1-20 of 155 Search Results for

portrait

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2011) 41 (1): 137–171.
Published: 01 January 2011
... Ethnographer’s Sketch, Sensational Engraving, Full-Length Portrait: Print Genres for Spanish America in Girolamo Benzoni, the De Brys, and Cesare Vecellio Ann...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2010) 40 (2): 223–247.
Published: 01 May 2010
...Paroma Chatterjee This study offers a close reading of the processes involved in crafting a Byzantine holy portrait by focusing on certain episodes in the Life of Nikon and the Life of Irene of Chrysobalanton , hagiographies dated to the eleventh century. The article argues that the anxieties of...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2013) 43 (3): 487–519.
Published: 01 September 2013
...Shayne Aaron Legassie Giorgio Vasari’s portraits of fourteenth-century Florentine painters Giotto and Buffalmacco in his Lives of the Painters, Sculptors, and Architects are indebted to two medieval novella collections: Giovanni Boccaccio’s Decameron and Franco Sacchetti’s Trecentonovelle...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2009) 39 (1): 161–181.
Published: 01 January 2009
... challenge English national identity.18 This collapse occurs around the figure of Angellica Bianca, the Italian courtesan, who advertises her services for the royal sum of one thousand crowns a month by putting out portraits of her image in the street for passers-by. Angellica is trying to attract...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2011) 41 (3): 663–665.
Published: 01 September 2011
... Feeling Time, Will, and Words: Vernacular Devotion in the Cloud of Unknowing  3 4 5  –  6 8 Jones, Ann Rosalind Ethnographer’s Sketch, Sensational Engraving, Full-­Length Portrait: Print Genres for Spanish America in Girolamo Benzoni, the De Brys, and Cesare Vecellio  137 – 71 Legassie...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2007) 37 (1): 97–139.
Published: 01 January 2007
... visitor to Istanbul. The collection begins with six portraits of seated sultans who are identified in black ink in both Ottoman Turkish and Italian (for example, fig. 18). On the remaining sheets, court figures, army officers, and trades- men stand alone, occasionally with a coworker, each...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2005) 35 (3): 629–662.
Published: 01 September 2005
... between the reading and imitation of Petrarch’s Italian poetry and the emergence of what has been called a ver- nacular aesthetic in Renaissance art. The identifi cation of canons of beauty common to poetry and painting has transformed the discussion of the Renaissance portrait, especially in the...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2002) 32 (3): 469–491.
Published: 01 September 2002
... covers of Inglis’s own making and introduced by a variety of materials including a title page, self- portrait, and dedication to someone of rank, including Elizabeth I, James VI, Prince Henry, and Lucy Harington, Countess of Bedford. In the late sixteenth and early seventeenth centuries in England...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2018) 48 (1): 105–124.
Published: 01 January 2018
... human body. In that very flexion that Vesalius’s portrait immortalizes in the Fabrica, the anatomist has found the muscle of civiliza- tion, the most tangible proof of the existence of God (see fig. 1). Anatomists both before and after Vesalius had shared this reverence for the hand and...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2011) 41 (2): 417–434.
Published: 01 May 2011
... Montaigne’s family and of Montaigne himself; on the other hand, we need to analyze, in literary terms, Montaigne’s portrait of himself as a nobleman, by interpreting its forms, functions, and effects in the Essais, and linking them to the particular literary genres, such as apology, satire, or...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2011) 41 (1): 173–223.
Published: 01 January 2011
... indeed on the side of Guaman Poma, who understood both European and Andean forms of reasoning, while De Bry only knew that of Europeans. When we come to hear that silence, we unveil the false pretense to truth and universality that narratives like De Bry’s have long enjoyed. The portrait of the...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2017) 47 (3): 587–597.
Published: 01 September 2017
...” on the front and back cov- ers. This phrase derives from Isaiah 40:8 and has particular relevance to the Edwardian Reformation; its appearance on Edward VI and the Pope, an oil-­on-­panel portrait dating from the reign of Elizabeth and now in the National Portrait Gallery, identifies it as an...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2000) 30 (2): 185–210.
Published: 01 May 2000
... in MS M690 to be fifteenth century—from their costume alone I think it clear that they are not—and declared that they were intended to be portraits of Gower.28 Compare that curator’s assertions to this excerpt from a letter from the Quaritch firm to Plimpton: I did not buy the manuscript...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2002) 32 (1): 17–40.
Published: 01 January 2002
... more central to the concerns of this essay, the film also offers a capsule portrait of the mise en âbime nature of appropriation. The Coke bottle falls from the sky and is appropriated by the bushmen who then turn it briefly into an object of veneration before expelling it from their world. The film...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2008) 38 (1): 35–55.
Published: 01 January 2008
... recognize him. This is the man, after all, who felt compelled to employ the false modesty topos at the outset of the Cortegiano in order to insist, as he puts sprezzatura into action, that the portrait conveyed in his book was not in any way a self-portrait, as Vittoria Colonna — waxing eulogistic...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2005) 35 (3): 457–466.
Published: 01 September 2005
...-documented infl uence on the visual arts in “Eros in the Flesh: Petrarchan Desire, the Embodied Eros, and Male Beauty in Italian Art, Stephen Campbell examines portraits of men rather than women. Campbell hypothesizes that it is pos- sible to approach some eroticized and ambiguously gendered portraits...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2017) 47 (1): 147–166.
Published: 01 January 2017
... words, “our beloved and loyal knight.” A different portrait of Reimerswaal emerges in a second pardon he received in 1494 when he was charged with verbally assaulting and shov- ing an officer from the Court of Holland. The officer had come to serve a warrant against Reimerswaal at his castle...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2016) 46 (2): 339–379.
Published: 01 May 2016
..., inv. no. 2628. Photo: Art Resource. Nelson / Visualizing Sacred History  347 greater shift in all of Dell’s work, for indeed he continued to make portraits and tomb sculpture that retained the more unified pictorial space of Rie- menschneider or...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2001) 31 (2): 283–312.
Published: 01 May 2001
... Phillips’s history of representations of Mary Queen of Scots asserts that “Spenser’s thinly veiled portrait of Mary in her final days is in its essential elements and in much of its specific language, little more than a highly poetic version of officially condoned Protestant...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2017) 47 (3): 599–607.
Published: 01 September 2017
... describes himself (sig. P1v). He seems to have acquired the bible at a relatively early age, because on the title page of the third part of the bible he has inserted a comment right alongside the portrait of William Cecil, Lord Burghley, in which he proudly boasts “Joseph Fesey of orstlow is as...