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Volume 45, Issue 1
Spring 2001
Issue Cover
ISSN 0022-2909
EISSN 1941-7497
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Articles

Special Cases of the Interval Function between Pitch-Class Sets X and Y
David Lewin
View articletitled, Special Cases of the Interval Function between Pitch-Class Sets X and Y
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On the Nature of Enlargement
Brian Alegant; Donald McLean
View articletitled, On the Nature of Enlargement
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FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne's ISTA EST SPECIOSA AND Forestier's MISSA L'homme Armé
David Burn
View articletitled, FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne's <em>ISTA EST SPECIOSA</em> AND Forestier's <em>MISSA L'homme Armé</em>
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Schubert's Innovations in Sonata Form: Compositional Logic and Structural Interpretation
Gordon Sly
View articletitled, Schubert's Innovations in Sonata Form: Compositional Logic and Structural Interpretation
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REVISED SKETCH OF MOZART, K. 545/I AND COMMENTARY
Edward Laufer
View articletitled, REVISED SKETCH OF MOZART, K. 545/I AND COMMENTARY
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Reviews: A SCHENKER Symposium, Part 1

Heinrich Schenker: Nach Tagebüchern Und Briefen in Der Oswald Jonas Memorial Collection, University of California, Riverside Hellmut Federhofer Studien Zur Musikwissenschaft Vol. 3 Hildesheim: Georg Olms, 1985 Ix, 380 Pp.
John Rothgeb
View articletitled, <em>Heinrich Schenker: Nach Tagebüchern Und Briefen in Der Oswald Jonas Memorial Collection, University of California, Riverside</em> Hellmut Federhofer Studien Zur Musikwissenschaft Vol. 3 Hildesheim: Georg Olms, 1985 Ix, 380 Pp.
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The Masterwork in Music: A Yearbook, 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, General Ed. New York: Cambridge University Press, 1994, 1996, 1997
Roger Kamien
View articletitled, <em>The Masterwork in Music: A Yearbook</em>, 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, General Ed. New York: Cambridge University Press, 1994, 1996, 1997
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The Art of Performance Heinrich Schenker Edited by Heribert Esser Translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 Xxvii, 101 Pp.
Leslie Kinton
View articletitled, <em>The Art of Performance</em> Heinrich Schenker Edited by Heribert Esser Translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 Xxvii, 101 Pp.
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Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis Vol. 9 New York: Cambridge University Press, 1996 200 Pp.
Stephen Peles
View articletitled, <em>Schenker's Argument and the Claims of Music Theory</em> Leslie D. Blasius Studies in Music Theory and Analysis Vol. 9 New York: Cambridge University Press, 1996 200 Pp.
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Schenker's Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis Vol. 11 New York: Cambridge Univ. Press, 1997 Xxiii, 175 Pp.
David Neumeyer
View articletitled, <em>Schenker's Interpretive Practice</em> Robert Snarrenberg Studies in Music Theory and Analysis Vol. 11 New York: Cambridge Univ. Press, 1997 Xxiii, 175 Pp.
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Articles on Schenker and Schenkerian Theory in The New Grove Dictionary of Music and Musicians, 2nd Edition Edited by Stanley Sadie Executive Editor John Tyrrell New York: Grove's Dictionaries, 2001 Also Available Online (by Subscription) at <http://www.grovemusic.com>
William Rothstein
View articletitled, Articles on Schenker and Schenkerian Theory in <em>The New Grove Dictionary of Music and Musicians</em>, 2nd Edition Edited by Stanley Sadie Executive Editor John Tyrrell New York: Grove's Dictionaries, 2001 Also Available Online (by Subscription) at &lt;http://www.grovemusic.com&gt;
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