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aesthetics and style

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Journal Article
Journal of Medieval and Early Modern Studies (2011) 41 (2): 345–368.
Published: 01 May 2011
... recommends in this work of folding will into time is monosyllabic prayer. He models this in his monosyllabic prose style, creating an aesthetic correlative of contemplative work. His choice to embody this work in monosyllables reveals his motivation for vernacular composition: English, unlike Latin...
Journal Article
Journal of Medieval and Early Modern Studies (2016) 46 (2): 339–379.
Published: 01 May 2016
... relief sculpture aesthetics and style Lutheran image theology Heinrich and Katharina of Saxony • Visualizing Sacred History: Peter Dell’s Resurrection and Lutheran Image Theology...
Journal Article
Journal of Medieval and Early Modern Studies (2022) 52 (1): 69–92.
Published: 01 January 2022
... social context as a variety of form, this article articulates a reciprocal relationship between aesthetics and the social world that reveals the limitations of The Fortunes of Men 's attempts at consolation. It attends to the questions of what and who is excluded by the social forms of Old English verse...
Journal Article
Journal of Medieval and Early Modern Studies (2009) 39 (3): 459–481.
Published: 01 September 2009
... world where no one nation or city could maintain hegemony, fashion communicated concrete personal choices pieced together in styles that departed from predominant courtly aesthetics. Fashion registered in concrete terms “a Renaissance world in movement,” one which was connected to dramatic...
Journal Article
Journal of Medieval and Early Modern Studies (2007) 37 (3): 645–646.
Published: 01 September 2007
..., following the style guidelines of the Chicago Manual of Style (14th ed., esp. chap. 15 on docu- mentation; or 15th ed., chaps. 16 –17). The length of manuscripts, inclusive of notes, should not exceed 10,000 words (about 50 manuscript pages). Articles accepted for publication will need...
Journal Article
Journal of Medieval and Early Modern Studies (2007) 37 (2): 445–446.
Published: 01 May 2007
..., following the style guidelines of the Chicago Manual of Style (14th ed., esp. chap. 15 on docu- mentation; or 15th ed., chaps. 16 –17). The length of manuscripts, inclusive of notes, should not exceed 10,000 words (about 50 manuscript pages). Articles accepted for publication will need...
Journal Article
Journal of Medieval and Early Modern Studies (2015) 45 (3): 573–594.
Published: 01 September 2015
... • • Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques Perret’s Des fortifications et artifices (1601) Morgan Ng Harvard University...
Journal Article
Journal of Medieval and Early Modern Studies (2007) 37 (3): 579–594.
Published: 01 September 2007
...Seth Lerer Duke University Press 2007 a Aesop, Authorship, and the Aesthetic Imagination Seth Lerer Stanford University...
Journal Article
Journal of Medieval and Early Modern Studies (2014) 44 (2): 281–320.
Published: 01 May 2014
... historicizing syntax over their long history illuminates their aesthetic role as part of an architectural language that may help us understand better the ambiguity and contingency of architectural meaning. a When Old Meets New...
Journal Article
Journal of Medieval and Early Modern Studies (2009) 39 (3): 545–570.
Published: 01 September 2009
... between clothing and fluctuating fashions is the association of clothing with change of all kinds — with the Fall; with social and political mobility; with novel, often imported fabrics, embroideries, shapes, and colors; with new styles and designs. For a person “to change,” as we say...
Journal Article
Journal of Medieval and Early Modern Studies (2013) 43 (3): 623–653.
Published: 01 September 2013
...), Blégny can at least be the one to teach Paris how to serve them according to the very latest trends in housewares. The théière (Le Bon Usage, 34), cafetière (149, 153, 155) and the chocolatière’s dowel for frothing (274), which he showcases in engravings to illustrate the diversity of styles avail...
Journal Article
Journal of Medieval and Early Modern Studies (2007) 37 (3): 493–510.
Published: 01 September 2007
... period of Christian expansion clearly differed radically from what occurred in northern Europe, so that both its duration and its frequent eclecticism defy traditional periods and styles.17 As López Guzmán points out, cumbersome terms such as Romanesque-Mudéjar or Gothic-Mudéjar are simply...
Journal Article
Journal of Medieval and Early Modern Studies (2022) 52 (1): 119–145.
Published: 01 January 2022
.... Apocalypticism provides an idea of order that can be translated into aesthetic experience via a variety of different formal techniques in architecture, poetry, and music. 10 The formal ideals of wholeness, perfection, and completion bear an indelibly apocalyptic sense, as the universal ordo of both space...
Journal Article
Journal of Medieval and Early Modern Studies (2008) 38 (2): 345–371.
Published: 01 May 2008
..., California. objects) that, with all due caution, might be called “aesthetic.” We may at least surmise that sixteenth-century printers took the trouble to purchase and use fonts of flowers because, beyond their technical uses, they were felt to be beautiful.In a previous essay, “How to Look...
Journal Article
Journal of Medieval and Early Modern Studies (2002) 32 (1): 17–40.
Published: 01 January 2002
... is that of manuscript transmission and the theory of appropriation known as bricolage. In his influential treatment of subculture studies, Subculture: The Meaning of Style, published in 1979 in Methuen’s New Accents series, Dick Hebdige broadened the scope of British cultural studies accounts of the textual struggle...
Journal Article
Journal of Medieval and Early Modern Studies (2013) 43 (3): 487–519.
Published: 01 September 2013
... . Boccaccio and Sacchetti provide more than just anecdotal bric-a-brac to Vasari and his fellow Renaissance art theorists. Both authors identify the painter’s labor as a central problem for aesthetic theories of painting. In contrast to Boccaccio, Sacchetti sees no contradiction between the daily realities...
Journal Article
Journal of Medieval and Early Modern Studies (2009) 39 (3): 511–544.
Published: 01 September 2009
...Ann Rosalind Jones In Cesare Vecellio's costume books, Degli Habiti antichi et moderni di diverse parti del mondo (1590) and Habiti antichi et moderni di tutto il Mondo (1598), the basic premise of the costume book—that it recorded styles of dress being worn at the moment of publication in Europe...
Journal Article
Journal of Medieval and Early Modern Studies (2022) 52 (1): 17–40.
Published: 01 January 2022
... of the universal plot, Doomsday literature created a difficulty for itself. It removed the ignorance of those for whom the return of Christ would have come as a surprise, but in so doing, it risked also ruining the narrative's suspense. This posed not simply an aesthetic, but a moral problem. An audience either...
Journal Article
Journal of Medieval and Early Modern Studies (2022) 52 (1): 93–117.
Published: 01 January 2022
... of their favorite pagan deities: Arcite, from Mars; Palamon, from Venus; Emily, from Diana. Chaucer's descriptions of these places are notable for their highly wrought aesthetics. Arcite's men win the tournament; at the very moment that they do, jealous Venus sends a Fury to startle Arcite's horse, which fatally...
Journal Article
Journal of Medieval and Early Modern Studies (2002) 32 (3): 493–518.
Published: 01 September 2002
... or ambiguous space, which, by virtue of its indeter- minacy, could be variously and “freely” inhabited. However, if thus siting vagrancy metonymically extended the vagrant experience, it also restricted access to it. Broadside street ballads—the aesthetic form which not only decorated alehouse walls...