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Journal Article
Journal of Medieval and Early Modern Studies (1 May 2008) 38 (2): 253–283.
Published: 01 May 2008
...Julie Paulson © 2008 by Duke University Press 2008 a A Theater of the Soul’s Interior: Contemplative Literature and Penitential Education in the...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 1–24.
Published: 01 January 2013
... by Duke University Press 2013 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. a Experiencing the Space and Place of Early Modern Theater...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2010) 40 (1): 65–88.
Published: 01 January 2010
...Tom Bishop In Shakespearean drama, the conception of acting as “play” was shaped by an inheritance of medieval “player” routines and strategies and by the environment of the professional Elizabethan theater. Arguing from a theoretical and practical discussion of the role of “play” in medieval drama...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 25–48.
Published: 01 January 2013
... built environment of the 1599 Globe Theater, we discover not one measure of space but ten: (1) geographical, (2) temporal, (3) fictional, (4) characterological, (5) social, (6) political, (7) interpersonal, (8) performative, (9) receptive, and (10) phenomenal. The confluence of the ten measures of space...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 49–70.
Published: 01 January 2013
... imagination intervenes in and provides an alternative to English nation-making, while it fractures the collective effects of theater. © 2013 by Duke University Press 2013 a “All Places Are Alike”: Marlowe’s Edward II...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 71–98.
Published: 01 January 2013
.... Indeed, analyses of the Kristevan abject have overlooked its inherent performativity, specifically its dependence on both sensory perception and on acts of veiling and unveiling. Thus the theater — specifically the convention of the curtained discovery space as the locus for staging the “obscene” — is...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2012) 42 (1): 107–130.
Published: 01 January 2012
...Sarah Beckwith This article explores the virtue tradition in the English theatrical tradition of morality theater and its fortunes on the professional stage. It explores questions of recognition in allegorical drama by examining “mankind” and “mercy” in the morality play Mankind , the appropriation...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 121–144.
Published: 01 January 2013
... logic of the periphery, situated on Arden’s fringe between the locative or carefully emplaced world of France and the utopian wilderness of the forest, is the transvestite figure of Rosalind. She and her dwelling place also stand for the larger space of the theater in its heterotopic function as a site...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2013) 43 (2): 335–367.
Published: 01 May 2013
..., and the ritual of the Mass, Marlowe’s play reveals the early modern theater as a venue for “contested rites” where liturgical and theological debates could be waged. The essay establishes connections between magic and the Mass by analyzing the “affective textuality” and liturgical rubrics in both...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2018) 48 (1): 1–9.
Published: 01 January 2018
... was involving at the same time artistic forms from painting to theater and extended to protoscientific explorations. Art, literature, and science moved from theoretical discussions often grounded on faith to revolutionary ways of focusing on visuality and the self. There was no turning back; the...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2010) 40 (1): 1–5.
Published: 01 January 2010
... dialogue with their early modern counterparts. This special issue focuses the conversation at an especially rich point, that of Shakespearean theater. These essays explore “premodern Shakespeare”: how Shakespeare's drama addresses and expresses the cultural revolution of the relatively recent past, and how...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2003) 33 (2): 261–280.
Published: 01 May 2003
... replace the dogmatic truism; theater will replace religion even as figure, psyche, and theater are all haunted by the stubborn leavings of an outmoded religion, appearing in the form of a histrionic, apparently Catholic, paternal ghost, reminder and remainder of a usurped, truncated, and thoroughly...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2000) 30 (2): 339–374.
Published: 01 May 2000
... amongst two hundred and twenty, in which I have had either an entire hand, or at the least a maine finger.”1 Heywood’s claim asserts both his individual productivity after nearly forty years of working for the public theater as well as his capacity to work with other writers, and its suggestive...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2010) 40 (2): 421–423.
Published: 01 May 2010
... were understood in relation to the sacraments, the church, and more generally the workings of divine grace in infusing virtue. A literary contribution could focus on the theater, and on whether acting a role on stage was regarded as a falsification of character, or as a means of cultivating...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2010) 40 (3): 621–623.
Published: 01 September 2010
... virtue. A literary contribution could focus on the theater, and on whether acting a role on stage was regarded as a fal- sification of character, or as a means of cultivating virtue — ­or relate critiques of theater to a growing awareness of the fluidity of social roles. Or a literary essay might...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2004) 34 (3): 643–672.
Published: 01 September 2004
... Blackfriars theater fi rst opened for business in 1576, unless like a num- ber of Protestants at the time you count the performance of the Mass, the veneration of icons and saints, even the acceptance of alms as so many elements in a massive theatrical campaign that Henry’s usurpation of the papal...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 145–172.
Published: 01 January 2013
... JMEMS 43:1, 07 Lupton 10.1215/10829636-1902576 In theater and in life, holiday often sets the stage for hospitality, in the form JMEMS 43:1, 08 Kok 10.1215/10829636-1902585 of seasonal festivities and life-­cycle events that respond to ecological and JMEMS 43:1, 09 Cornett 10.1215/10829636-1902672...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2008) 38 (3): 633–634.
Published: 01 September 2008
... counterparts. This special issue will focus the conversation at an especially rich point, that of Shakespearean theater. By “premodern Shakespeare” we mean to encourage at least two kinds of enquiry: on the one hand, the ways in which Shakespeare’s drama might address and express the cultural...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2013) 43 (2): 217–218.
Published: 01 May 2013
... – 2012 Mary, the daughter of Anthony J. Drexel Biddle Jr. and Mary Lilian Duke Biddle, was born February 21, 1920. She spent her childhood in New York City, and it is likely that the libraries, museums, theaters, and all the cultural life of Manhattan had a profound influence upon the...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2013) 43 (3): 679–681.
Published: 01 September 2013
... Experiencing the Space and Place of Early Modern Theater  1 – 24 Kok, Su Mei “How Many Arts from Such a Labour Flow”: Thomas Middleton and London’s New River  173 – 190 Korda, Natasha “The Sign of the Last”: Gender, Material Culture, and Artisanal Nostalgia in The Shoemaker’s Holiday  573 – 597...