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1-7 of 7 Search Results for
Francisco de Goya
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in Goya, Portraiture, and the (Impossible) Art of Deciphering Faces
> Journal of Medieval and Early Modern Studies
Published: 01 January 2024
Figure 14. Francisco de Goya, Luis de Borbón, príncipe de Parma y rey de Etruria (1800). © Archivo Fotográfico Museo Nacional del Prado, Madrid.
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in Goya, Portraiture, and the (Impossible) Art of Deciphering Faces
> Journal of Medieval and Early Modern Studies
Published: 01 January 2024
Figure 13. Francisco de Goya, La familia de Carlos IV (1800). © Archivo Fotográfico Museo Nacional del Prado, Madrid.
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in Goya, Portraiture, and the (Impossible) Art of Deciphering Faces
> Journal of Medieval and Early Modern Studies
Published: 01 January 2024
Figure 1. Francisco de Goya, Aesop , after Velázquez (etching, 1778). © Archivo Fotográfico Museo Nacional del Prado, Madrid.
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in Goya, Portraiture, and the (Impossible) Art of Deciphering Faces
> Journal of Medieval and Early Modern Studies
Published: 01 January 2024
Figure 12. Francisco de Goya, Retrato del General Ricardos (1793). © Archivo Fotográfico Museo Nacional del Prado, Madrid.
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in Goya, Portraiture, and the (Impossible) Art of Deciphering Faces
> Journal of Medieval and Early Modern Studies
Published: 01 January 2024
Figure 15. Francisco de Goya, Las Meninas , after Velázquez (etching, 1778). © Archivo Fotográfico Museo Nacional del Prado, Madrid.
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Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (1): 165–201.
Published: 01 January 2024
...Figure 14. Francisco de Goya, Luis de Borbón, príncipe de Parma y rey de Etruria (1800). © Archivo Fotográfico Museo Nacional del Prado, Madrid. ...
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Journal Article
Journal of Medieval and Early Modern Studies (2024) 54 (1): 1–7.
Published: 01 January 2024
... the way down to Francisco Goya—also turned to physiognomy to help them offer more psychologically complex representations of various figures, real and imagined. Accordingly, it is clear that physiognomy—whether it was accepted or not—played a central role in the imagination of the Renaissance, as scholars...