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Figure 2. Drawing of a tattooed local man (Phạm Thận Duật 1856 , 54b). More

Figure 2. Line drawing of the narrative imagery on the Shi Jun sarcophagus. More

Figure 5. The back page of a Thai government publication, drawing a parallel between the role of the kamnan and Hanuman, the monkey-chief who assisted King Rama in the famous epic the Ramayana (Anonymous 1961 ). More

Figure 1. Lu Xun's anatomy drawing from his notebooks at the Sendai School of Medicine. Courtesy of the Lu Xun Museum in Beijing. More

Figure 2. Line drawing of the Qufu temple icon of Confucius, titled “Portrait of the Great-Completion Ultimate Sage and Culture-Propagating First Teacher, Master Kong” ( Dacheng zhisheng wenxuan xianshi Kongzi zhi xiang 大 成 至 聖 文 宣 先 師 孔 子 之像), early Qing, c. 1647, woodblock print. Queli zhi More

Figure 5. Line drawing of the Qufu temple icon of Confucius, entitled “Ultimate Sage and First Teacher, Master Kong” ( Zhisheng xianshi Kongzi 至 聖 先 師 孔子), Qing period, woodblock print. Lü Weiqi 呂 維 祺, Shengxian xiangzan 聖 賢 像 賛, 1837 edition. Source: National Diet Library, Tokyo. More

Figure 1. “Who are we to draw the line?” ActionAid Poster. Reproduced with permission. More

Figure 1. Thomas Daniell and William Daniell, View of the Bastion of the Fort at Allahabad, and Akbar's Jami Masjid Beyond , November 8, 1789, pencil and wash drawing. Copyright British Library, Asia, Pacific and Africa Collections, WD196. Used with permission. More