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Published: 01 August 2010
Figure 1. Farewell party for Wakimura before he left for London in 1935. Front row, from left, are Sakisaka Itsurō, Ōmori Yoshitarō, Wakimura Yoshitarō, and Arisawa Hiromi. The second row shows Tsuchiya Takao, Abe Isamu, Maede Chōgorō, an unidentified man, and Serizawa Hyōe, while Minobe Ryōshin
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Journal Article
Journal of Asian Studies (2010) 69 (3): 821–841.
Published: 01 August 2010
...Figure 1. Farewell party for Wakimura before he left for London in 1935. Front row, from left, are Sakisaka Itsurō, Ōmori Yoshitarō, Wakimura Yoshitarō, and Arisawa Hiromi. The second row shows Tsuchiya Takao, Abe Isamu, Maede Chōgorō, an unidentified man, and Serizawa Hyōe, while Minobe Ryōshin...
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Journal Article
Journal of Asian Studies (2010) 69 (3): 665–668.
Published: 01 August 2010
... aura H ein 's “Modern Art Patronage and Democratic Citizenship in Japan,” in which the central figure is Wakimura Yoshitarō, a fascinating economist and supporter of the arts who, according to the author, was “committed to taming capitalism” and envisioned museums as spaces that could foster...
Journal Article
Journal of Asian Studies (2005) 64 (3): 639–675.
Published: 01 August 2005
... shobō . Wakimura Kōhei . 1997 . “ Shokuminchi tōchi to kōshū eisei: Indo to Taiwan ” [Colonial Rule and Public Health: India and Taiwan]. Shisō , no. 878 : 34 – 54 . Walker Brett . 2001 . The Conquest of Ainu Lands: Ecology and Culture in Japanese Expansion, 1590–1800 . Berkeley...
Journal Article
Journal of Asian Studies (1994) 53 (3): 752–778.
Published: 01 August 1994
..., and Tsuru Shigeto all were members (Okita 1985:20-29). Arisawa has written with nostalgia of the high level of trust and communication forged among that group of bureaucrats, academics, business leaders, and journalists in those early postwar years (Arisawa and Wakimura 1982). They shared a vision...
