Abstract

The modern Hindi writer Phanishwarnath Renu developed a distinctive “regional” style in his fiction, which Hindi critics have defined in terms of his focus on the way of life of a particular area, the Purnea region of northeastern Bihar. However, Renu's regionalism cannot be separated from his innovations in the language and form of fiction. He employed a variety of dialects and deviated from conventional spelling and grammar, to draw the reader into the rural universe of sound. He included indigenous genres, such as the folk song, folktale, and rural drama, within the frame of the modern novel, thereby creating a new structure for the regional novel.

The text of this article is only available as a PDF.
You do not currently have access to this content.