... ‘native place’.) Within Matsu, almost all political leaders and voters continue to live in their native place, and the term “locality” is used (Mand.: ti-yü Hok.: te-hng [for which the Mand. romanization is ti-fang ]). Regardless of residence or terminology, however, the kuan-hsi remains the same...

... accommodation” in 1958 (p. 269). According to Pang, alarm at US encirclement and anger with Washington's disregard of the July 1954 Geneva Accords led Beijing to launch massive bombardments of Quemoy and Matsu on September 3, 1954, setting off the First Taiwan Strait Crisis. Although the Geneva Conference...

...Jennifer Milioto Matsue Tears of Longing: Nostalgia and the Nation in Japanese Popular Song . By Christine R. Yano . Harvard East Asian Monographs, no. 206. Cambridge : Harvard University Asia Center , 2002 . xii, 255 pp. $35.00 (cloth). Copyright © The Association for Asian Studies...

... of traditional objectivity is not likely to satisfy post-behavioralists. The latter may challenge Conspiracy at Matsu\awa by insisting that the author unduly minimized the role of mass protest movement in influencing the decisions made about this case and thus reforming Japan's judicial system and democratizing...

... ideologically oriented accounts of this case published in Japan. Yet this type of traditional objectivity is not likely to satisfy post-behavioralists. The latter may challenge Conspiracy at Matsu\awa by insisting that the author unduly minimized the role of mass protest movement in influencing the decisions...

... that "a true measure of a ter 4; Matsu no uchi (The New Year holidays) writer's worth is surely related to how his con- (early 1888) in Chapter 5; and Saikun (The wife) temporaries valued him" (p. 30), particularly (late 1888) in Chapter 6. Three and one-half since the evaluations are, on balance, negative...

...Jennifer Milioto Matsue Abstract Popular music is a dynamic portal through which to gain a greater understanding of a vast array of social phenomena within Asia. In particular, the power of pop to actively shape conceptions of self and inform the ways in which we interact with others...