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Volume 50, Issue 2

Fall 2006

ISSN 0022-2909

EISSN 1941-7497

In this Issue

Articles
Reviews

Articles

Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms

Peter H. Smith

Form, Structure, and Musical Drama in Two Mozart Expositions

Lauri Suurpää

The Cadenza as Parenthesis: An Analytic Approach

Matthew Bribitzer-Stull

Schubert, Chromaticism, and the Ascending 5-6 Sequence

David Damschroder

Reviews

Music in the Galant Style

David Temperley

Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen

Benjamin Steege

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Music and the Moderni, 1300–1350: The Ars Nova in Theory and Practice by Karen Desmond

Dvořák and Subordinate Theme Closure: “Positive” Analytic Results for a “Negative” Approach to Romantic Form

Modal Spelled Pitch Class, La-Minor Solfège, and Schubert’s Third Relations

“Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century”

A Theory of Virtual Agency for Western Art Music by Robert S. Hatten

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