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Research Article| October 01 2003

HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCH GRANDS MOTETS AND Rameau's THEORY OF THE ACCORD PAR SUPPOSITION

Jean-Paul C. Montagnier

Jean-Paul C. Montagnier

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Journal of Music Theory (2003) 47 (2): 305–323.

https://doi.org/10.1215/00222909-47-2-305

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