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Issue
Spring - Volume 50, Issue 1
Fall - Volume 50, Issue 2
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Volume 50, Issue 2
Fall 2006
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ISSN
0022-2909
EISSN
1941-7497
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Articles
Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms
Peter H. Smith
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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Form, Structure, and Musical Drama in Two Mozart Expositions
Lauri Suurpää
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The Cadenza as Parenthesis
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An Analytic Approach
Matthew Bribitzer-Stull
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Schubert, Chromaticism, and the Ascending 5-6 Sequence
David Damschroder
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Music in the Galant Style
David Temperley
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Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
Benjamin Steege
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Early Modern Tuning, Temperament, and the Natural Philosophy of Empire
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Intervallic Mappings from Instrumental Space to Pitch Space
Theorizing Musical Motion, Moving with the Steel Guitar
Desire in Chromatic Harmony: A Psychodynamic Exploration of
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Tonality
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