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Issue
Spring - Volume 50, Issue 1
Fall - Volume 50, Issue 2
Volume 50, Issue 2
Fall 2006
ISSN 0022-2909
EISSN 1941-7497
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Articles
Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms
Peter H. Smith
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Form, Structure, and Musical Drama in Two Mozart Expositions
Lauri Suurpää
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The Cadenza as Parenthesis
:
An Analytic Approach
Matthew Bribitzer-Stull
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Schubert, Chromaticism, and the Ascending 5-6 Sequence
David Damschroder
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Reviews
Music in the Galant Style
David Temperley
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Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
Benjamin Steege
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How the Triad Took (a) Root
From Ramos to Rameau
:
Toward the Origins of the Modern Concept of Harmony
Music Theory Pedagogy in the Nineteenth Century
:
Comparing Traditions of Three European Conservatories
Fuzzy Family Ties
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New Methods for Measuring Familial Similarity between Contours of Variable Cardinality
Hollywood Harmony: Musical Wonder and the Sound of Cinema
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