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Journal Article
Journal of Middle East Women's Studies (2018) 14 (3): 374–378.
Published: 01 November 2018
...Arzu Yayıntaş Copyright © 2018 by the Association for Middle East Women’s Studies 2018 I curated with Güneş Terkol and Sevil Tunaboylu A Room of Our Own , an exhibition on motherhood and fertility at the Ark Kültür gallery in Istanbul between May 9 and June 4, 2017. 1 The exhibit...
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Journal Article
Journal of Middle East Women's Studies (2020) 16 (1): 87–93.
Published: 01 March 2020
... in Maidames , a series of twenty 55 × 80 cm photo-portraits, printed with archival ink on special photo paper and framed with UV filter glass, exhibited at the Agial Gallery in Beirut (see Agial Art Gallery n.d. ). Other Beirut-based artists before her have launched awareness campaigns to prevent...
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 1. Exhibition of first year of the second cycle of Studio of Her Own (Studio Mishelach): Young Artists Center in Jerusalem , 2012. Jaffa 23 Gallery, Jerusalem. Curator: Irena Gordon. Photographer: Aviv Nave
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in An Inner Voice Liberated: Feminist Reading of Lilian Weisberger’s Artwork
> Journal of Middle East Women's Studies
Published: 01 March 2021
Figure 1. Lilian Weisberger at the Lili in Wonderland exhibition, 2016 (curator: Shahar Marnin-Distelfeld). Upper Floor Gallery, Kiryat Tivon Memorial Center. This photo shows the artist at her last solo exhibition at this gallery. The wall behind her displays multiple girlhood images.
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Journal Article
Journal of Middle East Women's Studies (2006) 2 (3): 71–101.
Published: 01 November 2006
... discrimination (against Mizrahim in general and against Mizrahi girls in particular) presents a special case of exclusionary social practices in the context of the Middle East. It owes its motivating and legitimizing force to social constructions exhibiting a unique reproduction of the dichotomy between...
Journal Article
Journal of Middle East Women's Studies (2021) 17 (1): 1–21.
Published: 01 March 2021
... and the Middle East. Her violent aesthetics further account for curatorial and marketing practices that neutralize the subversive content of art by women originating in North Africa and the Middle East. Often shown in exhibitions featuring similar images and associating women with the veil, weapons, and scenes...
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in Ecofeminism and Structural Violence: Hope Mokded’s Violence Intime at the Centre LGBTQI+ in Paris
> Journal of Middle East Women's Studies
Published: 01 July 2021
Figure 1. Violence intime: Pour cela qui n’arrive plus! ( Intimate Violence: So It Does Not Happen Anymore! , 2020). Exhibition installation view. Photo: Hope Mokded.
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in An Inner Voice Liberated: Feminist Reading of Lilian Weisberger’s Artwork
> Journal of Middle East Women's Studies
Published: 01 March 2021
Figure 3. Lilian Weisberger, part of the Dark Images series, displayed at the Lili in Wonderland exhibition, 2016 (curator: Shahar Marnin-Distelfeld ). Upper Floor Gallery, Kiryat Tivon Memorial Center.
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Journal Article
Journal of Middle East Women's Studies (2006) 2 (2): 115–136.
Published: 01 July 2006
....
Local women and women’s organizations can utilize the infrastruc-
ture of existing museums, museum exhibits, and museum collections to
develop and produce programs on women’s history and advocacy. Net-
working globally, MENA museums can use media, their own collections,
publications...
Journal Article
Journal of Middle East Women's Studies (2015) 11 (2): 216–220.
Published: 01 July 2015
...Maymanah Farhat 1. The official count of participating artists was forty-six, but several, like the eight members of the GCC, were jointly represented. In the exhibition El Madani’s photographs were shown as part of Objects of study/The archive of Sherazade/Hasem el Madani/Studio...
Journal Article
Journal of Middle East Women's Studies (2020) 16 (1): 100–102.
Published: 01 March 2020
... literature. Although she still travels between California and Lebanon, she now lives in Paris. In the MoMA PS1 seven-room exhibition, Fattal’s first one-woman show in the United States, we follow her life and concerns. Bright abstract nature paintings in yellows, turquoises, and pinks from her earliest...
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Journal Article
Journal of Middle East Women's Studies (2017) 13 (3): 451–452.
Published: 01 November 2017
... has been widely published and exhibited at galleries and museums worldwide, and her images are in the permanent collections of several museums, institutions, and private collections. She has published three books: L’enfant-femme (2016), A Girl and Her Room (2012), and Ordinary Lives (2009...
Journal Article
Journal of Middle East Women's Studies (2018) 14 (2): 236–241.
Published: 01 July 2018
... and white) and two look away (printed over a colorful, free-flowing cloud-like mist). I first exhibited the four portraits as large screen prints in November 2012 at Sydney College of the Arts as part of my honors degree. A small version of my artwork was included in a January 2015 Saudi exhibition...
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Journal Article
Journal of Middle East Women's Studies (2019) 15 (2): 235–236.
Published: 01 July 2019
... be more essential to the human, or perhaps even to being a woman, than the heart? Al Khalifa is the culture and arts director of the Bahrain Authority for Culture and Antiquities and formerly served as the head of education at Qatar’s Museum of Islamic Art. She exhibited the She Wore Her Scars like...
Journal Article
Journal of Middle East Women's Studies (2021) 17 (2): 287–293.
Published: 01 July 2021
...Figure 1. Violence intime: Pour cela qui n’arrive plus! ( Intimate Violence: So It Does Not Happen Anymore! , 2020). Exhibition installation view. Photo: Hope Mokded. ...
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Journal Article
Journal of Middle East Women's Studies (2022) 18 (1): 141–144.
Published: 01 March 2022
... exhibitions prominently featuring their art in American and European museums. Salah Hassan ( 2009 : 8) attributes this new fascination to the terrorist attacks of September 11, 2001, citing a surge of attention to the region’s art following the violent events. Media Farzin ( 2014 ) marks the Arab Spring (2009...
Journal Article
Journal of Middle East Women's Studies (2023) 19 (1): 131–139.
Published: 01 March 2023
... work has been exhibited in galleries and art shows, Bahbah intentionally selects Instagram to publish it, making it accessible to millions and easy to disseminate (Burns 2021 ). Aware of the platform’s role in her work’s popularity, she states in her website biography: “With every story Sarah releases...
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Journal Article
Journal of Middle East Women's Studies (2023) 19 (2): 247–248.
Published: 01 July 2023
..., The Opening (2022), was originally part of an exhibition titled tih mish marbuta , loosely translating to “untied” and referring to the Arabic letter taa marbuta , used to identify the feminine form of a word. The name alludes to a visual and symbolic change to this letter, an implied liberation...
Journal Article
Journal of Middle East Women's Studies (2017) 13 (3): 445–447.
Published: 01 November 2017
... the work of twelve photographers—all women, all born or raised in the Middle East. The exhibit’s title, She Who Tells a Story , is the translation from the Arabic, Rawiya , also the name of the collective of Middle East women photographers founded in 2009. Comprising more than eighty works from the 1990s...
Journal Article
Journal of Middle East Women's Studies (2017) 13 (1): 143–153.
Published: 01 March 2017
...Figure 1. Exhibition of first year of the second cycle of Studio of Her Own (Studio Mishelach): Young Artists Center in Jerusalem , 2012. Jaffa 23 Gallery, Jerusalem. Curator: Irena Gordon. Photographer: Aviv Nave ...
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