Search Results for female authorship

... at these translations of The Flowing Light, their function, and the audiences they address will help us move beyond the gendered Latin/vernacular divide. What emerges, I will argue, is evidence of different degrees of ambivalence toward female authorship. This ambiva- lence...

..., arguing that the channels through which women s texts were read and their authorial reputations were disseminated are central to understanding not only how, what, and where women wrote, but also how their texts found audiences and the ways in which female authorship was imagined. This article builds upon...

... of a read- ing public, and to what extent is that public itself constituted as a located, situated readership or as more broadly construed and geographically vague (or far- flung)? For this article, we focus our attention on the ways in which accounts of female readership and authorship are implicated...

... of public print. Including elaborate pictures of 428 Journal of Medieval and Early Modern Studies / 32.3 / 2002 herself at work with her pen along with emblematic exhortations to her own female authorship, Inglis creates herself as a female author in much the same way Christine did before her...

... to a range of Elizabethan verse miscellanies and demonstrates her innovation within the genre as a woman. © 2015 by Duke University Press 2015 Isabella Whitney gender textile labor verse miscellany and Sweet Nosgay female authorship...

... for the feminist recovery project, which has sought empirical evidence of female authorship, Smith challenges literary historians to embrace such articulations of the female voice as opening up new spaces for poetic iden- tity. She argues that these poems were circulated and received as fictions of women s...

... the Disciplines 187 Reid, Pauline. Reading by Design: The Visual Interfaces of the English Renais- sance Book. Toronto: University of Toronto Press, 2019. xv, 283 pp.; 61 figs. $75.00. Renck, Anneliese Pollock. Female Authorship, Patronage, and Translation in Late Medieval France: From Christine de Pizan...

.... $50.00. Bredehoft, Thomas A. Authors, Audiences, and Old English Verse. Toronto Anglo-­Saxon Series, vol. 5. Toronto: University of Toronto Press, 2009. xviii, 237 pp. $60.00. Chang, Leah L. Into Print: The Production of Female Authorship in Early Modern France. Newark: University of Delaware...

... model of collaborative authorship and Wynne-Davies’s model of the female organization of court presentations suggest that the idea of the “author” at the turn of the seventeenth century 484 Journal of Medieval and Early Modern Studies / 32.3 / 2002 was fluid enough that an “author” could be someone...

... the interpretive act a transgression of the divine word. Today, nearly two decades since Norbrook reattributed authorship from Apsley to Hutchinson, numerous thoughtful and attentive readings of Order and Disorder have emerged.5 Scholars have turned to Order and Dis- order s female authorship as a means...

... 6. Northern worlds 7. Gender and works of women 8. Science and medicine 9. Biblical imagination 10. Authorship and textuality 11. Drama on stage and page 12. Architectural space Journal of Medieval and Early Modern Studies 47:1, January...

... as single males, during a period when the wider artisanal body was growing more hostile to female participation.21 Some journeymen artisans may have been capable of transforming aspects of subordination into affirmative elements of social identity, but this possibility seems not to have...

... Book is the account of her visit with Julian of Norwich. It has long been imagined that this episode—a rarely recorded moment in which two famous medieval English women meet—shows Kempe's desire to emulate another female mystic. Julian was a local celebrity, and it must be assumed that Kempe would...

... as the guiding principle in studies of Cardenio and Double Falshood. Doubts about author- ship and attribution stem from a priori notions of Shakespeare’s unalien- able excellence. As John Freehafer noted years ago, “The internal evidence for Shakespeare’s authorship [of Cardenio] is persuasive...

...-Ingram.101-124 12/21/99 4:33 PM Page 102 history, that seem to exert no influence on modern understandings of books, authorship, and readership. Margaret Cavendish’s debut in print, Poems, and Fancies (1653), is one of many such books. Although Poems...

... of women Visual culture Authorship and textuality © 2008 by Duke University Press 2008 a New Books across the Disciplines Michael Cornett Duke University...

... capitalism that gave birth to the genre in More's Utopia , however, female utopian thought is differently manifested as well. In the “Wyll,” the contradictions attending the moment of transition are embodied in the dissonant form of a poem that, in its first half, describes a city of abundance, and in its...

... reason for using her own image for this portrait of St. Catherine may be pragmatic early modern social and cultural expectations precluded the use of live models by a female artist the implications of this complex self- identification are intriguing for thinking about various forms of life writing...

... ceased to function normatively as a measure of religious status. Although, as Elizabeth Clark has pointed out, “gender-bending” was a feature of Christian portrayals of ascetic heroes from early on, Thecla being a notable example, still the gender that was “bent” was typically female rather than...

..., but like a female saint, she is threatened with rape. This portrays the devil as an ineffectual tempter. In this way, the Book emulates episodes in the vitae of St. Bridget of Sweden and Marie d'Oignes in which the holy women outwit demonic trickery. By portraying the devil as an artless seducer, chapter...