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Journal Article
Journal of Medieval and Early Modern Studies (1 January 2006) 36 (1): 135–168.
Published: 01 January 2006
...Laura Camille Agoston © by Duke University Press / 2006 2006 a Michelangelo as Voice versus Michelangelo as Text Laura Camille Agoston Trinity...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2005) 35 (2): 349–384.
Published: 01 May 2005
...Bonnie Gordon © by Duke University Press 2005 Nuptial Voices: The Power of Song in the 1608 Mantuan Wedding Festivities Bonnie Gordon...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2008) 38 (3): 467–491.
Published: 01 September 2008
... treatment. Our main aim is to focus attention on these nonprofessional voices, on the words of patients themselves or those who, like them, were not trained in medicine. Approaching our subject through this interpretative framework, we provide an example of medical-cultural analysis that documents voices...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2016) 46 (2): 263–287.
Published: 01 May 2016
..., including peer education models and the use of risk avoidance discourse. The genre's narrative diversity and pedagogical possibilities are particularly evident in a unit of three pastourelles copied in the early sixteenth-century Welles Anthology along with male-voiced poems of courtly love and misogynist...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2017) 47 (1): 147–166.
Published: 01 January 2017
...Peter Arnade; Elizabeth Colwill Late medieval and early modern pardon letters are among the best sources of ordinary people's voices in the premodern period. The stuff of social history, these legal documents allow us access to nonelite social actors and masculine spaces of sociability. Yet they...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2018) 48 (2): 227–260.
Published: 01 May 2018
..., pastoral and devotional, prose and poetry, intellect and affect. Rather than portray Christ in the excessively erotic context usually associated with affective spirituality, A Christian Mannes Bileeve stages a dialogue of voices that teaches how to “think with the heart.” This new understanding of...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2018) 48 (3): 435–459.
Published: 01 September 2018
... and objections, and Piers Plowman in an even wider range of dissenting and troubled voices. But these texts use debate very differently to deal with the unpredictable reactions of the laity. Pauper engages with Dives using the readerly, rhetorical, and logical techniques derived from later medieval...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2018) 48 (2): 261–300.
Published: 01 May 2018
...Jessica A. Boon For thirteen years, the Clarissan Juana de la Cruz (1481 – 1534) gave public “sermones” during which Christ’s voice was reported to issue from her rapt body, expanding on the biblical record and describing festivities in heaven that feature considerable fluidity in gender and...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2008) 38 (3): 403–412.
Published: 01 September 2008
... field–the interdisciplinary richness of the possible topics, the new voices to be uncovered in archival research–and the problems of interpretation that must be taken up in mining these prospects. © 2008 by Duke University Press 2008 This content is made freely available by the publisher. It may...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2000) 30 (3): 463–477.
Published: 01 September 2000
... of discourses and voices that inhabit the early Spanish text are later documentations of an earlier, “real” articulation. In the case of the epic, it is the representation of an “authentic” history; in its edit- ing practices, it is the reconstruction of an...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2016) 46 (2): 405–432.
Published: 01 May 2016
... generous form of borrowed speech, or borrowed selfhood, in which the intentions of one person are furthered or carried out by another.3 I am in need of an intercessor when either I lack a voice, or my voice is insufficient to accomplish what I desire. As a teenager, I may, for instance, wish that...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2004) 34 (2): 251–278.
Published: 01 May 2004
... soul animates the body, so, in a way, meaning breathes life into a word” [sicut corpus ad vitam vegetatur ab anima, sic ad vitam quandam verbi sensus proficiat].16 This conflation inhered in the word vox itself which was used to refer to both the “voice, sound, tone, cry, [or] call” of a living...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2005) 35 (3): 583–606.
Published: 01 September 2005
... as intrinsically inhospi- table to women’s voices by virtue of its “depersonalizing” representation of its female protagonist. As Nancy Vickers has phrased it in a seminal essay, “bodies fetishized by a poetic voice logically do not have a voice of their own; the world of making words, of...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2002) 32 (3): 493–518.
Published: 01 September 2002
..., there but not there—such was the shared experience of the alehouse “home.” Giving voice to the vagrant free space of the alehouse as well as to the disengaged “low” subject that inhabited it are the broadside ballads that roamed city streets and decorated the walls of the alehouses and homes...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2011) 41 (2): 369–391.
Published: 01 May 2011
... forbidding voice (now her name is not Ignorance but Danger) who warns the dreamer to turn back, a company whose number the dreamer longs to join. Most of all there is the ship’s mer- chandise, a commodity called “Favore-­to-­stonde-­in-­her-­good-­grace” (55), potent drug for the isolated, abashed...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2007) 37 (3): 579–594.
Published: 01 September 2007
... the social practice of performing drama behind masks that would project the actor’s voice and also the familiar visual cues 582  Journal of Medieval and Early Modern Studies / 37.3 / 2007 of personality and motive. Our word persona comes from the Latin word for the actor’s mask, and in the...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2007) 37 (3): 549–577.
Published: 01 September 2007
... realm, the commons is — depending on the purposes of the speaker — either a substantial subset of the nonaristocratic populace whose urgent voice must be accorded due weight, or a rude and scurvy rabble whose strident voice must be ignored or repressed. Our argument is that, even while...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2010) 40 (2): 373–400.
Published: 01 May 2010
..., indicative active voice may offer such a grammatical criterion, but he soon rejects such a test. Performative speech acts are not generally confined to the first-person or the present or the active voice. Oaths, however, can be understood as a subset of performatives which do require the first-person...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2016) 46 (3): 545–554.
Published: 01 September 2016
...- tion of its own righteousness. Whereas Thomas More in his Supplication of Souls (1529) writes in a great Catholic tradition of giving voice to the com- munity of the dead in order to save them from the flames of purgatory, Gregory unintentionally writes in a radically Protestant, exclusivist...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2001) 31 (3): 445–476.
Published: 01 September 2001
... different in scale, these works also present contrasting views of the value of sacrifice, which Canticle II affirms and War Requiem rejects. But the compositions share musical lan- guage. A distinctive “fifth-less” arpeggio begins Canticle II, prefacing God’s first words to Abraham, and God’s voice takes...