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Arnold Schoenberg

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Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
...Matthew Arndt As a comparative reading informed by recent work in integration theory and metaphor theory shows, Heinrich Schenker's and Arnold Schoenberg's Harmonielehren adumbrate broader theories of composition based in part on a conception of the tone as a partly unconsciously perceived, living...
Journal Article
Journal of Music Theory (2019) 63 (1): 71–102.
Published: 01 April 2019
...Áine Heneghan Liquidation is an idiosyncratic term in music theory. This article considers its origins in the writings and teaching of Arnold Schoenberg. Tracing its history uncovers the resonances that it held for him and refines our understanding of the term. Paying close attention...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... scales from functional harmony. After defining “absolute color” in the context of Gluck’s orchestration, Ernst Kurth demonstrates how “absolute” wind instrument colors delineate “absolute” “destructive” harmonic colors in Wagner’s Tristan instrumentation. Finally, Arnold Schoenberg’s functional...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
...Philip Stoecker In this article I investigate aligned cycles. First identified by Alban Berg in a letter to Arnold Schoenberg and later discussed by George Perle and David Headlam, an aligned cycle is when two (or more) interval cycles unfold in the same direction in a note-against-note alignment...
Journal Article
Journal of Music Theory (2003) 47 (1): 155–214.
Published: 01 April 2003
... Transformations and the Evolution of Form in Die glückliche Hand.” Journal of the Arnold Schoenberg Institute 12/2 ( 1989 ): 103 -28. Bailey, Walter B. “Prophetic Aspects of Musical Style in the Early Unpublished Songs of Arnold Schoenberg.” The Musical Quarterly 74/4 ( 1990 ): 491 -520. Boss...
Journal Article
Journal of Music Theory (2011) 55 (2): 265–270.
Published: 01 October 2011
... “political theology” and Arnold Schoenberg’s “aesthetic theology” (Dahlhaus 1986; Covach 1996). Rothfarb’s monograph is well structured to bring out the complemen- tarity of Halm’s multiple roles as educational reformer, cultural critic, com- poser, and theorist. A concise summary of Halm’s career...
Journal Article
Journal of Music Theory (2016) 60 (2): 263–279.
Published: 01 October 2016
... of Composition.” In The Arnold Schoenberg Companion, ed. Walter B. Bailey, 209–22. Westport, CT: Greenwood. Cherlin, Michael. 2007. Schoenberg’s Musical Imagination. Cambridge: Cambridge University Press. Cross, Charlotte M...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
... -74. Lester, Joel. 1970 . “ A Theory of Atonal Prolongations as Used in an Analysis of the Serenade, op. 24 by Arnold Schoenberg .” Ph.D. diss., Princeton University. Lewin, David. 1962 . “A Theory of Segmental Association in Twelve-Tone Music.” Perspectives of New Music 1/1 : 89 -116...
Journal Article
Journal of Music Theory (2014) 58 (1): 57–65.
Published: 01 April 2014
... of composition, and contributing in turn to works that followed it. Thus, it is not a self-contained uniform entity but an evolving work influenced most pro- foundly by his teacher, Arnold Schoenberg, and Berg’s involuntary partici- pation in a world catastrophe: The Great...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
....” In A Composition as a Problem III: (Proceedings of the 3rd International Conference on Music Theory) , ed. M. Humal, 93 -108. Tallinn: Scripta Musicalia. Schenker, Heinrich. 1979 . Free Composition . Translated by Ernst Oster. New York: Longman. Schiano, Michael. 1992 . “ Arnold Schoenberg's Grundgestalt...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... A rated and A number one. The alphabetical order of A and B also maps onto the chronological order that is part of the primary/secondary dichotomy. 5 In Arnold Schoenberg s (1975: 398 441, esp. 408 16) formulation, neither developing variation nor musical prose was new to Brahms, nor did they emerge...
Journal Article
Journal of Music Theory (1999) 43 (2): 349–358.
Published: 01 October 1999
...), 247–83. 4. Arnold Schoenberg, Style and Idea (revised edition), ed. Leonard Stein, trans. Leo Black (Berkeley: University of California Press, 1984, originally 1975, 1951). 5. Ibid., 121, 123. 6. Berg’s notes on the Lyric Suite are found in a letter to Schoenberg, in The Berg- Schoenberg...
Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
... such variations, which conserve intervallic content and order, are with good reason distinguished from devel- opment in, for example, Arnold Schoenberg’s writings and practice. (Is it not precisely because they are not “developments” but restatements that ret- rogrades and inversions can be freely equated...
Journal Article
Journal of Music Theory (2010) 54 (1): 25–36.
Published: 01 April 2010
... themselves as destined to complete the project begun—but only begun—by Arnold Schoenberg’s rejection of tonality and his subsequent development of the twelve-tone system. The implications of this musical revolution had to be unfolded rigorously and ruthlessly...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
... was Arnold Schoenberg; see Fundamentals of Musical Composi- tion, edited by Gerald Strang with the collaboration of Leonard Stein (London: Faber and Faber, 1967), 20–24 and 58–81. Though Fundamentals is a late formu- lation of Schoenberg’s theories, it displays the same principles...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
... critical judgments may overwhelm our potential to listen to the composer’s music “naively, sen- sitively, and open-mindedly,” as Arnold Schoenberg so aptly put it (1984, 114). Indeed, such judgments often seem to preordain negative conclusions about...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... in the Staatsbibliotheck Preussischer Kulturbesitz, Berlin (MA Ms 47) and the 1st ed. (Bote and Bock). Kassel: Furore edition. Reich, Willi. 1965 . The Life and Work of Alban Berg . Translated by cornelius Cardew. 1st American ed. New York: Harcourt, Brace, and World. Schoenberg, Arnold. [1911] 1983 . Theory...
Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... and Interpretation .” In Chopin Studies 2 , edited by Rink John Samson Jim , 161 – 82 . Cambridge : Cambridge University Press . Schoenberg Arnold . (1947) 1975 . “ Brahms the Progressive ”. In Style and Idea: Selected Writings of Arnold Schoenberg , edited by Stein Leonard , 398...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
..., of course: he explic- itly excludes Hugo Riemann, Heinrich Schenker, and Arnold Schoenberg, noting that “my principal interest is in assaying what the analytical landscape was like before those well-studied giants emerged” (vii), and his focus...
Journal Article
Journal of Music Theory 9930962.
Published: 08 September 2022
..., No. 4, 14 Bagatelles (1908) Maurice Ravel, Ondine, Gaspard de la nuit (1908) Arnold Schoenberg, No. 2, Drei Klavierstücke, Op. 11 (1909) Igor Stravinsky, Petrushka (1911) Ravel, Daphn­ is et Chloé (1909 12) Marcel Dupré, Prélude in B major for organ (1912) Sergei Prokofiev, Piano Sonata No. 4 (1917...