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Journal Article
Journal of Middle East Women's Studies (1 March 2015) 11 (1): 42–62.
Published: 01 March 2015
...Haytham Bahoora Abstract In the Iraqi literary production of the 1940s and 1950s, the figure of the woman prostitute appeared repeatedly, signaling a crisis in the ways Iraqi men imagined and articulated the contours of women’s liberation. Through an examination of works by Jabra Ibrahim Jabra...
Journal Article
Journal of Middle East Women's Studies (1 March 2016) 12 (1): 50–67.
Published: 01 March 2016
... gradual construction of the new qabaday , screenwriters shifted to an anxious focus on absent father figures and a more emotionally connected fatherhood ideal that surpassed the father as protector and financial provider. The fall of the qabaday and the cessation of yearning for a protective masculinity...
Journal Article
Journal of Middle East Women's Studies (1 July 2015) 11 (2): 161–178.
Published: 01 July 2015
... of anticipation is crushed by a Symbolic world that comes to be dominated by Saddam Hussein and the traumatic eruptions of the Real. The article suggests that by introducing the figure of the mother as le grand autre , Salbi’s autobiography subverts the typical conceptualization of the Lacanian...
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Published: 01 March 2018
Figure 1. View of Oran from the Virgin Mary of Santa Cruz, ca. 1900 Figure 1. View of Oran from the Virgin Mary of Santa Cruz, ca. 1900 More
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Published: 01 July 2018
Figure 1. I Am My Own Guardian Figure 1. I Am My Own Guardian More
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Published: 01 November 2018
Figure 2. Toolbox of the Mother, 2017 Photo Installation by Arzu Yayıntaş Figure 2. Toolbox of the Mother, 2017 Photo Installation by Arzu Yayıntaş More
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Published: 01 July 2017
Figure 1. “Abed, a tailor.” Madani’s parents’ home, the studio, 1948–53 Figure 1. “Abed, a tailor.” Madani’s parents’ home, the studio, 1948–53 More
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Published: 01 July 2017
Figure 2. “Palestinian resistant.” Studio Shehrazade, 1968–72 Figure 2. “Palestinian resistant.” Studio Shehrazade, 1968–72 More
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Published: 01 July 2017
Figure 3. “Ringo” (Zarif’s cousin). Studio Shehrazade, 1968–72 Figure 3. “Ringo” (Zarif’s cousin). Studio Shehrazade, 1968–72 More
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Published: 01 July 2017
Figure 4. “Anonymous.” Studio Shehrazade, 1972 Figure 4. “Anonymous.” Studio Shehrazade, 1972 More
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Published: 01 July 2017
Figure 5. “Rishe.” Studio Shehrazade, late 1960s Figure 5. “Rishe.” Studio Shehrazade, late 1960s More
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Published: 01 July 2017
Figure 8. “Bashasha (left) and a friend.” Studio Shehrazade, late 1950s Figure 8. “Bashasha (left) and a friend.” Studio Shehrazade, late 1950s More
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Published: 01 July 2017
Figure 9. “Tarho and El Masri.” Studio Shehrazade, 1958 Figure 9. “Tarho and El Masri.” Studio Shehrazade, 1958 More
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Published: 01 July 2017
Figure 10. “Najm [left] and Asmar [right].” Studio Shehrazade, 1950s Figure 10. “Najm [left] and Asmar [right].” Studio Shehrazade, 1950s More
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Published: 01 November 2015
Figure 1. Kalthoum Kennou Figure 1. Kalthoum Kennou More
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Published: 01 November 2015
Figure 2. The Finalists Figure 2. The Finalists More
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Published: 01 November 2015
Figure 3. Amel Karboul Figure 3. Amel Karboul More
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Published: 01 November 2015
Figure 4. Lacking Brains and Religion Figure 4. Lacking Brains and Religion More
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Published: 01 November 2015
Figure 1. Zanan-e Emrooz ( Women Today ), issue 7 Figure 1. Zanan-e Emrooz (Women Today), issue 7 More
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Published: 01 March 2015
Figure 1 The hashya wields her sword in front of dehhiyya men chanters. Figure 1. The hashya wields her sword in front of dehhiyya men chanters. More