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Spring - Volume 50, Issue 1
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Volume 50, Issue 2
Fall 2006
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ISSN 0022-2909
EISSN 1941-7497
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Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms
Peter H. Smith
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titled, Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms
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Form, Structure, and Musical Drama in Two Mozart Expositions
Lauri Suurpää
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titled, Form, Structure, and Musical Drama in Two Mozart Expositions
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The Cadenza as Parenthesis
:
An Analytic Approach
Matthew Bribitzer-Stull
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titled, The Cadenza as Parenthesis<span class="subtitle-colon">: </span><span class="subtitle">An Analytic Approach</span>
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Schubert, Chromaticism, and the Ascending 5-6 Sequence
David Damschroder
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titled, Schubert, Chromaticism, and the Ascending 5-6 Sequence
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Music in the Galant Style
David Temperley
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titled, Music in the Galant Style
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Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
Benjamin Steege
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titled, Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
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An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music
Approximate Set Theory
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Chord Categories, Voicings, and Interval Cycles
Performance Spaces for Improvised and Notated Music
Form as Harmony in Rock Music
David Kraehenbuehl Prize
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