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Journal Article
Journal of Medieval and Early Modern Studies (2012) 42 (2): 333–363.
Published: 01 May 2012
... a Julian of Norwich’s Art of Interpretation Michelle Karnes Stanford University Stanford, California The long text of Julian of Norwich’s Revelation of Love offers the most...
Journal Article
Journal of Medieval and Early Modern Studies (2012) 42 (3): 657–698.
Published: 01 September 2012
...Peter Low This essay explores the peculiar character of innovation in monastic art around 1100 CE, and what specially monastic concerns may have motivated this underacknowledged thirst for invention. It focuses on the relationship between the main portal at the Cluniac abbey of Vézelay, created...
Journal Article
Journal of Medieval and Early Modern Studies (2018) 48 (2): 387–412.
Published: 01 May 2018
... The Art of Changes: Bell- Ringing, Anagrams, and the Culture of Combination in Seventeenth- Century England Katherine Hunt The Queen’s College, University...
Journal Article
Journal of Medieval and Early Modern Studies (2021) 51 (2): 285–319.
Published: 01 May 2021
.... In light of Mikhail Bakhtin's concept of heteroglossia, it is argued that religious lactation imagery after Trent produced irony, parody, doubt, and dissent. Copyright © 2021 by Duke University Press 2021 Venetian Counter-Reformation art Benedetto Caliari imagery of lactating Virgin miracles...
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Journal Article
Journal of Medieval and Early Modern Studies (2008) 38 (1): 35–55.
Published: 01 January 2008
...Douglas Biow Duke University Press 2008 a Castiglione and the Art of Being Inconspicuously Conspicuous Douglas Biow University of Texas at Austin...
Journal Article
Journal of Medieval and Early Modern Studies (2005) 35 (3): 629–662.
Published: 01 September 2005
Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (1): 9–32.
Published: 01 January 2024
...Manuela Bragagnolo Sixteenth-century Venice was a creative lab in which physiognomy was undergoing major transformation. The development of art theory, especially the theory of proportions, as well as a new attention to direct observation, parallel to developments in anatomy, decisively enriched...
Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (1): 33–56.
Published: 01 January 2024
...John Jeffries Martin In 1561, Francesco Casoni published De arte, ac ratione in criminum causis disserendi , a dialogue that offered judges a rigorous method of investigation in criminal cases in which eyewitness testimony or a confession was lacking. Typically, in such cases, judges relied...
FIGURES
Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (1): 165–201.
Published: 01 January 2024
... has since then challenged art historians’ interpretation of Goya's true intentions. Discussions have delved into whether the painting was meant to be a “caricature” of its subjects. This article revisits this problem by historicizing the debate on caricature in relation to the revival of physiognomy...
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Image
Published: 01 January 2024
Figure 9. Pieter Camper, On the Connexion between the Science of Anatomy and The Arts of Drawing, Painting, Statuary, &c. &c . (London, 1794), plate 1. Source: Wellcome Collection, London. More
Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (2): 399–423.
Published: 01 May 2024
... Tachenius — repeatedly imagine papermaking as a chymical purification in order to claim paper as a chymical invention. In doing so, these chymists seek to demonstrate their art's centrality to early modern knowledge production, circulation, and preservation. At the same time, by imagining papermaking...
Journal Article
Journal of Medieval and Early Modern Studies (2003) 33 (1): 125–141.
Published: 01 January 2003
Journal Article
Journal of Medieval and Early Modern Studies (2013) 43 (1): 173–190.
Published: 01 January 2013
... Many Arts from Such a Labour Flow”: Thomas Middleton and London’s New River Su Mei Kok University of Malaya Kuala Lampur, Malaysia In 1613, Thomas...
Image
Published: 01 January 2024
Figure 10. Camper, On the Connexion between the Science of Anatomy and the Arts of Drawing, Painting, Statuary &c. &c. , plate 3. Source: Wellcome Collection, London. More
Image
Published: 01 May 2021
Figure 5 . Veronese, Rest on the Flight into Egypt (1572). Oil on canvas, 236.2 × 161.3 cm. Sarasota, John and Mabel Ringling Museum of Art, acc. no. SN82. Collection of The John and Mable Ringling Museum of Art, State Art Museum of Florida, Florida State University. More
Image
Published: 01 May 2021
Figure 3 . Émile Wauters, The Madness of Hugo van der Goes (1872). Oil on canvas, 186 × 275 cm. © Royal Museum of Fine Arts of Belgium, Brussels. Photo: J. Geleyns Art Photography. More
Journal Article
Journal of Medieval and Early Modern Studies (2018) 48 (1): 1–9.
Published: 01 January 2018
... that was involving at the same time artistic forms from painting to theater and extended to protoscientific explorations. Art, literature, and science moved from theoretical discussions often grounded on faith to revolutionary ways of focusing on visuality and the self. There was no turning back; the following...
Journal Article
Journal of Medieval and Early Modern Studies (2019) 49 (1): 113–135.
Published: 01 January 2019
... of tragedy — could no longer, as such, hope to ameliorate it. Shakespeare understood that tragedy was not historically immune to the social- ethical crises it presented, and this recognition led to Shakespeare’s more radical presentation of the pastness of art in his late plays, The Winter’s Tale...
Journal Article
Journal of Medieval and Early Modern Studies (2019) 49 (3): 541–561.
Published: 01 September 2019
..., Alexander’s father was Nectanabus, a mage and astrologer who seduced Queen Olympias with an astronomy lesson, deceived her by using animal pelts to disguise himself as a god, and then used his magic arts to retard the child’s birth when his astrological calculations indicated the child would be born a hybrid...
Journal Article
Journal of Medieval and Early Modern Studies (2020) 50 (3): 565–586.
Published: 01 September 2020
... in framing diplomatic letters for consumption by different audiences. Early modern ambassadors performed rituals of sovereignty, symbolizing status and rank, but the complex art of diplomatic image-making was also directed by lower-ranking embassy personnel. Examining the relationship between bureaucratic...