Search Results for amaru

... be exaggerated. In Fires of Love, Waters of Peace, Lee Siegel approaches the endlessly intriguing topic of "Passion and Renunciation in Indian Culture" through a study of two important figures: Sahkara, the archetypal renunciate and philosopher, and Amaru, author of the Atnaruiataka, the most celebrated...

... approaches the endlessly intriguing topic of "Passion and Renunciation in Indian Culture" through a study of two important figures: Sahkara, the archetypal renunciate and philosopher, and Amaru, author of the Atnaruiataka, the most celebrated anthology of Sanskrit kavya poetry on love. Siegel's argument...

... are relatively best represented. The great names of Sanskrit literature are here Kalidasa, Amaru, Bhartrhari, Asvaghosa, Bana, Bhasa, and Bhavabhuti, but also a host of minor authors: over two hundred poets are represented. It is particularly for the erudition employed in recovering information about the minor...

... in fifty vrajyas or sections of unequal length, in which the description of the seasons and the various manifestations of love are relatively best represented. The great names of Sanskrit literature are here Kalidasa, Amaru, Bhartrhari, Asvaghosa, Bana, Bhasa, and Bhavabhuti, but also a host of minor...

... to a legendary king Amaru (c. seventh or eighth century C.E All these traditions equally shared a predilection for compiling collections of literary pieces especially valued and worthy to be immortalized by their inclusion into a renowned anthology. Anthologizing became a pan-Indian phenomenon, courtly activity...

... be a sufficient mark of merit were it not also good reading as well. It certainly ought to broaden our appreciation of the literary achievement of classical India. The history of translations from Classical Sanskrit poetry is neither a long one, nor particularly distinguished. Riickert's German versions of Amaru...

... starts with an initial slow dance and song sequence. The kapuralas take turns dancing. At certain points there are no songs but only dancing. Eventually the kapurala become possessed (amaru or mayan) one by one. They sing epics concerning the birth, life, and deaths of the deities associated...

.... posium. Cultural forum 4 (Oct. 1961), 5-50. MASTER, ALFRED. A phase of Dravidian phonetics. DAS, S. K. Language problems in India: quest for ALB IS (1961), 188-202. a solution. MR 110 (Nov. 1961), 377-383. MEHENDALE, M. A. Satyam eva jayate nanrtam. DE, SUSHIL KUMAR. The text of the Amaru- JAOS 81 (Sept...

.... 13408. Seidlinger, Mary. A supplement to G. C. Narang's bibliography [of Urdu short stories in English translation] Mahfil 4, no. 2 (1968), 27-29. 13409. Selections from Amaru Satakam. /. Lit. 11, no. 1 (Jan.-March 1968), 74-76. 13410. Sen, Sukumar. Allegory in the central names of the Ramayana...