Figure 5. A portrait of Xu Zhimo, also known as the “Chinese Shelley” (Xu 2005 , 1:n.p.). More

Figure 9. The Chinese Lama Temple, Potala at Jehol (also called “The Golden Temple of Jehol”) as included in The Official Pictures of A Century of Progress Exposition , 1933 (Century of Progress 1933b ). David M. Rubenstein Rare Book & Manuscript Library, Duke University. More

Figure 7. Industrial-strength cleanup and recycling, Kesennuma; broken glass and ceramics on pier in Niranohama; a solitary shoe, also in Niranohama; July 2013. Photographs by author. More

Figure 2. A record advertisement for a duet from a well-known “mythological” drama that was also released as a Tamil film, Savitri (Madan Theatres, Calcutta, 1933). Source: The Hindu , July 12, 1933, 19. More

Figure 4. These two pages in Hokkaido kaitaku zasshi introduce different types of salmon in Hokkaido. The same issue also discusses tips for salmon fishing and canning as well as incubating salmon eggs (HKZ 1881b , 242–43). More

Figure 6. This illustration appears in a guidebook for Japanese American migration published in Japan in 1886. The Native Americans were not only described as savage, but also termed “ dojin ,” the same label used for Ainu in Japan (Akamine 1886 , 135). More

Figure 6. A sign with Venerable Soma's picture and the national flag of Sri Lanka advertises a blood donation held at a small temple in Gangodawila, Nugegoda. The sign describes donating blood as a form of “national service.” It also asserts that the merit earned from giving blood More

Figure 4. Ondekoza debuts Ōdaiko immediately after completing the Boston Marathon in 1975, a pattern they would repeat for the next several years. Note the similarity to the position of the drum and drummers in figure 3 . The drummers’ costumes also recall Muhōmatsu's rickshaw uniform More

) in this scene (see also figures 1 and 4 ). Photo courtesy of Asano Taiko. More

Figure 5. This photograph appeared in the Surabaya Post on October 20, 1998. It apparently portrays a man with a bloodied face being restrained while a kiai questions him. It also appears that a plate of food and drink is placed before him on a table. The accompanying caption reads, “A kiai More

actor who was escorted by bodyguards. The same bodyguards also appeared on the torch's global multi-city relay in the same year to fend off various groups of people protesting Beijing's hosting of the Olympics (Zhonghua Renmin Gongheguo Zhongyang Renmin Zhengfu 2008 ). More