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greenblatt

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Journal Article
Journal of Medieval and Early Modern Studies (1 May 2003) 33 (2): 261–280.
Published: 01 May 2003
...Sarah Beckwith © by Duke University Press 2003 Stephen Greenblatt’s Hamlet and the Forms of Oblivion Sarah Beckwith Duke University...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2003) 33 (2): 241–259.
Published: 01 May 2003
... the reflections in this essay is Practicing New Historicism by Catherine Gallagher and Stephen Greenblatt.1 This book includes an analy- sis of the Roman Catholic Eucharist in the Middle Ages and its rejection in the Reformation (chaps. 3 and 5). It is still rare for scholars to work with any...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2003) 33 (2): 281–309.
Published: 01 May 2003
..., with foreword by Stephen Greenblatt, who assures its readers that it “forgoes the satisfaction of linear narrative” in order “to present a more capacious, confusing and complex picture of early drama”—John N. Wasson solves the issue by simplifying it.31 Wasson notes that Croxton has the obvious...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2009) 39 (2): 375–406.
Published: 01 May 2009
... Greenblatt’s Renaissance Self-Fashioning, and, more specifically, its epilogue: A few years ago, at the start of a plane flight from Baltimore to Boston, I settled down next to a middle-aged man who was star- ing pensively out the window. There was no assigned seating, and I...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2003) 33 (1): 125–141.
Published: 01 January 2003
... coexists alongside a continuing insistence on that distinction.1 To give an example of our current ambivalence, Stephen Greenblatt, in Marvelous Pos- sessions, erects a demarcation between literary and nonliterary New World texts only to undermine it immediately: Interpreters of literature are...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 49–70.
Published: 01 January 2013
... larger scope of Marlowe’s dramatic canon. For example, in an early reading of Edward II, Stephen Greenblatt argues that Marlowe’s heroes are rebelling against their respective social systems: “Tam- burlaine’s world conquests, Barabas’s Machiavellianism, Edward’s homosex- uality, and Faustus’s...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2012) 42 (2): 421–459.
Published: 01 May 2012
...- ing older forms of English drama. More recently, Clifford Davidson and Stephen Greenblatt have read the craftsmen- actors of Dream in the con- text of the “traditional plays” the boy Shakespeare might have witnessed in Coventry. Louis Montrose argues that the mechanicals not only recall the...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2004) 34 (3): 643–672.
Published: 01 September 2004
..., no less sacramental or spiritual “thing,” namely, the fetish. Catherine Gallagher and Stephen Greenblatt are surely right to say that Marx’s critique of fetishism reaches “all the way back to anti-eucharistic polemics for its legitimacy,”31 but I think their stress on Marx’s skepticism...
Journal Article
Journal of Medieval and Early Modern Studies (1 September 2006) 36 (3): 493–516.
Published: 01 September 2006
... the presence of the unusual and prophetic.1 Physiological wonder-effects aside, Albert locates the experience of wonder in that unful- filled desire to know precipitated by signs, or prodigii, both unusual and full of portent. Wonder is a restless disposition, as Stephen Greenblatt has already...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2011) 41 (1): 1–12.
Published: 01 January 2011
... thinks of a number of studies which appeared around the quincentennial of Columbus’s “discov- ery” of America in 1992, such as Anthony Pagden’s The Fall of Natural Man (1982) or Stephen Greenblatt’s Marvelous Possessions (1991), both of which fea- ture plates from De Bry’s America series for their...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2006) 36 (1): 75–102.
Published: 01 January 2006
... ended his pursuit of his rightful claim.]25 The sheer theatricality of all this — a theatricality that requires no actual institution we would call “the theater” — prompts an observation I have made before. That, although Stephen Greenblatt at least acknowledges that there was a consequential...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2006) 36 (1): 169–200.
Published: 01 January 2006
... this growing rupture between modernity and early modernity more than New Historicism and Stephen Greenblatt’s concept of self-fashioning. While New Historicists never claimed that the Renaissance was the only period in which social, ideological, political, and economic forces shaped human...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2006) 36 (1): 135–168.
Published: 01 January 2006
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2007) 37 (2): 271–303.
Published: 01 May 2007
... therefore the “community” of the living with the dead.2 And it took away the Mass, attempting, as Stephen Greenblatt has recently alleged, to separate the spirit from “the limitations of matter” and “the taint of the flesh”; in so doing, it contributed to the death or (at least) “disenchantment” of...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2008) 38 (2): 229–252.
Published: 01 May 2008
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2002) 32 (2): 305–326.
Published: 01 May 2002
... gaze in unfamiliar terms. In his treatment of the Elizabethan production of power, Stephen Greenblatt has discussed how, in order to maintain power, the sovereign and her gaze must be visible to her audience.15 In other words, it is not only the public display of monarchy that ensures the...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2009) 39 (1): 143–159.
Published: 01 January 2009
... long-standing fictions of native genius and exclusive national properties. a Notes 1 So powerful is its absence that no less a figure than Stephen Greenblatt has attempted to fill it by penning, with the noted playwright Charles Mee, aCardenio for the twenty-first century...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2009) 39 (1): 161–181.
Published: 01 January 2009
... Angellica is no longer the centralized monarchical state in which, according to Stephen Greenblatt, Renaissance fiction channeled “national and religious sentiment into the worship of the prince [i.e., Elizabeth “mask[ing] over and thus temporarily deflect[ing] deep social, political and theological...
Journal Article
Journal of Medieval and Early Modern Studies (1 January 2013) 43 (1): 191–212.
Published: 01 January 2013
... Acting and Perfor- mance. The New Middle Ages. New York: Palgrave Macmillan, 2011. xv, 183 pp.; 4 figs. $80.00. Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Foreword by Stephen Greenblatt. New edi- tion. Princeton, N.J.: Princeton...
Journal Article
Journal of Medieval and Early Modern Studies (1 May 2004) 34 (2): 279–308.
Published: 01 May 2004
... the political in terms of the amatory. Testifying to the subtle ministrations of social ener- gies that sought to foreclose the risk of any unsupervised self-fashioning, The Kingis Quair conforms to Stephen Greenblatt’s early view that the con- tests between social and literary discourses achieved...