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Issue
Spring - Volume 49, Issue 1
Fall - Volume 49, Issue 2
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Volume 49, Issue 2
Fall 2005
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ISSN
0022-2909
EISSN
1941-7497
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Articles
Improvisation as Continually Juggled Priorities: Julian “CANNONBALL” Adderley's “STRAIGHT, No Chaser”
Karim Al-Zand
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titled, Improvisation as Continually Juggled Priorities: Julian “CANNONBALL” Adderley's “STRAIGHT, No Chaser”
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Composition versus Improvisation?
Steve Larson
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titled, Composition versus Improvisation?
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Balancing Composition and Improvisation in James P. Johnson's “CAROLINA Shout”
Henry Martin
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titled, Balancing Composition and Improvisation in James P. Johnson's “CAROLINA Shout”
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Notes on Harmony in Wayne Shorter's Compositions, 1964–67
Steven Strunk
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titled, Notes on Harmony in Wayne Shorter's Compositions, 1964–67
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Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock
Keith Waters
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titled, Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock
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Erratum
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titled, Erratum
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Contributors
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The Presentism of Tonal Hearing
Modality and Death as Racism
It's the Thought That Counts
Body and Force in Music: Metaphoric Constructions in Music Psychology
Sound Experiments: The Music of the AACM
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