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Journal Article

The Unfolding of an Artist’s Book: Etel Adnan, Relationality, and the Fold

Rozen Whitworth
Journal of Middle East Women's Studies (2024) 20 (1): 141–148.
DOI: https://doi.org/10.1215/15525864-10961873
Published: 01 March 2024
... continue to open a “counterhistoriography of modernity” (Mercer 2016 : 32) and make a claim for finding ways through paradigm closure and the continuing ravages of late capitalism and legacies of colonial domination. The leporello opens a horizonal space that enables possibilities of being, of thinking...
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Figure 1. Etel Adnan and Al-Sayyab, The Mother and the Lost Daughter (Al-Umm wa Al-Ibna Al-Daʾiʿa, 1970). Leporello, with poem manuscript in Arabic by the artist, watercolor and ink on Japanese paper. Closed, 33 × 25.2 cm, 24 pages. Open, 33 × 612 cm. Donation Claude and France Lemand. Museum, Institut du Monde Arabe, Paris. © The Estate of Etel Adnan. Courtesy Galerie Claude Lemand, Paris.

Etel Adnan and Al-Sayyab, The Mother and the Lost Daughter ( Al-Umm wa Al...

in The Unfolding of an Artist’s Book: Etel Adnan, Relationality, and the Fold > Journal of Middle East Women's Studies
Published: 01 March 2024
Figure 1. Etel Adnan and Al-Sayyab, The Mother and the Lost Daughter ( Al-Umm wa Al-Ibna Al-Daʾiʿa , 1970). Leporello , with poem manuscript in Arabic by the artist, watercolor and ink on Japanese paper. Closed, 33 × 25.2 cm, 24 pages. Open, 33 × 612 cm. Donation Claude and France Lemand More