Skip Nav Destination
Close Modal
Search Results for
wood
Update search
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 201 Search Results for
wood
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Journal of Medieval and Early Modern Studies (2014) 44 (3): 585–615.
Published: 01 September 2014
... a devotional experience replete with the presence of the natural world. As prominent ecological features and building materials, the ecological phenomena of water and wood were instrumental in the construction of ritual worship at Saint-Fiacre. Spring water flowing from a nearby source and oak wood hewn from...
Image
in The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting
> Journal of Medieval and Early Modern Studies
Published: 01 May 2021
Figure 2 . Hugo van der Goes, Portinari Altarpiece . Oil on wood, 253 × 141 cm. Uffizi Gallery, Florence. Photo from the Yorck Project, Zenodot Verlagsgesellschaft. Used under a GNU Free Documentation License.
More
Image
in The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting
> Journal of Medieval and Early Modern Studies
Published: 01 May 2021
Figure 2 . Hugo van der Goes, Portinari Altarpiece . Oil on wood, 253 × 141 cm. Uffizi Gallery, Florence. Photo from the Yorck Project, Zenodot Verlagsgesellschaft. Used under a GNU Free Documentation License.
More
Image
in The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting
> Journal of Medieval and Early Modern Studies
Published: 01 May 2021
Figure 11 . Hugo van der Goes, The Death of the Virgin . Oil on wood, 147.8 × 122.5 cm. Groeninge Museum, Bruges. Scala / Art Resource, New York.
More
Image
in The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting
> Journal of Medieval and Early Modern Studies
Published: 01 May 2021
Figure 12 . Hugo van der Goes, The Trinity Altarpiece . Oil on wood, 202 × 100.5 cm (each panel). Royal Collection Trust, London. © Her Majesty Queen Elizabeth II 2020. On loan to the Scottish National Gallery, Edinburgh.
More
Image
in The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting
> Journal of Medieval and Early Modern Studies
Published: 01 May 2021
Figure 12 . Hugo van der Goes, The Trinity Altarpiece . Oil on wood, 202 × 100.5 cm (each panel). Royal Collection Trust, London. © Her Majesty Queen Elizabeth II 2020. On loan to the Scottish National Gallery, Edinburgh.
More
Image
in Marginal Performances by Late Medieval Pigs and Blind Men
> Journal of Medieval and Early Modern Studies
Published: 01 September 2021
Figure 13. Detail from map of Paris in 1552 engraved on wood by Olivier Truschet and Germain Hoyau, known as the Plan de Bâle. Source: Atlas des anciens plans de Paris (Paris, 1880), plate 10.
More
Journal Article
Journal of Medieval and Early Modern Studies (2013) 43 (2): 419–443.
Published: 01 May 2013
... the almanac genre. As domestic travel writers, seventeenth-century almanac users such as Lady Isabella Twysden and Anthony Wood were remarkably uninterested in discourses of nationhood or the paradigm of self/other so widely featured in other genres of travel writing. Instead, the unique structural...
Journal Article
Journal of Medieval and Early Modern Studies (2002) 32 (2): 343–374.
Published: 01 May 2002
... but not the wood, Ronsard names the wood
but not the river (he has named the Loir already in this ode). This is another
moment where the past and the present seem to coexist in suspension, in a
landscape of pure poetry and of Ronsard’s invention. The named forest
brings the poem into the space of the French...
Journal Article
Journal of Medieval and Early Modern Studies (2021) 51 (2): 263–284.
Published: 01 May 2021
... Calcagnino's justification for the originality of the Genoese mandylion and its lavishly gilded support leads to a short philological sidebar wherein he argues that the “panel” described in Constantine's Narratio can be made out of materials other than wood. Moreover, he explains that the humble material...
FIGURES
Journal Article
Journal of Medieval and Early Modern Studies (2014) 44 (1): 163–186.
Published: 01 January 2014
... gave me a good laugh: After I had
returned from Church where I had partaken of the Lord’s sup-
per, we talked of miracles and someone said . . . that Madame
la Princesse Palatine had been converted because she had held a
piece of wood from Our Lord’s cross in a candle...
Journal Article
Journal of Medieval and Early Modern Studies (2012) 42 (2): 461–486.
Published: 01 May 2012
..., describing the consequences of the English-imposed starva-
tion of Desmond’s rebels:
Out of every corner of the woods and glynnes they came creeping
forth upon their hands, for their legges could not bear them; they
looked like anatomies of death, they spake like ghosts crying out...
Journal Article
Journal of Medieval and Early Modern Studies (2014) 44 (3): 503–529.
Published: 01 September 2014
... Anthony
Wood, Hegge died suddenly “of an Apoplexy” on June 11, 1629, when he was
about thirty-two years old, and was buried in the chapel of Corpus Christi
College.6 But those spare facts don’t begin to speak to the implications of the
Stuart afterlife of the N-Town plays.
For one thing...
Journal Article
Journal of Medieval and Early Modern Studies (2016) 46 (2): 263–287.
Published: 01 May 2016
... the rehabilitation
of her rapist.5
In a similar scenario in the anonymous pastourelle dialogue Come
over the woodes fair and grene (ca. 1475), a knight riding through the forest
encounters a peasant girl gathering flowers by herself.6 He praises her beauty
Journal of Medieval...
Journal Article
Journal of Medieval and Early Modern Studies (2013) 43 (1): 121–144.
Published: 01 January 2013
... of the sacred emerge in the “skirts of
[Arden’s] wild wood” (5.4.157).
In the aftermath of violent usurpation and spatial reformation, the
sacred has been removed from settled and central places, yet as the play
confirms, the sacred must not be completely disconnected from place, nor
removed...
Journal Article
Journal of Medieval and Early Modern Studies (2003) 33 (1): 23–45.
Published: 01 January 2003
...
remnant.
Judas and the True Cross
From late antiquity through the Middle Ages, the most famous and para-
digmatic holy land relic was the wood of the True Cross. Ritual and literary
evidence survives from the second half of the fourth century describing
Christian veneration of the Cross; the most...
Journal Article
Journal of Medieval and Early Modern Studies (2015) 45 (2): 395–418.
Published: 01 May 2015
... speech. By
means of the Attendant Spirit’s opening monologue and of Comus’s call to
revelry in the antimasque, Milton gives his audience knowledge of the dan-
398 Journal of Medieval and Early Modern Studies / 45.2 / 2015
ger facing the three children in the woods. The Attendant Spirit warns...
Journal Article
Journal of Medieval and Early Modern Studies (2021) 51 (2): 321–365.
Published: 01 May 2021
...Figure 2 . Hugo van der Goes, Portinari Altarpiece . Oil on wood, 253 × 141 cm. Uffizi Gallery, Florence. Photo from the Yorck Project, Zenodot Verlagsgesellschaft. Used under a GNU Free Documentation License. ...
FIGURES
| View All (19)
Journal Article
Journal of Medieval and Early Modern Studies (2017) 47 (3): 561–586.
Published: 01 September 2017
... the Vulgate,
but it did not provide them an encounter with the book itself. That was up to
the reader who bought it, or whose patrons did.
If the Jesuits of La Flèche are not a sufficient explanation for Mar-
wood’s scholastic annotations, neither are the contemporary templates avail-
able...
Journal Article
Journal of Medieval and Early Modern Studies (2015) 45 (2): 343–365.
Published: 01 May 2015
... of their estates and that the commonwealth
would be best served by their cooperation in this regard. As Neal Wood puts
it, “The thrust of Thomas Smith’s argument . . . is that avarice, previously
thought to be a socially divisive human defect, can with wise governmental
supervision be transformed...
1
