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Volume 56, Issue 2

Fall 2012

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ISSN 0022-2909

EISSN 1941-7497

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Rameau’s Changing Views on Supposition and Suspension

Nathan John Martin

View articletitled, Rameau’s Changing Views on Supposition and Suspension

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Exploring the Rhythm of the Palestrina Style: A Case Study in Probabilistic Grammar Induction

Panayotis Mavromatis

View articletitled, Exploring the Rhythm of the Palestrina Style<span class="subtitle-colon">: </span><span class="subtitle">A Case Study in Probabilistic Grammar Induction</span>

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Tonal Structures in Bellini

William Rothstein

View articletitled, Tonal Structures in Bellini

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Reviews

Building Blocks: Repetition and Continuity in the Music of Stravinsky

Richard Taruskin

View articletitled, Building Blocks: Repetition and Continuity in the Music of Stravinsky

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Thinking About Harmony: Historical Perspectives on Analysis

Nora Engebretsen

View articletitled, Thinking About Harmony: Historical Perspectives on Analysis

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An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music

Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles

Performance Spaces for Improvised and Notated Music

Form as Harmony in Rock Music

David Kraehenbuehl Prize

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