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Image
Published: 01 November 2016
Figure 1. Dual-Sided Slavery (2014). Fine art paper print. 200 cm × 100 cm (78.7 in × 39.3 in)
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Image
Published: 01 November 2016
Figure 2. Sexual Jihad (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)
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Image
Published: 01 November 2016
Figure 3. The Flow (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)
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Image
Published: 01 November 2016
Figure 4. Virgins of Paradise (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in)
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Image
Published: 01 November 2016
Figure 5. Virgins of Paradise 2 (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)
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Image
Published: 01 November 2016
Figure 6. Precious Spoils (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in)
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in Queer Visual Excavations: Akram Zaatari, Hashem El Madani, and the Reframing of History in Lebanon
> Journal of Middle East Women's Studies
Published: 01 July 2017
Figure 6. A print from the scratched negative showing the portrait Mrs. Baqari . Studio Shehrazade, 1957
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Image
Published: 01 November 2022
Figure 4. Nermine Hammam, Narcissus Drowning . Hand-painted archival pigment print on Hahnemühle Japanese paper, 70 × 90 cm. Reproduced by permission of the artist.
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Journal Article
Journal of Middle East Women's Studies (2021) 17 (1): 125–128.
Published: 01 March 2021
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in Reversing the Domestic Gaze: Chaza Charafeddine’s Maidames Exhibition in Beirut
> Journal of Middle East Women's Studies
Published: 01 March 2020
Figure 2. Bruktayt as Marlene Dietrich , 80 × 55 cm photograph printed with archival ink on fine art paper/dibond, edition 5.
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in Reversing the Domestic Gaze: Chaza Charafeddine’s Maidames Exhibition in Beirut
> Journal of Middle East Women's Studies
Published: 01 March 2020
Figure 3. Ruby playing the Oud , 50 × 80 cm photograph printed with archival ink on fine art paper/dibond, edition 5.
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in Reversing the Domestic Gaze: Chaza Charafeddine’s Maidames Exhibition in Beirut
> Journal of Middle East Women's Studies
Published: 01 March 2020
Figure 1. Miss Vera , 50 × 80 cm photograph printed with archival ink on fine art paper/dibond, edition 5.
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Journal Article
Journal of Middle East Women's Studies (2012) 8 (3): 63–88.
Published: 01 November 2012
...Serkan Gorkemli This article focuses on the Internet as a “digital closet” in the context of Turkish lesbian and gay activism in the 1990s and early 2000s. In its analysis of media and sexual discourse, the article first discusses traditional media, such as the printing press and television. While...
Journal Article
Journal of Middle East Women's Studies (2019) 15 (1): 3–23.
Published: 01 March 2019
... character of nahda literary culture, as readers and writers scattered across four continents interacted in the textual “spaces” of the rapidly expanding print culture in the Arabic-speaking world. As a single player within an international network of Syro-Lebanese women writers, Karam’s foundational...
Journal Article
Journal of Middle East Women's Studies (2013) 9 (1): 81–109.
Published: 01 March 2013
... rights in the Arab world. Using an online survey and analysis of printed and electronic documents, this case study investigates Arab women’s cyberfeminism. It explores how activists utilized AWSA United to foster collective identity, strengthen solidarity, and enrich activism. Rita Stephan...
Journal Article
Journal of Middle East Women's Studies (2023) 19 (1): 1–25.
Published: 01 March 2023
...Laura Bier Abstract This article analyzes Egyptian print advertisements of gas stoves, refrigerators, and washing machines as a way to consider how the technopolitics of Egyptian modernity intersected with gender politics—both at the level of state policy and in everyday life—in the two decades...
FIGURES
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in The Doubling Self: Contemporary Tunisian Art by Meriem Bouderbala and Najah Zarbout
> Journal of Middle East Women's Studies
Published: 01 November 2023
Figure 1. Meriem Bouderbala, from Bedouinas Series ( Série Bedouinas , 2009). Silver print on Diasec, 160 × 120 cm each. Courtesy of the artist.
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in The Doubling Self: Contemporary Tunisian Art by Meriem Bouderbala and Najah Zarbout
> Journal of Middle East Women's Studies
Published: 01 November 2023
Figure 2. Meriem Bouderbala, from Bedouinas Series ( Série Bedouinas , 2009). Silver print on Diasec, 160 × 120 cm each. Courtesy of the artist.
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Image
Published: 01 November 2022
Figure 1. Nermine Hammam, Shadow of the Fish-Head . Hand-painted archival pigment print on Hahnemühle Japanese paper, 70 × 90 cm. Reproduced by permission of the artist.
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Image
Published: 01 November 2022
Figure 2. Nermine Hammam, The Gatekeeper’s Truth . Hand-painted archival pigment print on Hahnemühle Photo Rag paper, 122 × 90 cm. Reproduced by permission of the artist.
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