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Hong Kong cinema

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Journal Article
Journal of Asian Studies (2002) 61 (4): 1362–1364.
Published: 01 November 2002
...Chris Berry At Full Speed: Hong Kong Cinema in a Borderless World . Edited By Esther C. M. Yau . Minneapolis : University of Minnesota Press , 2001 . vii, 342 pp. $19.95 (paper). Copyright © The Association for Asian Studies, Inc. 2002 2002 1362 THE JOURNAL OF ASIAN STUDIES...
Journal Article
Journal of Asian Studies (2007) 66 (1): 227–228.
Published: 01 February 2007
...Robert Chi Hong Kong Connections: Transnational Imagination in Action Cinema . Edited by Meaghan Morris , Siu Leung Li , and Stephen Chan Ching-kiu . Durham, N.C. : Duke University Press ; Hong Kong: Hong Kong University Press, 2005 . xvi , 343 pp. $84.95 (cloth); $23.95 (paper...
Journal Article
Journal of Asian Studies (2014) 73 (3): 781–783.
Published: 01 August 2014
...: “If . . . Shanghai and Hong Kong's remaking of Hollywood and of each other (consciously or not) figure forth (in a utopian, anticipatory, and provisionary manner) location-specific, subaltern, and peripheral subject positions, then, logically, we may expect Hollywood's remaking of East Asian cinema to similarly...
Journal Article
Journal of Asian Studies (2002) 61 (4): 1360–1362.
Published: 01 November 2002
... and traditional collectors' lore. JULIA K. MURRAY University of Wisconsin Madison At Full Speed: Hong Kong Cinema in a Borderless World. Edited by ESTHER C. M. Y A U . Minneapolis: University of Minnesota Press, 2001. vii, 342 pp. $19.95 (paper). Esther Yau's timely anthology of writings on recent Hong Kong...
Journal Article
Journal of Asian Studies (2021) 80 (3): 683–704.
Published: 01 August 2021
..., known for using “violence to cover up violence” (Pang 2005 , 45), that has characterized Hong Kong kung fu cinema since the late 1960s (Desser 2005b ). By disrupting cycles of vicious rivalries and releasing hypermasculinity from the logic of domination and suppression that justifies brutal vengeance...
FIGURES
Journal Article
Journal of Asian Studies (1998) 57 (4): 1112–1113.
Published: 01 November 1998
..." and of ceaseless change. Abbas pursues this theme of Hong Kong as embodying "a culture of disappearance" through an examination of cinema, architecture, and literature. The value of this book, to this reader anyway, lies in its particulars. The first chapter contains an overview of Hong Kong culture with nuggets...
Journal Article
Journal of Asian Studies (1998) 57 (4): 1113–1115.
Published: 01 November 1998
.... $50.00. BOOK REVIEWS CHINA 1113 cultural theorists, Abbas seeks to generalize about Hong Kong culture; but because he brings so little of Hong Kong into the book, his generalizations have an expatriate feel to them; he does not describe Hong Kong, or Hong Kong cinema, architecture, and literature...
Journal Article
Journal of Asian Studies (2021) 80 (4): 1064–1065.
Published: 01 November 2021
... in a neoliberal digital media environment. Chapter 4 focuses on the post-1997 Hong Kong cinema to exemplify a form of deterritorialized neoliberal postsocialism and showcases the invisibility of human bodies in Hong Kong which has been made into the economic and political zone of exception by zoning...
Journal Article
Journal of Asian Studies (1998) 57 (4): 1110–1112.
Published: 01 November 1998
... of disappearance" through an examination of cinema, architecture, and literature. The value of this book, to this reader anyway, lies in its particulars. The first chapter contains an overview of Hong Kong culture with nuggets of considerable insight: "administering the Hong Kong 'special administrative region...
Journal Article
Journal of Asian Studies (2013) 72 (2): 455–457.
Published: 01 May 2013
..., focusing on topics ranging from Hong Kong cinema to Beijing's city branding and Japanese anime. A recurrent theme in these chapters is that intellectual and artistic creativity is intimately bound up with patterns of copying and collaboration that are not effectively captured in existing IPR regulations...
