Abstract
The New Year Ceremony at Basak (South Laos) by Charles Archaimbault, which is the subject of this review article, provides a superb illustration of the way in which ritual and mythical symbols express historical alterations in social structure and social experience. While there has been continuity in the symbols of the New Year ceremony, the ritual context which invests these symbols with meaning has changed. This change reflects the diminution of the power of the putative ruler of Campasak who plays the crucial role in the ceremony.
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Copyright © The Association for Asian Studies, Inc. 1972
1972
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