness of the moment arises from long-range effects...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
... to construct a unity which does not conceal the fragmentary and
chaotic state of the handed-down musical material, and yet which does
not simply mirror fragmentation through identification with it, but which
is able to embody, negate, and transcend it.3
Two phrases borrowed from Elliott Carter...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... . '' Hearing with Our Eyes: The Geometry of Tonal Space. '' Bridges: Mathematical Connections in Art, Music, and Science 5 : 123 – 34 .
Hooper
Jason
. 2009 . '' A Transformational Approach to Harmony and Voice Leading in Elliott Carter's Recent Music .'' Paper presented at the national...
View articletitled, Contextual-Inversion Spaces
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for article titled, Contextual-Inversion Spaces
Includes: Supplementary data
Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
.... The legacy of these interactive textures
calls to mind the music of Steve Reich and perhaps that of Elliott Carter. (163)
But Horlacher’s description of Ives’s music also describes precisely definable
relations. Don’t we often describe Carter’s textures in terms...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
... Material, mention but one example, a composer such as Elliott
in which elements of human communicative conventions Carter has spoken often of the influence of jazz of the
are stratified, yet which retains elements of continuity 1940s and 1950s on his music; although his...
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
..., Clifton and Rachel Hall. 2007 . “Homometric Sets and Z-related Chords.” Paper presented at the American Mathematical Society National Conference , New Orleans. Callender, Clifton, Ian Quinn, and Dmitri Tymoczko. 2008 . “Generalized Voice-Leading Spaces.” Science 320 : 346 -48. Carter, Elliott...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
.... His recent research includes investigations of pitch and time in the music of Elliott Carter, Kaija Saariaho, and Béla Bartók and in traditional Chinese and Balinese music. A book he coedited with Michael Tenzer, Analytical and Cross-Cultural Studies in World Music , is forthcoming (2011) from Oxford...
Journal Article
Journal of Music Theory (2006) 50 (1): 7–23.
Published: 01 April 2006
.... “The Deep Background of Our Society.” Music Theory Online 9/1. http://societymusictheory.org/mto/issues/mto.03.9.1/mto.03.9.1.browne.htm . Burkhart, Charles. 1997 . “Remembering David Kraehenbuehl.” Journal of Music Theory 41 : 188 . Carter, Elliott. 1959 . “On the Nature of Music Theory...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
...” (GMIT, xx). This delight in incongruous juxtaposition is
evident also at the level of musical repertory—in a theoretical treatise whose
examples stretch from the symphony of the diatessaron to Elliott Carter, or in
an essay that employs a child’s reconstruction of “Twinkle, Twinkle, Little Star...
View articletitled, Generalized Musical Intervals and Transformations; Musical Form and Transformation: Four Analytic Essays; Studies in Music with Text
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for article titled, Generalized Musical Intervals and Transformations; Musical Form and Transformation: Four Analytic Essays; Studies in Music with Text
Journal Article
Journal of Music Theory (2004) 48 (2): 147–218.
Published: 01 October 2004
..., but defy a view of associ-
ation limited to classical categories with crisp boundaries, discrete sub-
sets, and hierarchic structure. “Synthesis” and “analysis” of set-classes in
Elliott Carter’s Harmony Book (Carter 2000) suggests similar structures,
and the importance of harmonic composition...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
... imaginable. It is able to analyze the transitions into and out of 5/4 in
Boieldieu’s aria, which is only one difficult example from the common prac-
tice period. The same model applies just as easily to Antoine Busnoys’s masses
or Elliott Carter’s string quartets...
Journal Article
Journal of Music Theory (2023) 67 (1): 1–70.
Published: 01 April 2023
... Rows in Elliott Carter's Changes .” Intégral 21 : 79 – 108 . Carey Norman , and Clampitt David . 1989 . “ Aspects of Well-Formed Scales .” Music Theory Spectrum 11 , no. 2 : 187 – 206 . Clough John . 1979 . “ Diatonic Interval Sets and Transformational Structures...
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Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
...Dmitri Tymoczko 2004 © Yale University, New Haven, Connecticut 06520 2004 Antokoletz, Elliott. 1993 . “Transformations of a Special Non-Diatonic Mode in Twentieth-Century Music: Bartok, Stravinsky, Scriabin, and Albrecht.” Music Analysis 12/1 : 25 -45. Baker, David. 1985 . How...
Journal Article
Journal of Music Theory (2000) 44 (2): 261–322.
Published: 01 October 2000
... “metric modulation” has been associated with the music of Elliott Carter
ever since Richard Goldman (1951) used it to describe the controlled changes in
tempo and beat grouping in Carter’s First String Quartet. The use of the term
“metric modulation” in Carter and Fétis is not synonymous...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
.... Antokoletz, Elliott. 1984 . The Music of Béla Bartók . Berkeley: University of California Press. Auerbach, Brent. 2005 . “ The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes Brahms .” Ph.D. diss., University of Rochester. Bribitzer-Stull. 2006 . “The A♭-C-E...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 285–345.
Published: 01 October 2002
...
Composition and the Music of Elliott Carter (pp. 67–102). He says “Mead adopts
the same explanatory strategy as Schenker did in Der freie Satz: he sets out ab-
stract structures and then shows how they are “realized” or “manifested” in the fin-
ished composition” (p. 423). He goes...
