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sesshu
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Journal Article
Journal of Asian Studies (2000) 59 (1): 182–183.
Published: 01 February 2000
...Christine Guth Copyright © The Association for Asian Studies, Inc. 2000 2000 Les Sources Spirituelles de la Peinture de Sesshū . By Hiromi Tsukui . Paris .: Collège de France Institut des Hautes Etudes Japonaises , 1998 . 364 pp. 182 THE JOURNAL OF ASIAN STUDIES full-length...
Journal Article
Journal of Asian Studies (2000) 59 (1): 183–185.
Published: 01 February 2000
... voyage to China as a member of a trade mission. This is followed, in part 2, by a formal analysis of works Sesshu painted upon returning from his extensive and profoundly influential travels in China. Tsukui's interpretation of these works, some of which have survived only in the form of copies...
Journal Article
Journal of Asian Studies (2021) 80 (1): 187–190.
Published: 01 February 2021
.... Still, it is an important contribution toward the publishers’ stated goal of bringing Hasegawa out from under Noguchi's shadow. Kawasaki's capsule biography traces Hasegawa's education (including his early scholarly focus on Muromachi-era ink painter Sesshū at university), his postgraduate travels...
Journal Article
Journal of Asian Studies (2000) 59 (1): 180–182.
Published: 01 February 2000
..., and as such is an important contribution to what one hopes will be a continuing discussion of this important Japanese writer. PHILIP GABRIEL University of Arizona Les Sources Spirituelles de la Peinture de Sesshu. By H I R O M I T S U K U I . Paris: College de France Institut des Hautes Etudes Japonaises, 1998. 364 pp...
Journal Article
Journal of Asian Studies (1958) 17 (3): 505–509.
Published: 01 May 1958
..., 1957.20.10 Plates. 15s. (paper) Sesshu Toyo. By TANIO NAKAMURA. Eng. by ELISE GRILLI. Kodansha Library of Japanese Art, No. 10. Rutland: Tuttle, 1957. 70. 61 Plates. $1.25. (paper) Kobayashi Kokei. By MICHIAKI KAWAKITA. Eng. adapt, by ROY ANDREW MILLER. Kodansha Library of Japanese Art, No. 11. Rutland...
Journal Article
Journal of Asian Studies (1957) 16 (3): 433–434.
Published: 01 May 1957
..., or the Buddhist prints and paintings of the Heian era (794-1185), or the paintings of Taiga, Buson and most of all, Sesshu. All of this work is in black and white. . . ." which, if true, would leave some very fine paintings unaccounted for. The publisher must bear the brunt of criticism for the poor disposition...
Journal Article
Journal of Asian Studies (1958) 18 (1): 161.
Published: 01 November 1958
... plates. $6.00. Graphic Art of Japan: The Classical School. By OWEN E. HOLLOWAY. Chapters in Art Series, Vol. 28. London: Alec Tiranti; Hollywood-by-the-Sea, Florida: Transatlantic Arts, Inc., 1957. v, 135. 126 illus. $7-25- Sesshu (1420 1506). Ed. TANIO NAKAMURA. English Text by Elise Grilli. Kodansha...
Journal Article
Far Eastern Quarterly (1956) 15 (3): 415–416.
Published: 01 May 1956
... damaging to the Sesshu. The Landsca-pe Painting of China and Japan is an already rather dated but adequate brief summary of traditional western and Japanese reactions to Far Eastern landscape painting. Still, with the reservations discussed above, it would be useful to the layman and beginning liberal arts...
Journal Article
Journal of Asian Studies (1963) 22 (4): 417–432.
Published: 01 August 1963
... to achieve union with Amitabha. This structure of the Buddhist world, as revealed in the Pure Land doctrine, is depicted graphically in the "TakingUp-and-Not-Throwing-Away Mandala" (sesshu jusha mandara)* of Honen and the "Worship Object of Brightness" ({omyo horizon)1 of Shinran. But the Buddhist world view...
Journal Article
Journal of Asian Studies (1989) 48 (2): 406–407.
