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Journal Article
Journal of Middle East Women's Studies (2012) 8 (2): 110–112.
Published: 01 July 2012
...Alyson E. Jones Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend, 1967–2007 , Lohman Laura . Middletown, CT : Wesleyan University Press , 2010 . 229 pages. ISBN 978-0-8195-7071-0 . Copyright © 2012 Association for Middle East Women’s Studies 2012 110 mn Journal...
Journal Article
Journal of Middle East Women's Studies (2017) 13 (2): 287–311.
Published: 01 July 2017
... Mandate Syria and Lebanon (1921–46). The French metropolitan system of regulated prostitution was imported yet transformed in the mandate region as women performers were sorted into legitimate, if morally suspect, foreign artistes and autochthonous performers defined as prostitutes by decrees and codes...
Journal Article
Journal of Middle East Women's Studies (2015) 11 (2): 233–234.
Published: 01 July 2015
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 5. Naʿama Snitkoff-Lotan, “Openings,” 2009. Video, runtime 5:16. Artist’s collection Figure 5. Naʿama Snitkoff-Lotan, “Openings,” 2009. Video, runtime 5:16. Artist’s collection
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Journal Article
Journal of Middle East Women's Studies (2014) 10 (1): 15–40.
Published: 01 March 2014
...Susan Slyomovics This essay traces the intertwined topics of collaboration and multisited ethnography in the writings of anthropologist Sondra Hale on Sudanese artists and art. Hale’s trajectories and movements in and out of Sudan traverse parallel, sometimes overlapping tracks with the artists she...
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Published: 01 November 2019
Figure 2. Joseph Sheppard, Rape of German Refugee Women . Reproduced by permission of the artist. Figure 2. Joseph Sheppard, Rape of German Refugee Women. Reproduced by permission of the artist.
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in Identity, Displacement, and Coming of Age with Banat Collective
> Journal of Middle East Women's Studies
Published: 01 November 2019
Figure 1. From Rama Duwaji’s graphic novel Razor Burn . Used by permission of the artist. Figure 1. From Rama Duwaji’s graphic novel Razor Burn. Used by permission of the artist.
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Journal Article
Journal of Middle East Women's Studies (2021) 17 (1): 1–21.
Published: 01 March 2021
...Naïma Hachad Abstract In Bullets and Bullets Revisited (2009–14) the Moroccan-born artist Lalla Essaydi invites the onlooker to reflect on the power dynamics of image production and consumption in a globalizing visual culture. As in the artist’s previous series, the photographs present Moroccan...
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 4. Naʿama Snitkoff-Lotan, That Place , 2013. Silk paper, 13 cm × 14 cm. Artist’s collection Figure 4. Naʿama Snitkoff-Lotan, That Place, 2013. Silk paper, 13 cm × 14 cm. Artist’s collection
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Journal Article
Journal of Middle East Women's Studies (2021) 17 (1): 22–42.
Published: 01 March 2021
...Shahar Marnin-Distelfeld Abstract This article examines the works of Israeli woman artist Lilian Weisberger, who creates girlhood images that look naive at first glance but are nonetheless multilayered and radical. This examination of Weisberger’s girlhood images is done here for the first time...
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Journal Article
Journal of Middle East Women's Studies (2014) 10 (2): 80–106.
Published: 01 July 2014
... war are central to their overall reactions to the film. Whether they love or hate the film, it is the critics’ views of the female characters that judge the film as a complete artistic piece. Catherine Sawers is an actor, screenwriter, film scholar, and poet living in Los Angeles, CA. Before...
Journal Article
Journal of Middle East Women's Studies (2010) 6 (1): 103–116.
Published: 01 March 2010
... women exploring issues of gender, faith, social justice, and human rights across historical and cultural boundaries. I argue that the imaginative recovery of Farrokhzad by Iranian immigrant women writers and artists not only complicates the West’s frequently reductive contemporary representations...
Journal Article
Journal of Middle East Women's Studies (2012) 8 (1): 115–139.
Published: 01 March 2012
... with former militiamen from the Lebanese press, an autobiographical novel, and a play about the war, this paper examines the link between debates about memory and responsibility on one hand, and contentions over norms of masculine behavior on the other. The texts suggest that some Lebanese artists privilege...
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 2. Naʿama Snitkoff-Lotan, Costa de-hayyuta 1 , 2011. Silk paper and glue, height 450 cm, bottom circumference 150 cm. Artist’s collection Figure 2. Naʿama Snitkoff-Lotan, Costa de-hayyuta 1, 2011. Silk paper and glue, height 450 cm, bottom circumference 150 cm. Artist’s collection
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 3. Naʿama Snitkoff-Lotan, Costa de-hayyuta 2 , 2011. Hand-stitched cloth pillows, acrylin fill, 90 cm × 120 cm. Artist’s collection Figure 3. Naʿama Snitkoff-Lotan, Costa de-hayyuta 2, 2011. Hand-stitched cloth pillows, acrylin fill, 90 cm × 120 cm. Artist’s collection
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in The Vagina and de Facto Feminism in the Artwork of Naʿama Snitkoff-Lotan
> Journal of Middle East Women's Studies
Published: 01 March 2017
Figure 1. Exhibition of first year of the second cycle of Studio of Her Own (Studio Mishelach): Young Artists Center in Jerusalem , 2012. Jaffa 23 Gallery, Jerusalem. Curator: Irena Gordon. Photographer: Aviv Nave Figure 1. Exhibition of first year of the second cycle of Studio of Her Own
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in Displacement, War, and Exile in Simone Fattal’s Works and Days
> Journal of Middle East Women's Studies
Published: 01 March 2020
Figure 1. Simone Fattal, The Wounded Warrior , 1999. Bronze, 60 × 20 × 20 cm (23.62 × 7.87 × 7.87 in). Courtesy of the artist and kaufmann repetto, Milan/New York. Photograph: Andrea Rossetti. © Simone Fattal. Figure 1. Simone Fattal, The Wounded Warrior, 1999. Bronze, 60 × 20 × 20 cm (23.62
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in An Inner Voice Liberated: Feminist Reading of Lilian Weisberger’s Artwork
> Journal of Middle East Women's Studies
Published: 01 March 2021
Figure 1. Lilian Weisberger at the Lili in Wonderland exhibition, 2016 (curator: Shahar Marnin-Distelfeld). Upper Floor Gallery, Kiryat Tivon Memorial Center. This photo shows the artist at her last solo exhibition at this gallery. The wall behind her displays multiple girlhood images
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Journal Article
Journal of Middle East Women's Studies (2017) 13 (1): 143–153.
Published: 01 March 2017
...Figure 5. Naʿama Snitkoff-Lotan, “Openings,” 2009. Video, runtime 5:16. Artist’s collection Figure 5. Naʿama Snitkoff-Lotan, “Openings,” 2009. Video, runtime 5:16. Artist’s collection ...
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Journal Article
Journal of Middle East Women's Studies (2022) 18 (1): 141–144.
Published: 01 March 2022
...–12) as the end of the “Great Middle Eastern Art Rush.” 1 The series of protests shifted the centers of artistic activity from Western venues to exhibitions held in MENA countries, signifying the beginning of a self-reflective moment (Farzin 2014 : 96). Under the Skin exemplifies...
