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Journal Article

Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today

Iris Gilad
Journal of Middle East Women's Studies (2022) 18 (1): 141–144.
DOI: https://doi.org/10.1215/15525864-9494220
Published: 01 March 2022
...Iris Gilad [email protected] Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today . Ceren Özpınar and Mary Kelly , eds. Oxford : Published for the British Academy by Oxford University Press , 2020 . xviii + 201 pages. isbn...
View articletitled, Under the Skin: Feminist <span class="search-highlight">Art</span> and <span class="search-highlight">Art</span> Histories from the Middle East and North Africa Today View PDF for article titled, Under the Skin: Feminist <span class="search-highlight">Art</span> and <span class="search-highlight">Art</span> Histories from the Middle East and North Africa Today
Journal Article

The “Iranian ART Revolution”: Infertility, Assisted Reproductive Technology, and Third-Party Donation in the Islamic Republic of Iran

Mohammad Jalal Abbasi-Shavazi, Marcia C. Inhorn, Hajiieh Bibi Razeghi-Nasrabad, Ghasem Toloo
Journal of Middle East Women's Studies (2008) 4 (2): 1–28.
DOI: https://doi.org/10.2979/MEW.2008.4.2.1
Published: 01 July 2008
... assisted reproductive technologies (ARTs) using donor gametes and embryos have been legitimized by religious authorities and passed into law. This has placed Iran, a Shia-dominant country, in a unique position vis-à-vis the Sunni Islamic world, where all forms of gamete donation are strictly prohibited...
View articletitled, The “Iranian <span class="search-highlight">ART</span> Revolution”: Infertility, Assisted Reproductive Technology, and Third-Party Donation in the Islamic Republic of Iran View PDF for article titled, The “Iranian <span class="search-highlight">ART</span> Revolution”: Infertility, Assisted Reproductive Technology, and Third-Party Donation in the Islamic Republic of Iran
Journal Article

Forough Goes West: The Legacy of Forough Farrokhzad in Iranian Diasporic Art and Literature

Jasmin Darznik
Journal of Middle East Women's Studies (2010) 6 (1): 103–116.
DOI: https://doi.org/10.2979/MEW.2010.6.1.103
Published: 01 March 2010
... and a scholarly study of the art and literature of the Iranian diaspora. Copyright © 2010 Association for Middle East Women’s Studies 2010 JASMIN DARZNIK  103 FOROUGH GOES WEST: The Legacy of Forough Farrokhzad in Iranian Diasporic Art...
View articletitled, Forough Goes West: The Legacy of Forough Farrokhzad in Iranian Diasporic <span class="search-highlight">Art</span> and Literature View PDF for article titled, Forough Goes West: The Legacy of Forough Farrokhzad in Iranian Diasporic <span class="search-highlight">Art</span> and Literature
Journal Article

Cover Art Concept

Journal of Middle East Women's Studies (2017) 13 (3): 451–452.
DOI: https://doi.org/10.1215/15525864-4179089
Published: 01 November 2017
... and Women in Photography International. In 2008 she was a finalist for the Foster Award at the Institute of Contemporary Art/Boston, with an accompanying solo exhibition. A midcareer retrospective of her work will be exhibited at the Amon Carter Museum of American Art in a solo exhibition, In Her Image...
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Journal Article

Cover Art Concept

Journal of Middle East Women's Studies (2018) 14 (1): 92–93.
DOI: https://doi.org/10.1215/15525864-4297132
Published: 01 March 2018
View articletitled, Cover <span class="search-highlight">Art</span> Concept View PDF for article titled, Cover <span class="search-highlight">Art</span> Concept
Journal Article

Cover Art Concept

Suhair Sibai, Frances S. Hasso
Journal of Middle East Women's Studies (2018) 14 (2): 235.
DOI: https://doi.org/10.1215/15525864-6680335
Published: 01 July 2018
...Suhair Sibai; Frances S. Hasso Copyright © 2018 by the Association for Middle East Women’s Studies 2018 How can any work of art fully capture what exists beyond the work—personal experience and emotion? I aim for evocative imagery that charges the soul and pierces our beings. I have...
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Journal Article

Cover Art Concept

Rola Khayyat, Munira Khayyat, Yasmine Khayyat
Journal of Middle East Women's Studies (2018) 14 (3): 362.
DOI: https://doi.org/10.1215/15525864-7025539
Published: 01 November 2018
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Journal Article