Published: 01 May 1989
... a Sesshu with a painting by Rubens, as one author puts it. But when the focus of the comparison is kept as sharply defined and the discussion handled with the intelligence and subtlety of Anthony Liman's study of Shunkin and Fifth Business,forexample, we see just how stimulating not least to the teacher...
Journal Article
Journal of Asian Studies (1989) 48 (2): 405–406.
Published: 01 May 1989
... comparison a bit like trying to compare a Sesshu with a painting by Rubens, as one author puts it. But when the focus of the comparison is kept as sharply defined and the discussion handled with the intelligence and subtlety of Anthony Liman's study of Shunkin and Fifth Business,forexample, we see just how...
Journal Article
Journal of Asian Studies (1962) 21 (4): 561–562.
Published: 01 August 1962
... Chou, Sesshu, or Sotatsu. The stylistic range was incomparably narrower than that in Japan, where ink landscape was complemented by a whole series of powerful alternatives, the e-ma\imono, the decorative screen, the Ukio-e record of human sensual vitality, Maruyama realism. The art historian who must...
Journal Article
Journal of Asian Studies (1961) 20 (2): 235–236.
Published: 01 February 1961
... paintings of the thirteenth century. Motonobu, Eitoku, and Sotan provide examples of the Kano style, and in landscape there are works attributed to Shubun, Sesshu, and Sotan. There are in addition to works by ...
Journal Article
Journal of Asian Studies (1961) 20 (2): 236–237.
Published: 01 February 1961
... by its scope and quality. There are eleven Tosa style works, including three excellent paintings of the thirteenth century. Motonobu, Eitoku, and Sotan provide examples of the Kano style, and in landscape there are works attributed to Shubun, Sesshu, and Sotan. There are in addition to works by BOOK...
Journal Article
Journal of Asian Studies (1957) 16 (2): 310–312.
Published: 01 February 1957
.... Kawagoe is incorrectly spelled Kawagoyu in the text (p. 12). Another more serious error exists where Mr. Gray reports that the artist Sesshu spent three years in China (p. 4). Japanese and Western art historians in general agree that he spent only a little over a year there. He arrived at Ningpo in May...
Journal Article
Journal of Asian Studies (1957) 16 (3): 434–436.
Published: 01 May 1957
... exception occurs on p. 37, where Hiratsuka speaks of being influenced by: "the prints of Moronobu, or the Buddhist prints and paintings of the Heian era (794-1185), or the paintings of Taiga, Buson and most of all, Sesshu. All of this work is in black and white. . . ." which, if true, would leave some very...
Journal Article
Far Eastern Quarterly (1942) 1 (3): 247–252.
Published: 01 May 1942
... of the gods of various religions which it gives; this is A. Eustace Haydon's Biography of the gods (New York: Macmillan. xiii, 352 p. $2.50). 252 THE FAR EASTERN QUARTERLY of Sesshu (New York: De Pamphilis Press, xii, 163 p.) presents a pioneer Western work on the famous Japanese painter Sesshu (1420-1S06...
Journal Article
Journal of Asian Studies (1977) 37 (1): 146–148.
Published: 01 November 1977
... is all one could editor (again Tajima) in different editions. expect. In a few cases, the information is outdated. The identification of Sesso Toyo with Sesshu is no longer a "widely accepted" theory. The mid-sixteenth century artist "Ryukyo" has simply disappeared: the name was based on a misreading...
Journal Article
Journal of Asian Studies (1996) 55 (4): 1009–1013.
Published: 01 November 1996
... Japanese painter Sesshu, so it is not especially surprising to find it here, too. However, Japanese and Euro-American commentators alike have problematized not only the "imperial Zen" of the Kyoto school and its militaristic nationalism, but also its interpretation of the concept of emptiness (see, e.g...
Journal Article
Far Eastern Quarterly (1953) 12 (4): 429–433.
Published: 01 August 1953
... by the same title; Sesshu Gappo ga Tsuji, an adaptation of the puppet play with an identical title and Sukeroku yukari no Edo zakura, an original kabuki play. While the first play follows the no play very closely, the second deals with only the last " s c e n e " of the puppet play which can be found...
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