Abstract
Child marriage, the union between a child below the age of consent and a spouse who is the same age or older, remains a prevalent practice in Iran. Often these marriages involve young girls betrothed to much older men as a result of economic arrangements between the girl’s guardian and the groom. This practice imposes numerous physical and psychological hardships on the child bride, whose domestic and reproductive labor becomes bound to a man she chose not to marry. By analyzing “Hitaw” (1973), by Ali Ashraf Darvishiyan, and Mādīyān (1986), directed by Ali Zhakan, this article aims to examine the perceptions and portrayals of these girls and their sexuality within the realm of art and literature. Through this analysis it seeks to contribute to a deeper understanding of the social, cultural, and political dynamics that perpetuate child marriage and impact the lives of young girls in Iran.
