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Volume 50, Issue 2

Fall 2006

ISSN 0022-2909

EISSN 1941-7497

In this Issue

Articles
Reviews

Articles

Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms

Peter H. Smith

Form, Structure, and Musical Drama in Two Mozart Expositions

Lauri Suurpää

The Cadenza as Parenthesis: An Analytic Approach

Matthew Bribitzer-Stull

Schubert, Chromaticism, and the Ascending 5-6 Sequence

David Damschroder

Reviews

Music in the Galant Style

David Temperley

Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen

Benjamin Steege

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How the Triad Took (a) Root

From Ramos to Rameau: Toward the Origins of the Modern Concept of Harmony

Music Theory Pedagogy in the Nineteenth Century: Comparing Traditions of Three European Conservatories

Fuzzy Family Ties: New Methods for Measuring Familial Similarity between Contours of Variable Cardinality

Hollywood Harmony: Musical Wonder and the Sound of Cinema

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