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photograph
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in Curating “Comfort Women”: Historical Memory and Gender Politics in Contemporary China through the Liji Alley Museum
> Journal of Asian Studies
Published: 01 November 2023
Figure 3 Photograph taken by Charles H. Hatfield in 1944, with the pregnant woman on the rightmost side being Park Young-shim. US National Archives, 111-SC-230147.
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in Settler Sensibilities and Environmental Change: Unmaking Malarial Landscapes in Nepal
> Journal of Asian Studies
Published: 01 November 2023
Figure 1 Dangora Tharu house in Bangara, Kailali. Photograph by Richard Darsie, February 24, 1965.
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in Technophany and Its Publics: Artisans, Technicians, and the Rise of Vishwakarma Worship in India
> Journal of Asian Studies
Published: 01 February 2022
Figure 1. Vishwakarma . Painting by Yogendra Rastogi, early or mid-1970s. Photograph courtesy of Christopher Pinney.
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Published: 01 November 2014
Figure 9. Portrait of Soeda Juichirō as gentleman hunter in a studio photograph captioned “Dr. Soeda on a Hunting Trip.” Source: Shashin kurabu ( 1901 ). Courtesy of National Taiwan Library.
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Published: 01 November 2014
Figure 11. Composite photograph, with architect Tamura Satarō center left, and novelist Murakami Namiroku center right; photographers Arita Shunkō upper right, Nakashima Kyōboko lower left. Source: Shashin kurabu ( 1901 ). Courtesy of National Taiwan Library.
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Published: 01 November 2014
Figure 14. A 1917 wedding photograph of Lin Maosheng and his wife in traditional Japanese dress. Source: Xie ( 1993 ). Courtesy of Lin Zongren.
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Published: 01 November 2014
Figure 16. Photograph of studio owner Endō Hiroya; the two other profiles show the use of the name card in place of the photograph. Source: Taiwan jitsugyō meikan ( 1912 ). Courtesy of National Taiwan Library.
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Published: 01 February 2015
Figure 4. “Lowering of Jap [ sic ] flag.” USNACP, Photograph No. 111-SC-211963.
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Published: 01 February 2015
Figure 5. “American Flag. Up.” USNACP, Photograph No. 111-SC-211964.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 1. Determine our own destiny, flowers blooming everywhere. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 2. Castrated before adoption as a pet. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 3. Freedom has taken root. Peace strengthens it. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 4. Guandi shrine in Mongkok. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 7. Leung Chun-ying, resign! (left-hand banner). Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 8. People's Village of Occupy Central (PRC flag). Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 10. Different tastes. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 11. Little Mr and Mrs Hong Kong People. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 12. Please mind the generation gap. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 13. Central government and triad offices. Photograph by the author.
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in Creating a Textual Public Space: Slogans and Texts from Hong Kong's Umbrella Movement
> Journal of Asian Studies
Published: 01 August 2016
Figure 14. Welcome to the Hong Kong commune. Photograph by the author.
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