An Edo Anthology features selections from literary sources produced in the late Edo period (1750–1850) organized thematically in six sections: “Playboys, Prostitutes, and Lovers”; “Ghosts, Monsters, and Deities”; “Heroes, Rogues, and Fools”; “City and Country Folks”; “Artists and Poets”; and “Tourists and Onlookers.” Virtually every genre is represented: from sentimental books (ninjōbon) to funny ones (kokkeibon), from poetry (senryū, haikai, waka) to comic sermons (dangibon), from kabuki plays to books of manners (sharebon), and more. Flipping through its pages is like entering an imaginary salon where the Who's Who of late Edo-period writers, playwrights, and poets have gathered to revisit their masterpieces: here is Shikitei Sanba ventriloquizing the idiosyncratic patrons of the downtown barbershop (The Floating World Barbershop, 1813–14), there is Santō Kyōden mocking the wannabe connoisseur of the pleasure district (Playboy, Grilled Edo Style...
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Book Review|
August 01 2014
An Edo Anthology: Literature from Japan's Mega City, 1750–1850
An Edo Anthology: Literature from Japan's Mega City, 1750–1850
. Edited by Sumie Jones with Kenji Watanabe. Honolulu
: University of Hawai‘i Press
, 2013
. xii, 515 pp. $70.00 (cloth); $30.00 (paper).
Laura Nenzi
Laura Nenzi
University of Tennessee
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Journal of Asian Studies (2014) 73 (3): 811–812.
Citation
Laura Nenzi; An Edo Anthology: Literature from Japan's Mega City, 1750–1850. Journal of Asian Studies 1 August 2014; 73 (3): 811–812. doi: https://doi.org/10.1017/S0021911814000746
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