Journal Article
Journal of Asian Studies (1989) 48 (2): 333–334.
Published: 01 May 1989
..., and methodologies. Implicitly, her book also underscores the complexity of the security issue as one of many competing public policy areas. Ideological bias abounds amid anyone's guns and butter. RICHARD J. LATHAM American Consulate General, Hong Kong Cinema and Cultural Identity: Reflections on Films from Japan...
Journal Article
Journal of Asian Studies (2021) 80 (3): 747–750.
Published: 01 August 2021
... à la Han Hyung-mo ended abruptly in the early 1960s with heavy attacks under the Park Chung-hee military government, which endorsed cultural nationalism and postcolonial traditionalism. Although the book touches upon the relationship of South Korean cinema to postwar Japanese and Hong Kong cinemas...
Journal Article
Journal of Asian Studies (1996) 55 (3): 701–702.
Published: 01 August 1996
... with the so-called Fifth Generation of film makers in the People's Republic (i.e., directors who attended film school and made their first features in the early to mid-1980s). Taiwanese films are occasionally referred to for the sake of comparison, but Hong Kong cinema is completely absent from the volume...
Journal Article
Journal of Asian Studies (1989) 48 (2): 334–335.
Published: 01 May 1989
... book also underscores the complexity of the security issue as one of many competing public policy areas. Ideological bias abounds amid anyone's guns and butter. RICHARD J. LATHAM American Consulate General, Hong Kong Cinema and Cultural Identity: Reflections on Films from Japan, India, and China...
Journal Article
Journal of Asian Studies (1996) 55 (3): 702–704.
Published: 01 August 1996
...-called Fifth Generation of film makers in the People's Republic (i.e., directors who attended film school and made their first features in the early to mid-1980s). Taiwanese films are occasionally referred to for the sake of comparison, but Hong Kong cinema is completely absent from the volume. However...
Journal Article
Journal of Asian Studies 11445279.
Published: 08 January 2025
... ua­ ry 2025 FIGURE 5 Page from a magazine article profiling Sharifah Aminah a newcomer to Malay cinema at that time and discussing her role in the new film, Jefri Zain in Hong Kong. According to the article, this role was her film debut. Majallah Filem, May 1967. Courtesy of Wong Han Min. UNCORRECTED...
Journal Article
Journal of Asian Studies (2009) 68 (3): 715–747.
Published: 01 August 2009
... away from the dominant notion of “culture as industry,” and explores animated personal responses to the fiction of Japanese writer Murakami Haruki in Hong Kong, China, and Taiwan through art house cinema, popular fiction, and online creative communities. The vogue for Murakami has swept across...
Journal Article
Journal of Asian Studies (1992) 51 (1): 229–236.
Published: 01 February 1992
..., "The Distinct Taiwanese and Hong Kong Cinemas"; Jenny Kwok Wah Lau, "A Cultural Interpretation of the Popular Cinema of China and Hong Kong"; Marie-Claire Quiquemelle, "The Wan Brothers and Sixty Years of Animated Film in China." Appendix 1: Chris Berry and Paul Clark, "Major Directors." Appendix 2: Chris Berry...
Journal Article
Journal of Asian Studies (2019) 78 (4): 923–925.
Published: 01 November 2019
... arguments in the historiography of early Chinese cinema is that there was a direct correlation and symbiosis between traditional Chinese opera (shadow play) and Chinese cinema. Since yinghua was a term that prevailed in Canton–Hong Kong areas, Yeh argues that there needs to be a refocus on the term...
Journal Article
Journal of Asian Studies (2012) 71 (3): 791–792.
Published: 01 August 2012
... on select films by scholars in the United States, mainland China, Taiwan, and Hong Kong. Part III (“The Visual Subject and Feminist Cinema”) opens with Louisa Wei's chapter exploring the innovative contributions made in the 1980s and 1990s by female directors of the so-called Fifth Generation...