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Chopin

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Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... Description of Motivic Relationships in Tonal Music.” Intégral 2 : 1 –35. Cadwallader, Allen and William Pastille. 1992 . “Schenker's High-Level Motives.” Journal of Music Theory 36 / 1 : 117 –48. Cone, Edward T. 1994 . “Ambiguity and Reinterpretation in Chopin.” In Chopin Studies 2 , ed...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
.... As such, the archetypes function as ideologies of the musical text and as ideologies of the reader. The article illustrates these ideas with analyses of Chopin's Nocturne in B, op. 32/1, Chopin's Second Ballade, and Brahms's Rhapsody in E♭, op. 119/4. Ironic Narrative, Ironic Reading...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... as always comparative and context dependent. Illustrating these claims, repertoires of Viennese string quartet minuets and piano pieces by Chopin are analyzed. Christopher Brody is assistant professor of music theory at the Eastman School of Music. His research focuses on baroque music, keyboard...
Journal Article
Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
... Friedman borrowing Bach in Gavotte (1948); Cavell borrowing Emerson versus Berio borrowing Mahler in Sinfonia (1960); and Cavell borrowing Derrida reading Austin versus Richard Beaudoin borrowing Martha Argerich reading Chopin in Étude d'un prélude IV—Black Wires (2009). Cavell's theories of the voice...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... in Music focus on specific compositions by Bach, D. Scarlatti, Haydn, Mozart, Beethoven, Chopin, and Reger, in- cluding Mozart’s Symphony No. 40 in G Minor, K. 550 (in Volume II) and Beethoven’s Eroica Symphony (in Volume III). Other sections deal with forms and genres (sonata form, fantasy, fugue...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... techniques. Abraham, Gerald. 1973 . Chopin's Musical Style . New York: Oxford University Press. Anson-Cartwright, Mark. 1998 . “The Development Section in Haydn's Late Instrumental Works.” Ph.D. diss., City University of New York. Cadwallader, Allen. 1992 . “More on Scale Degree Three...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... a little odd that Der freie Satz features 147 examples based on Beethoven’s music, and 108 on Chopin’s, but only 34 on that of Brahms. Profiling the Oster Collection’s File 34, the “Brahms folder,” Cadwallader and Pastille dis- close it does contain a surprisingly large cache of material regarding...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... resistant to any single analyti- cal bias. The book orders its essays chronologically, beginning with one on Schubert, followed by two on Chopin, and a larger group on later nine- teenth- and early twentieth-century composers. (Wagner, Liszt, Bruckner, Debussy, Wolf, Mahler, Schoenberg, and Pfitzner...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... and discerningly. Schachter’s ultimate allegiances are not to Schenker but to the great compos- ers he adored: Bach, Mozart, Schubert, Beethoven, Chopin, and Brahms. To make this distinction is to suggest that The Art of Tonal Analysis be valued not only...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... University Press. Chopin, Frédéric. 1943 . Preludes for the Piano . Ed. Rafael Joseffy. G. Schirmer: New York. ____. 1968 . Préludes . Ed. Ewald Zimmermann. G. Henle Verlag: Munich. Cone, Edward T. 1977 . “Three Ways to Read a Detective Story or a Brahms Intermezzo.” Georgia Review 31...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...
Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... the scherzo of Beethoven s Ninth Symphony,12 or f A c E g B . . . in mm. 43 60 of Chopin s fantasy in F minor, op. 49. Though both of these examples are RL-chains, the first descends by thirds (a generic t5 sequence) while the second ascends (generic t2). Though some theorists may be disinclined to call...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
... of music analysis” (v) a detailed look at works by Bee­ thoven, Schubert, Mendelssohn, Chopin, Liszt, Brahms, and Mahler, while setting up an analytic methodology treating music as a discourse (indebted to “Schenker, Ratner, Adorno, and the general field of musical semiotics” [3 And here, I think...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
.... Klein, Michael. 2004 . “Chopin's Fourth Ballade as Musical Narrative.” Music Theory Spectrum 26 : 23 -55. Knösche, Thomas R., Christiane Neuhaus, Jens Haueisen, Kai Alter, Burkhard Maess, Otto W. Witte, and Angela D. Friederici. 2005 . “Perception of Phrase Structure in Music.” Human Brain...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
... of view, Murray Perahia’s Chopin is not precisely the same com- poser as Krystian Zimerman’s. I cannot imagine that Schenker, who styled himself always as an artist (Künstler), would have wanted it any other way. 206 One of Snarrenberg’s weaknesses is a disinclination to view Schenker’s thought...
Journal Article
Journal of Music Theory (2015) 59 (1): 63–97.
Published: 01 April 2015
... : University of Nebraska Press . Korsyn Kevin . 1996 . “ Directional Tonality and Intertextuality: Brahms’s Quintet op. 88 and Chopin’s Ballade op. 38 .” In The Second Practice of Nineteenth-Century Tonality , ed. Kinderman William Krebs Harald , 45 – 83 . Lincoln : University...
Journal Article
Journal of Music Theory (2014) 58 (2): 235–256.
Published: 01 October 2014
..., such as one might 238 JOURNAL of MUSIC THEORY encounter in a Chopin prelude. If such phrases, composed in profusion by all the major composers after 1840, had to rely on the Tonnetz and associated transformations for acts of musical cognition, they would...