Cover Art Concept

Ellen McLarney
Journal of Middle East Women's Studies (2019) 15 (1): 116.
DOI: https://doi.org/10.1215/15525864-7273857
Published: 01 March 2019
..., languages, and images. Her art includes books that are paintings and paintings that read like books. The painting featured on the cover of this issue has writing on the face, mind, body, and garments, with the woman (or man?) holding the Arabic letter ḥaʾ close to her (his?) heart. The painting reminds us...
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Journal Article

I Am My Own Guardian: Reflections on Resistance Art

Saffaa Hassanein
Journal of Middle East Women's Studies (2018) 14 (2): 236–241.
DOI: https://doi.org/10.1215/15525864-6680348
Published: 01 July 2018
... and white) and two look away (printed over a colorful, free-flowing cloud-like mist). I first exhibited the four portraits as large screen prints in November 2012 at Sydney College of the Arts as part of my honors degree. A small version of my artwork was included in a January 2015 Saudi exhibition...
FIGURES
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Journal Article

Art Concept

Journal of Middle East Women's Studies (2017) 13 (1): 141–142.
DOI: https://doi.org/10.1215/15525864-3728745
Published: 01 March 2017
..., a barricade of sandbags. The art may solicit an initial chuckle from the spectator given the absurdity of the scene. But ultimately the work compels the grave realization of the subtle yet pervasive presence of violence and loss. Dashti’s photographs playfully challenge borders and bordering: between Iran...
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Journal Article

"Every Slight Movement of the People … is Everything": Sondra Hale and Sudanese Art

Susan Slyomovics
Journal of Middle East Women's Studies (2014) 10 (1): 15–40.
DOI: https://doi.org/10.2979/jmiddeastwomstud.10.1.15
Published: 01 March 2014
...Susan Slyomovics This essay traces the intertwined topics of collaboration and multisited ethnography in the writings of anthropologist Sondra Hale on Sudanese artists and art. Hale’s trajectories and movements in and out of Sudan traverse parallel, sometimes overlapping tracks with the artists she...
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Journal Article

Art Concept

Journal of Middle East Women's Studies (2015) 11 (3): 349.
DOI: https://doi.org/10.1215/15525864-3142526
Published: 01 November 2015
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Journal Article

Editorial Cover Art Concept

Journal of Middle East Women's Studies (2016) 12 (2): 267.
DOI: https://doi.org/10.1215/15525864-3507716
Published: 01 July 2016
... in their articles. Hatoum’s work was part of Domestic Disturbance , an exhibition of fifteen works shown at the Massachusetts Museum of Contemporary Art from March 17, 2001, through February 4, 2002. In 2005 Hatoum wrote that, far from evoking the calm safety of home, the spiked colander that is No Way III...
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Image
Figure 1. Dual-Sided Slavery (2014). Fine art paper print. 200 cm × 100 cm (78.7 in × 39.3 in)

Dual-Sided Slavery (2014). Fine art paper print. 200 cm × 100 cm (78.7 in ...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 1. Dual-Sided Slavery (2014). Fine art paper print. 200 cm × 100 cm (78.7 in × 39.3 in) More
Image
Figure 2. Sexual Jihad (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)

Sexual Jihad (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 2. Sexual Jihad (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in) More
Image
Figure 3. The Flow (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)

The Flow (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in)...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 3. The Flow (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in) More
Image
Figure 4. Virgins of Paradise (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in)

Virgins of Paradise (2014). Fine art paper print. 100 cm × 120 cm (39.3 in...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 4. Virgins of Paradise (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in) More
Image
Figure 5. Virgins of Paradise 2 (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in)

Virgins of Paradise 2 (2014). Fine art paper print. 100 cm × 120 cm (39.3 ...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 5. Virgins of Paradise 2 (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 75 cm × 90 cm (29.5 in × 35.4 in) More
Image
Figure 6. Precious Spoils (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in)

Precious Spoils (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 4...

in Women Between . . . > Journal of Middle East Women's Studies
Published: 01 November 2016
Figure 6. Precious Spoils (2014). Fine art paper print. 100 cm × 120 cm (39.3 in × 47.2 in), 90 cm × 75 cm (35.4 in × 29.5 in) More
Journal Article

Cover Art Concept

Journal of Middle East Women's Studies (2017) 13 (2): 324–325.
DOI: https://doi.org/10.1215/15525864-3861389
Published: 01 July 2017
... in this issue’s themed section. The Turkish-born artist Pınar Yoldaş’s provocative works question the boundaries between art and the biological sciences, between humans and nature, and between industrial objects and living organisms. This questioning contributes to feminist projects that have criticized...
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